Anna Bradley debuted her new Sutherlands series
with LADY ELEANOR'S SEVENTH SUITOR on September 5th. She stopped by Fresh
Fiction to talk with Miranda
Owen about the new book, starting a fresh series, and what to expect from
her next.
In LADY ELEANOR'S SEVENTH SUITOR, Lady Eleanor and Camden have a
somewhat adversarial relationship for much of the story. Normally I prefer the
hero and heroine to be on the same side, facing an outside threat. What makes
this romance work for me, is that the reader is able to get inside their heads
and see what they're feeling and thinking. Which type of romance do you find
easier or more enjoyable to write – one in which the hero and heroine start out
with a prickly relationship, or one in which they like each other right
away?
I admit to being a big fan of the "enemies to lovers" trope, so when my stories
open, the characters do tend to be at odds with each other. That's not to say I
don't like a story where the hero and heroine are on the same page, but I've
always been drawn (as a reader and a writer) to the kind of stories where the
characters have a great deal to overcome before they get (or deserve!) their
HEAs. One of my favorite things about Cam and Ellie's story is that as readers
we really wonder if they're ever going to be able to overcome their differences
and get their happy ending, and I like the tension of that. With these two
characters, I really wanted part of their story to be as much about discovering
who they are (and aren't!) through their love for each other.
I love Eleanor. I always cheer for an intelligent heroine, but I often
feel like many female characters are written as very reactionary and sometimes
easily manipulated. What I love so much about Eleanor is that she is intelligent
and nobody's fool. Like the Stephanie Laurens' characters I adore – both male
and female – she sees a situation from every angle and stops to reflect before
acting. Are there certain traits that you try to endow all your heroines with –
inner strength, intelligence, etc. – while still making each one different? Who
are some of your favorite fictional heroines?
Thank you—I love Eleanor, too! Her character unfolded pretty easily on the page,
in part because I'd set her up as a clever, strategic thinker in the previous
two Sutherland novels. I had so much fun writing her—I really love
writing intelligent, determined heroines, and a sharp tongue never hurts when a
heroine is dealing with a bullheaded hero! I do try to make my heroines strong,
grounded characters, but they can be strong in different ways, and I don't think
"strong" necessarily means "fearless." For example, we see a different kind of
strength with Lily Somerset from A SEASON OF RUIN than we do
with Charlotte Sutherland, from LADY CHARLOTTE'S FIRST
LOVE. Both heroines harbor secret fears and regrets, and both are determined
to survive and thrive despite them, but they have different strengths and
weaknesses.
I have so many favorite fictional heroines it's hard to limit it to just a few,
but I've always loved Loretta Chase's Jessica Trent from LORD OF SCOUNDRELS. Another
of my favorites is Lily Bart, from Edith Wharton's HOUSE OF MIRTH. Her tragic
ending breaks my heart every time!
LADY ELEANOR'S SEVENTH SUITOR has a wonderful amount of sizzling sexual
tension, and I was wondering if that's a difficult element to keep up as you're
writing a book. What are your favorite scenes to write?
It can be difficult, yes! It's something I have to think consciously about. I
keep a long list of revision notes for every book I write, and I always have one
note that says "Make it hotter!" By "hot" I'm not necessarily referring just to
sex scenes because I also love writing scenes that are sensual and sexy that
don't necessarily include sex. I'm a big fan of the "slow burn."
I have two favorite "sizzling sexual tension" scenes in LADY ELEANOR'S SEVENTH
SUITOR. The first is the scene at the garden party where Cam and Ellie are
watching Amelia make daisy chains, and Cam comes up behind Ellie and whispers in
her ear. They're still very much at odds in this scene, but the sexual
attraction is undeniable. The second scene is the one that takes place in the
hallway after Cam has tea with Ellie's mother, where Cam is kissing Ellie's hand
and wrist. Both of them know they can be caught at any second, but they're so
overwhelmed with desire they can hardly control themselves. As Cam discovers in
that scene, hands can be so sexy!
I love how you describe Camden as "a villain with a hero's scruples".
What inspired you to write such a hero? Which are your favorite characters to
write – heroes, antiheroes, or villains? Is there any line you wouldn't have
your heroes cross? Who are some of your favorite fictional heroes?
I love this question because I thought a lot about who I wanted Cam to be before
I started writing the book. I was interested in writing a hero who commits a
dishonorable act, but who isn't a dishonorable person. I wanted to show through
Cam that one bad act doesn't necessarily define who a person is. I like the idea
of playing with the idea of the "good villain," or the villain who's really the
hero once the layers are peeled away. There are times in the book where we get
really angry with Cam, but as unfair as he is to Ellie, Cam does have a moral
center. He knows he's doing the wrong thing, but he believes he's doing it for
the right reason—to protect Amelia. Ellie forgives him because she feels the
same way about Charlotte—she'll protect her at all costs.
Forgiveness is a recurring theme in the book, and LADY CHARLOTTE'S FIRST LOVE
has a similar underlying theme, though that book is more about self-forgiveness.
That said, there are lines I would never have a hero cross because I do think
there are some acts a true hero would never commit, no matter how conflicted he is.
One of my all-time favorite heroes is Professor Snape in HARRY POTTER AND THE DEATHLY
HALLOWS. He's a heartbreaking example of the hero/villain, and I think we
see a milder version of that same dynamic at work with Mr. Darcy, the
quintessential romantic hero.
I've read your previous book, but not your first book set in the world
of the Sutherlands. As a reader, I always find it helpful to have the author
talk about their characters in their own words. For readers who might be new to
your books, how would you differentiate the heroes from your first three books –
Alec Sutherland, Robyn Sutherland, and the wonderfully complex Camden West? Is
there anything you can reveal about the heroes in your next two books – Julian
West and Ethan Fortescue?
Another great question! Alec from A WICKED WAY TO WIN AN
EARL, which is the first book in the series, and his brother Robyn, from A SEASON OF RUIN, have some
demons to deal with, just as Camden West does, and their stories are in part
about how they struggle with that. My heroes all tend to be strong alphas like
Cam, and I would say Alec is probably the most like Cam in that he's fiercely
protective of his family, though his efforts on their behalf, like Cam's, are
somewhat misguided! Robyn is a much more playful character, but he's a rake, and
he's hiding debilitating pain under the guise of the reckless debaucher, so he's
very different from Alec and Cam.
Of all my heroes so far, I think Julian West is the one who struggles the most.
He returns from Waterloo with what would today be diagnosed as PTSD—all of his
illusions have been shattered, and he doesn't recognize or trust himself
anymore. He has demons just as Alec, Robyn, and Cam do, but his most challenging
demon is himself—he has to struggle to become the man he used to be before he
went to war. Ethan Fortescue—Lord Devon (or Lord Demon, depending on who you
ask!) is a bit of a villain/hero like Cam. He's an honorable man, but all of
London believes him to be a murderer, and he has some painful ghosts to lay to
rest before he can find his HEA. Fortunately for Ethan, he has a strong,
determined heroine in Thea Sheridan!
How much time passes between the end of LADY ELEANOR'S SEVENTH SUITOR
and Charlotte's book? What can you tell readers about LADY CHARLOTTE'S FIRST
LOVE?
A little over a year passes between the two stories. At the end of LADY
ELEANOR'S SEVENTH SUITOR, we see Julian West—Cam's cousin and Charlotte
Sutherland's lover —leaving London, his heart broken by the disastrous end of
his love affair with Charlotte. The story picks up again after the battle of
Waterloo, where Julian has distinguished himself with his heroic actions against
Napoleon's army. He returns to London as a conquering hero, but he doesn't feel
heroic—he feels like a failure and a fraud.
Charlotte, meanwhile, is also struggling with PTSD. Her husband has died under
tragic circumstances, and she's become one of a quartet of notoriously wicked
widows who are shocking London with their outrageous scandals. Both Julian and
Charlotte are trying to run away from themselves, but of course, they have
unfinished business between them, and within days of Julian's return they become
inextricably tangled up in each other's lives again. With their relationship, we
get some of the enemies-to-lovers trope, but also a strong element of the
second-chance-at-love trope, too.
What are you currently working on?
I'm just finishing up the second book in the Somerset Sisters series, which is a
three book series featuring the youngest Somerset sisters, Iris, Violet, and
Hyacinth. I'm currently writing Violet Somerset's story, and I'm completely in
love with her as my heroine! She's the first bluestocking heroine I've written,
and she's on an unusual quest for knowledge. I'm having a great time running her
and her hero, Nicholas Balfour, Lord Dare from one dark alleyway to the next as
they take a peek into the mysterious side of 19th century London.
Anna Bradley has been an avid reader, writer and book fondler since
childhood, when she pilfered her first romance novel and stole away to her
bedroom to devour it. This insatiable love of the written word persisted
throughout her childhood in Maine, where it led to a master's degree in English
Literature.
Before she became a writer, Anna worked with a rare books library featuring
works by British women writers from the 1600s through the Regency period. Here
she indulged in her love of stories, fondled smooth, leather-bound volumes to
her heart's content and dreamed of becoming a writer.
Anna writes steamy historical romance (think garters, fops and riding crops)
and squeezes in a career as a writing and literature professor on the side. She
lives with her husband and two children in Portland, OR, where people are
delightfully weird and love to read.
The
Sutherlands
Two sought-after sisters, a slew of suitors-and a vow to hold out for true
love. How many proposals will it take to get to "I do"-especially when the
stakes are high . . .
There have been six suitors so far, all vying for the attention-and generous
dowry-of the beautiful, elusive Eleanor Sutherland. What does this woman really
want? Who has what it takes to melt the heart of the so-called Lady Ice? These
are the questions Camden West keeps asking himself. But rather than wait for
answers, Cam takes matters into his own hands . . . for he has a secret weapon.
Cam knows that Ellie's sister, Charlotte, harbors a scandalous secret-one
that could bring ruin to the Sutherland name. If Ellie marries him, Cam promises
to keep mum. But is she willing to sacrifice her own happiness for her sister's
reputation?
To Ellie's surprise, it becomes clear that Cam doesn't need her money, nor is
he interested in her status. Soon, what begins as a sham engagement transforms
into something deeper, and more passionate, than Ellie could have imagined. Is
it possible that all Cam truly wanted was her? And is that reason enough to say
yes-or is handsome Cam hiding something else? Even for a lady in love, only the
truth will do . . .
Romance Historical
[Lyrical Press, On Sale: September 5, 2017, e-Book,
ISBN: 9781516105168 / eISBN: 9781516105168]
A
thrilling and sensual romance that should be a must-read for historical romance
fans!
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