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He doesn�t need a woman in his life; she knows he can�t live without her.


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Blaize Clement | THE JOURNEY FROM THERE TO HERE

With my fifth mystery, RAINING CAT SITTERS AND DOGS (St. Martins Minotaur), having just hit the bookstores, and my fourth mystery, CAT SITTER ON A HOT TIN ROOF, a nominee for the 2009 Mary Higgins Clark Award, I sometimes catch myself looking back in some wonder at how I got to this point.

I've been a writer almost as long as I've been a reader. I wrote because I had to write, the same way I had to breathe. But I also had to make a living, so while I wrote short stories, essays, plays, non-fiction, and books "ghosted" under other people's names, I never considered writing as a serious career. My career was being a psychologist, which allowed me the freedom to write whatever I wanted to write. If an essay or a story found a publishing home, that was fine. If it didn't, that was fine too. Not having to rely on writing to pay the rent, I could explore ideas, try out different voices, spread my wings as widely as I wanted. I didn't realize it at the time, but I was putting in an apprenticeship that would one day be vital to a new career.

I read somewhere that to become an expert at anything, you have to spend ten thousand hours practicing it. At the end of ten thousand hours, presto, you're an expert. I thought that was outlandish until I did the math. Assuming that an "expert" writer is a published writer, to become published is to write five hours a day every day for about five and a half years. Or two hours a day for about sixteen years. That includes childhood writing, school essays, and all those aborted novels that never got finished, so it really isn't such a huge amount of writing after all. Even those literary wunderkinds barely out of their teens have been scribbling for years.

While my experience as a psychotherapist gave me an intimate look into the ways human beings let love or hatred or fear lead them into dark places of the soul - an invaluable asset for a mystery writer - it was ten thousand hours of exploring different genres and voices that led to a groove that fits my personality and my experience and my sense of humor. So to all those who are still in the apprenticeship stage of writing, value every moment you spend writing. Celebrate every manuscript that didn't work, rejoice at every rejection slip, respect every banal essay, and every trite poem you write. Every word you write makes you an expert at your craft and takes you closer to fulfilling your ten thousand hours of required practice. My best to you,

Blaize

www.BlaizeClement.com. "Kitty Litter" blog: http://www.DixieHemingway.wordpress.com

 

 

Comments

8 comments posted.

Re: Blaize Clement | THE JOURNEY FROM THERE TO HERE

I can't think of anything I like more than writing, except chocolate. Thanks for the tips and enjoyed your Kitty Litter blog.
(Alyson Widen 1:30pm February 10, 2010)

It always amazes me where our life experiences take us. It is our destiny. Thank you for an imformative blog.
(Rosemary Krejsa 3:37pm February 10, 2010)

Blaize, your story should be very encouraging to beginning writers or even more-experienced ones. I am sure that rejection slips have to be very depressing after hours of slaving over any writing, but "keep on keeping on" seems to be what is required to be successful in writing as elsewhere.
(Gladys Paradowski 3:39pm February 10, 2010)

Very interesting. Thank you.
(Mary Preston 4:12pm February 10, 2010)

I smiled at 10,000 hours of practice, but I sure do enjoy your cats and dogs mysteries. Keep up the good work.
[email protected]
(Penny Tuttle 8:20pm February 10, 2010)

I enjoy mysteries with cat themes, congratulations on your new book
(Diane Sadler 9:19pm February 10, 2010)

Don't know if I'm an expert
writer but boy am I an expert
reader by this measurement :)
(Lisa Richards 1:24pm February 11, 2010)

I'm not a writer but appreciate the article!
(Brenda Rupp 11:18pm February 11, 2010)

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