For those of us not familiar with the issue that inspired this novel, can
you give us a brief summary of the conflict?
For years Walt Disney had visions of developing a world–class ski resort
in Southern California. The closest such ski resort to the denizens of Southern
California was in Mammoth or Lake Tahoe (6 to 10 hour drives from Los Angeles).
Disney and his family had heli–skied in the Mineral King Valley of the
southern Sierra Nevada Mountains a few times and Walt fell in love with the
magnificent valley.
After World War II, the Sierra Club started looking at the southern Sierra
Nevada Mountains for potential locations for alpine ski resorts at about the
same time as the Forest Service became interested in having one developed. The
Sierra Club identified the Mineral King Valley as the best area for such a
resort and the Forest Service ran with it. In 1965, Disney was top bidder for
the opportunity to build the resort. They started the process of planning and
moving forward with the development. Unfortunately, once the Sierra Club took a
closer look at the fragile nature of the valley's environment, they realized
they'd made a mistake and started a decade long battle to stop Disney's
development. Their position was that no matter how environmentally friendly
Disney's plan was, it could never mitigate all the potential environmental
devastation that would occur from the thousands of ski tourists who would come
into the valley every day. The Sierra Club won the day in 1977 and the Mineral
King Valley was added to Sequoia National Park to be forever protected from
development.
It was this conflict that formed the backdrop for my story, but it was the
dastardly conniving of real people that helped me develop the characters that
are the vital players in my story.
Why are the condors important?
The California Condor is a species truly threatened with extinction. While some
might view it as an ugly creature looking much like the common buzzard with its
bald head, scruffy feather ring around its neck, and hunched look on land, it is
magnificent as it soars high in the air on wind currents caught in its enormous
wingspan. The wingspans reach ten feet, although prehistoric versions of the
bird got as wide as fourteen feet with bodies as big and heavy as a small child.
I viewed the California Condor as the perfect animal because of its airborne
beauty, the fact it is something tangible and meaningful to any observer, and
because its vast range fit perfectly into the story I needed to tell. The final,
most compelling element of the Condor's existence is that there has not been a
live Condor birth in the wild for decades. The only birds alive today were born
in protective captivity and released into the wild in hopes that they will
survive.
How did you approach taking an environmental issue and turning it into a
legal thriller?
The truth is that they are a natural fit. On one side you typically have the
"tree–hugger," "no compromise" environmentalists, and on the other you
have the "make money at any cost," "no compromise" developers. When you throw in
the elements of greed, hatred of each side for the other, and the reality that
there oftentimes is no chance for compromise even if the parties were interested
in one, you set the stage for murder. Any time opposing forces are so adamant
about their positions that they will not even hear the other side, extreme
reaction, physical altercation, and even murder are the result . . . even in
real life. The danger inherent in a conflict involving more money than any
person could ever imagine is apparent to most people. When you throw in lawyers
(one of which I was and am) the stakes surge higher because people have such
built–in feelings (good and bad, but mostly bad) about attorneys. The
concept of THRILLER just oozed out of this confluence of these facts and
characters.
How much of the book is based on fact and how much of it is fictionalized?
The book is entirely a work of fiction. However, as with every writer of
fiction, I have taken real life experiences and people and infused them into
various characters and story elements. The Disney story is true, the threatened
nature of the Condor's existence is absolutely true, the California earthquake,
riots, and economic strife of the early 1990's are all true. All of these
things, as well as some of the real scenery, create the potential for the
fictional story to ring true to the reader. That is the job of a writer. I hope
I was able to pull that off.
Bio:
Darryl Nyznyk lives in Manhattan Beach, CA with his wife, Loretta. After
practicing law for 20 years, Nyznyk became a full–time writer and teacher.
He is also the author of the holiday novel, Mary's Son: A Tale of
Christmas. For more information, visit www.crossdovepublishing.com.
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