September 15th, 2026
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On Top Shelf
📚 New Books This Week 📰 Latest News 🎪 Reader Games

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Some promises cost you the one you love.

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The Temple of Kronos wants her dead. The Stoneslayer wants her destroyed. Neither will have her.

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A poisoned cousin, a five-year-old's life, and a family with too many secrets.

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Betrayal runs in her blood. Justice runs in his. Together, they burn it all down.

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"ANOTHER WINNER!"
From New York Times
Bestselling Cleo Coyle

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Running from her past, she finds a killer, a protector, and her faith.


Snowbound secrets, shifter wars, family lies, and epic battles — September delivers it all.


The Daily Dose
Smattering of Romance, Paranormal, and General Observations

Why Contemporary?

Last month before I went to the RWA National Conference, I wrote a fast draft of
a contemporary romance. This isn't a paranormal or a fantasy. No one has magic
powers. There are no hidden spells to be sprung and no sorcerers or mad
shapeshifters to defeat. It's just a pure, contemporary romance between two
people in some unusual circumstances. The hero is a little larger than life and
the heroine is plucky, determined and a whole individual.

So Why a Contemporary?

I've been asked this question a lot lately. I have been spending this weekend
wrapping up the edits so that it's fully polished and while I've made some
changes as I've been editing, the basic heart of the story is intact. I found
myself falling in love with my hero and his heroine: Max and Anya, all over
again. So as Jayne Ann Krentz reminded us, what is the heart of the story?
What is the meat of it?

Stories that appeal to me are stories about strong characters. It doesn't
matter if they are vampires, werewolves, billionaires or police officers. I
want to know the people, their hopes, their dreams, their flaws and their needs.
It's those needs I think that talk to me when I am reading or writing a story –
needs aren't as easy for some people to define or to identify. In fact, it's
easy to say we don't always know what we need and when we find the person or
thing that fulfills those unspoken needs – it can be explosive good fun to write
and to read.

Developing the Contemporary

The contemporary focuses on real people, people who live today. They struggle
with real things. Now, it may not be making the mortgage payment. It could be
making sure they stay out of jail or putting back an artifact they stole.
Sometimes they are loaded with money. But they live in our world. They have
hopes and fears. Fears can arrest a person. They can arrest their development,
hold them back from happiness and even get them into more trouble by trying to
avoid them.

I wrote a contemporary because I fell in love with Max and Anya. I fell in love
with the idea of their story and when I wrote it, I fell in love with the
journey and when I was editing, I fell in love with them all over again. They
aren't perfect, but they are perfect for me.

So what about contemporary romances attracts you?

Comments

1 comment posted.

Re: Why Contemporary?

I am writing a contemporary romance
also. In the past I gravitated toward
the historical romance because I could
propel myself into a gone-by era.
Now with my book I have fallen in love
with what happens now, the prospect
of what could happen now. Its
relatable.
(Linda Bolton 7:12am September 7, 2010)

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