After the attacks of 9-11, the Department of Defense gathered top novelists
and
screenwriters and asked them to put their heads together to come up with
worst-case scenarios, trying to stay one step ahead of what terrorists might
be
planning. I think that speaks volumes for the value of imagination.
A few years ago I took the coursework to become a
private investigator in the state of Georgia, strictly for research. I was
the
thorn in all the instructors’ sides because they would explain how something
was
done and I would raise my hand and ask, “How could a person get around
that?” or
“How could that go wrong?” I was always trying to figure out how a criminal
might try to get away with something or how a situation could be made worse
by a
loophole in the law. When one of my instructors found out I was a novelist,
he
remarked that, like writers, the best private investigators and detectives
have
a fertile imagination.
That got me thinking about how many skills overlap the two occupations.
Note-taking: Writers rely on note-taking to catalog story ideas and
keep
up with various bits of info. P.I.’s rely on note-taking to log their time
and
what they see, else they can’t bill out hours.
Analyzing: Writers take disparate pieces of info and figure out ways
to
link them together to tell a story. P.I.’s also take what might seem like
disjointed pieces of information and try to piece together a story.
People-watching: Writers observe people to get ideas for body types
and
mannerisms for their characters. P.I.’s observe people because body language
sometimes speaks more loudly than words.
Interviewing: Writers conduct interviews to make their stories as
authentic as possible. P.I.’s conduct interviews to get the most accurate
version of a story.
Sitting: Writers sit…a lot. P.I.’s also sit…a lot. In fact, a
private
investigator once told me that because 80% of her work is domestic
surveillance
(catching cheating spouses), she spends about 6 hours a day sitting in her
car!
I can relate to that.
So if this writing gig doesn’t work out, maybe I’ll hang my P.I. shingle…
__________________________________________
Stephanie Bond
writes
the humorous sexy mystery series BODY MOVERS for Mira books. Books 1-3 are
available now; 4 Bodies
and
a Funeral, 5 Bodies
to
Die For, and 6 Killer
Bodies will be released back to back in April, May, and June.
8 comments posted.
The titles sound interesting. I am really intreagued with you getting your PI license though. That is really getting into the heads of your characters.
(Karin Tillotson 4:04pm April 8, 2009)
I definitely agree. As a journalist, I often know more about the law than the local cops do!
(LuAnn Morgan 4:37pm April 8, 2009)
I am just wondering: Did they teach you gum-popping, wisecracking "Mug" speak? You know: I'm gonna blast ya if you don't throw down that rod,she's a hot Mama-all that cool retro-speak.
(Dawn Raymer 5:54am April 9, 2009)
The class was taught by a rotation of instructors, from police officers to weapons specialists and self-defense instructors. They made it all sound so glamorous and exciting. But the last set of classes were taught by a female P.I., and she gave me the skinny on just how UN-glamourous the job is. LOTS of sitting, drive-through food, and hysterical clients. She joked that with all the stories she knew on people that maybe she should trade in her shingle for a pen and write her own novel!
(Stephanie Bond 2:03pm April 9, 2009)
Some of the finest crime novels are women writers writing about women PIs - my own favourites include Carol Lea Benjamin and Sue Grafton as well as Dana Stabenow. I have not read yours yet but I will be looking out for them.
(Clare O'Beara 7:20am September 22, 2012)