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Laura Childs | The Art of Crafting a Mystery


Ming Tea Murder
Laura Childs

AVAILABLE

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Tea Shop #16

May 2015
On Sale: May 5, 2015
Featuring: Theodosia
336 pages
ISBN: 0425281647
EAN: 9780425281642
Kindle: B00NMPN1N8
Hardcover / e-Book
Add to Wish List

Also by Laura Childs:
Peach Tea Smash, August 2024
Honey Drop Dead, July 2024
Murder in the Tea Leaves, March 2024
Lemon Curd Killer, February 2024

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Whenever I’m visiting bookstores, libraries, book clubs, and writing groups, I get asked about the business of writing. How do I do it? How do I go about starting a book? What are the rules of mystery writing? Well, there aren’t any rules per se. I think any time you color outside the lines, you end up with a piece that’s far more interesting. But there are a few guidelines that I subscribe to – writing techniques that seem to work well for me. For one thing, I always begin with a title. If I don’t have a title nailed down, I can’t seem to get any traction on the book. So I brainstorm title ideas – trying to come up with at least twenty or so good ones. For some reason, when I see the right title, it just clicks. That title then gives me the germ of an idea on how the plot might unfold. So that’s a biggie right there.

Next I work on characters and character names. As I line up my cast, I start figuring out what roles they might play. From there I come up with a major, problematic event. That is, what happens to kick off my murder mystery? Is there a fire, an explosion, or a horrible accident? Or is it something more subtle? I’ve had poisonings at a tea party, stabbings during a cemetery crawl, exploding antique guns, and pirate skull robberies. Whatever I come up with, it becomes the catalyst that sets the entire story in motion.

At this point, I’m sketching an outline on a very large piece of paper. Trying to fill in major events, walk-on roles for all my suspects, and a few more big problems (explosions, a second murder, etc.). These are all thing that I hope will kick the stuffing out of where you thought the story was going.

To keep everything straight on my outline (which is also set up as a timeline), I color code my suspects. That way I’m reminded to constantly keep my suspects rubbing shoulders with my protagonist instead of just bringing the killer in (ah ha!) at the end.

When my outline feels good, I transfer it to my computer and start fleshing it out. When it gets to a fairly substantial eighty pages, I go back to chapter one and write the whole thing straight through. I try to write ten to twelve pages a day and always feel completely mentally engaged with the book until it’s finally finished.

For my grand finale I like a good chase scene (cars, horses, food trucks, you name it – I’ve done it all.) And then a final-final scene where the killer is brought to justice, red herrings are explained, and all is right with the world. Until, of course, the next book comes along.

If you’d like to see how I make like a literary magician and pull all this random stuff out of a hat, just pick up MING TEA MURDER, my newest Tea Shop Mystery. All the ingredients I’ve mentioned are in there, but I hope they’re woven together so seamlessly that you never really spot them. Enjoy!

Thank you and blessings to all.

Laura Childs

About MING TEA MURDER

It’s scones and scandal for Indigo Tea Shop owner Theodosia Browning in the latest from the New York Times bestselling author of STEEPED IN EVIL

Normally Theodosia wouldn’t attend a black tie affair for all the tea in China. But she can hardly say no to her hunky, handsome boyfriend, Max, who directs public relations for the Gibbes Museum in Charleston. Max has organized an amazing gala opening for an exhibit of a genuine eighteenth century Chinese teahouse, and the crème de la crème of Charleston society is invited.

In the exotic garden staged in the museum’s rotunda, a Chinese dragon dances to the beat of drums as it weaves through the crowd. The guests are serenaded by a Chinese violin as they sample an assortment of tempting bites. And to give them a memento of the occasion, there’s even a photo booth. But Theodosia makes a grim discovery behind the booth’s curtains: the body of museum donor Edgar Webster.

While Theodosia prefers tea service over the service of justice, this case is difficult to ignore—especially after Max becomes a suspect. Now she must examine the life of the fallen philanthropist and find out who really wanted him to pay up…

INCLUDES DELICIOUS RECIPES AND TEA TIME TIPS!

About Laura Childs

Laura Childs is the New York Times bestselling author of the Tea Shop Mysteries, Scrapbook Mysteries, and Cackleberry Club Mysteries. In 10 years of writing she has produced 24 mysteries and has many more in the pipeline. Her Tea Shop Mysteries are under consideration for a television series and Childs is currrently executive producer for 2 reality TV shows. Visit Laura at her official website.

 

 

Comments

1 comment posted.

Re: Laura Childs | The Art of Crafting a Mystery

I can't think of one thing that I don't love about your
latest book!! For starters, anything to do with Chinese
culture, has my utmost attention, because I have read about,
and also collet anything Chinese, and have done so for
years!! The setting is very interesting. To write about
tea and a teahouse is an added plus!! When you write your
book as a mystery, I'm absolutely enrapt!! Congratulations
on your latest book, which I'm sure is going to be quite the
hit!! The cover with the ginger jars on it blew me away!!
(Peggy Roberson 8:03am May 5, 2015)

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