June 23rd, 2026
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Fresh Pick
A SCAR IN THE BONE
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One disastrous night. One devastating man. One diabolical proposition.


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Love, Danger, Homecomings & Heart β€” Your June Reading Escape Starts Here


Fresh Fiction Blog
Get to Know Your Favorite Authors

Donna Lea Simpson| Bucking My Own Trend

I wrote traditional Regency romances for six years with Kensington. I read
Regency romances. I researched the period, read about the period, loved the
period, so when I switched to longer format historical romances, I would
naturally write about the Regency period, right?

Well, no.

I veered off to the late Georgian era. My Awaiting series (Awaiting the Moon, etc.) was set in 1795 Germany, and Lady Anne and the Howl in the Dark (Sourcebooks Casablanca – April 2009), the first book in a new series, is set in Yorkshire 1786. Why? At first, I didn’t know a thing about the period, except that George the III was mad (he wasn’t really… oh, he was ill, but it was physical not emotional or mental) and… well, that was pretty much it.

You think I’m exaggerating?

I wish I was. My first problem with Lady Anne and the Howl in the Dark came right away, when I had to write the first scene, where Lady Anne is traveling north to Yorkshire at the desperate request of her friend, Lady John Bestwick. Seems there’s a werewolf in Yorkshire, and Anne needs to get there as quickly as possible. Royal Mail was the only way to get there swiftly. Luckily, I found out that the Royal Mail had begun accepting passengers by 1786, and had improved the route to the point that Anne could get from London to Yorkshire in one day, more or less.

That was just the beginning of the research I needed to do, I realized, when I
tried to describe her dress. When, exactly, did the waist on lady’s gowns rise
from Georgian lows to Regency highs? How did you light a fire or a candle in
1786 (hint… not with a match). How were Georgian gowns constructed? (I became
familiar with the β€˜Stomacher’, a section pinned or fastened on over a gown
front). And the gowns! There was the robe Γ  l’Anglaise, Γ  la FranΓ§aise, Γ  la
Polonaise, Γ  la Mayonnaise! Okay, so that last part I’m making up. No
mayonnaise.

But why would I do such a thing as completely depart from an era I had spent
years researching and learning about? It wasn’t out of necessity. The Regency
is a tried and true period popular among romance readers, after all. But that
was the problem. With the β€˜Awaiting’ books, and again with the Lady Anne
series, I wanted a kind of Gothic feel: mystery, menace, madness. The Regency
felt too light and bright for me, too modern, too known.

I’ve now done the acres and acres of research on the Georgian period to
credibly clothe and inform my characters, so, much of what I read now, I read
out of interest not necessity. I’ve fallen in love with the art, the music, the
literature. And I think I understand better now, what made me travel back a few
years from that tried and true Regency era. I wanted the challenge, and I
longed for the unknown. I needed to take a break from the familiar and step
into the unfamiliar.

It’s worked, and I had a lot of fun doing it. So…

Have you ever taken a step outside the familiar to travel down an unknown road,
either literally or metaphorically?

Have you ever promised to do something at work and realized you didn’t know how to do it? Volunteered for a committee or project, and found out it entailed a lot more work than you realized? Or… Has a favorite writer of yours ever changed the era in which he or she set their books, and you wondered why? Visit me at: www.donnaleasimpson.com to find out more about the Lady Anne series, and the Georgian Era!

Comments

3 comments posted.

Re: Donna Lea Simpson| Bucking My Own Trend

One of my favorite authors is Taylor Caldwell. She wrote historical romances back when women weren't recognized as authors. In fact, she chose the pen name Taylor (after her supportive grandfather) because she felt it would make people think the books were written by a man.
Every now and then I would run across one of her books that was of a different genre and I often wondered why. I would still (most of the time) enjoy them, of course, but they didn't read quite the same.
(LuAnn Morgan 2:05pm March 30, 2009)

I enjoy reading about how authors write under pseudonyms because in real life, they don't want to be known for that genre. It may be because of embarassment (job, family) or assumptions about gender. Travel out of one's comfort zone is always a risk, but you learn more about human nature and what new levels you can reach, achieve and take steps to strive for.
(Alyson Widen 2:40pm March 30, 2009)

Yes, yes, and yes. I grew up, and went to college in the same town, never traveled or got to do much different. Two weeks after graduation I left for the Peace Corps and spent 3 years on the other side of the world. Loved it. I'm always getting involved in one thing or another for either my job (children's librarian) or some other group. I'm constantly researching some new project or topic we'll be working on (cowboys, theater restoration, the arts, space, medieval life, pow wows, to name a few). It keeps life interesting. I love learning new stuff. Julie Garwood's were my first romance books. When she switched from historicals to modern suspense I was really upset. She is a great author and her FBI books are good. I just miss the historicals.
(Patricia Barraclough 10:57pm March 30, 2009)

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