July 20th, 2024
Home | Log in!

On Top Shelf
Jade LeeJade Lee
Fresh Pick
THE LAST DRAGON KING
THE LAST DRAGON KING

New Books This Week

Reader Games

Video Book Club

Latest Articles

Slideshow image


Since your web browser does not support JavaScript, here is a non-JavaScript version of the image slideshow:

slideshow image
Movie costumer Joey Jessop discovers a Hollywood diva's deadly secrets.


slideshow image
Intelligent. Kind. Must like children. Passable looks. A man of means. Must make us laugh . . .


slideshow image
She won�t quit until she gets justice.
He won�t stop until she�s safe.


slideshow image
Julia Vargas is a cop with a mission.


slideshow image
Every romance needs a bit of mischief. . .


slideshow image
Passion has its own demands...and love, its wondrous possibilities...



July's Best Reads: Dive into Summer's Hottest Page-Turners!


Barnes & Noble

Fresh Fiction Blog
Get to Know Your Favorite Authors

Eliot Pattison | More Real than Reality


Soul Of The Fire
Eliot Pattison

AVAILABLE

Amazon

Kindle

Barnes & Noble

Powell's Books

Books-A-Million

Indie BookShop


December 2014
On Sale: November 25, 2014
Featuring: Shan Tao Yun; Lokesh
304 pages
ISBN: 0312656033
EAN: 9780312656034
Kindle: B00IQOFU2U
Hardcover / e-Book
Add to Wish List

Also by Eliot Pattison:
Freedom's Ghost, October 2023
The King's Beast, April 2020
Bones of the Earth, April 2019
Skeleton God, March 2017

One of the great gifts I receive as a writer are the messages from readers who say they never truly understood the situation in Tibet or life on the colonial frontier –the settings of my two series—until they read my novels. It highlights an aspect of writing that we too often ignore. Good fiction can, and should, help us understand our world more effectively than nonfiction. Historians deal with sterile facts, on a macro, societal level—and our collective understanding of history slips lower every year. Skilled novelists translate those facts into personal human experience, providing the reader with an opportunity to viscerally connect with another time and place. Your mind may grasp the dreadful statistics of China’s occupation of Tibet but if you truly want to understand that world, your heart needs to grasp the anguish of the gentle lama who is tormented for sitting at an altar with his Buddha. You can find plenty of timelines and bodycounts reflecting life in the American colonies but they pale beside experiencing the power of an Iroquois shaman through the eyes of an exiled Scot sitting at his campfire. “Fiction,” Emerson wrote, “reveals truth that reality obscures.”

For those of us who anchor our novels in faraway places or faraway times, telling that truth is a duty we owe our readers. This is a bond that must not be broken. Without authenticity in our backstory, we not only lose readers, we damage the genre. I work as hard at keeping my background true to fact as I do at building intrigue in my characters. But it is never simply a matter of fact-checking. Mastering the facts is only the beginning. Much more arduous, and even painful, is deciding what not to write, what not to use directly. Writers who invest long hours in research too often succumb to the temptation to use it all.

The hardest work comes in accurately weaving the backstory into the fabric of my plots and implanting it in the DNA of my characters. One of the tools I use for this is building a private history for each of my characters; there are elements of my characters’ lives that never appear directly on the pages of my books—only I know those detailed biographies, the “facts” of these fictional lives, but they help me breathe life into the players on my stage. If I succeed, then when readers wrap themselves around my characters they are also wrapping themselves around the backstory, accepting my invitation to be transported to that very different world. Novelists who take on this challenge have to distill the essence of their chosen time and place then let it seep and concentrate into the story in a thousand subtle ways. This is what Hemingway meant when he said “all good books are truer than if they really happened.”

About SOUL OF THE FIRE

When Shan Tao Yun and his old friend Lokesh are abruptly dragged away by Public Security, he is convinced that their secret, often illegal, support of struggling Tibetans has brought their final ruin. But his fear turns to confusion as he discovers he has been chosen to fill a vacancy on a special international commission investigating Tibetan suicides.

Soon he finds that his predecessor was murdered, and when a monk sets himself on fire in front of the commissioners he realizes that the Commission is being used as a tool to whitewash Tibet’s self-immolation protests as acts of crime and terrorism. Shan faces an impossible dilemma when the Public Security officer who runs the Commission, Major Ren, orders the imprisoned Lokesh beaten to coerce Shan into following Beijing’s script for the Commission.

He has no choice but to become part of the hated machine that is devouring Tibet, but when he discovers that the most recent immolation was actually another murder, he realizes the Commission itself is riddled with crime and intrigue.

Everywhere he turns, Shan finds new secrets that seem to lead to the last agonizing chapter of his life. Shan must make a final desperate effort to uncover the Commission's terrible secrets whose painful truth could change Shan’s life - and possibly that of many Tibetans - forever.

About Eliot Pattison

Edgar Award winning Eliot Pattison has been described as a "writer of faraway mysteries," a label which is particularly apt for someone whose travel and interests span a million miles of global trekking, visiting every continent but Antarctica. An international lawyer by training, Pattison first combined his deep concerns for the people of Tibet with his interest in fiction writing in THE SKULL MANTRA, which launched the popular Inspector Shan series. Pattison's fascination with the 18th century American wilderness and its woodland Indians led to the launch of his second critically acclaimed Bone Rattler series. ASHES OF THE EARTH marked the launch of his third series, set in post-apocalyptic America. A former resident of Boston and Washington, Pattison resides on an 18th century farm in Pennsylvania with his wife, three children, and an ever-expanding menagerie of animals.

 

 

Comments

3 comments posted.

Re: Eliot Pattison | More Real than Reality

I have added you to my TBR list for authors. When we were in
China a number of years ago, the TV would scramble whenever
Tibet was in the news. At first, we thought it was the TV
and later learned it was being blocked. I still loved my
trips to China; the people were so nice.
(Leona Olson 4:26pm February 18, 2015)

I'm so glad that you wrote this book!! This is a story that
has to be told, and more people are going to know about the
atrocities that are going on in that part of the world, if
they aren't aware of it already. I'm looking forward to
reading your book, and it's going on my TBR list. Again, I
Thank You!!
(Peggy Roberson 11:52am February 19, 2015)

I am often totally amazed at the research some authors go to in order to write their books. One can indeed learn so much by reading.
(Gladys Paradowski 12:24pm February 21, 2015)

Registered users may leave comments.
Log in or register now!

 

© 2003-2024 off-the-edge.net  all rights reserved Privacy Policy