Life is about choices. Whether it’s something as simple as what to make for
dinner or as complex as which type of chemotherapy will work best, we all have
decisions to make as well as adversities to overcome. How we choose to face
them determines which path in life we take. Every road has its bumps. The trick
is knowing how to successfully navigate around them.
This month’s Jen’s
Jewels Kevin Michael
Connolly knows all too well that life is not fair. Born without two legs,
he has learned in his brief twenty-four years how to turn his unfortunate
circumstances into a life lesson we all can benefit from experiencing. In his
poignant memoir DOUBLE
TAKE, he shares with us his inspiring journey. Truly, his story is
unforgettable.
As part of this interview, Harper Studio has generously donated five copies for
you, my lucky readers, to win. So, don’t forget to look for the trivia question
at the end. And as always, thanks for making Jen’s Jewels a part of your
reading adventure.
Jen: At the age of twenty-three you penned a memoir that from start to
finish defies imagination and reads much wiser than your years would suggest.
Your life story to date is truly remarkable. Let’s start by talking about the
unique circumstances that compelled you to tell your story publicly.
Kevin: Thanks for the opportunity to do the interview.
You certainly kicked it off with a big question! I really felt compelled to
write this book for a couple of reasons. I’d completed the photo series
discussed in the book about a year before I began pitching my idea to
publishers. The reason why I wanted to write a memoir over a more traditional,
coffee-table like approach was simply because I’d get more of a voice. As far
as I’d known, I’d never heard of anyone at 23 who had traveled around the world
on a skateboard without legs taking photos of being stared at. The more I
started to think about that accomplishment, the more I realized the importance
of discussing where that strength came from.
If you want me to be totally honest, writing the book was hard as hell. Trying
to be emotionally honest as an athletic 23 year-old Montanan was difficult
enough, but putting all of those emotions to a page you knew would someday be
read was really scary. I feel like I’ve grown up a lot just by virtue of
surviving the writing process. That said, I’m so glad that I did it.
Jen: At the beginning of the book, you mention briefly how your sister
Meagan fought a “silent” battle as defender of her disabled brother. In your
childhood days, how did your lack of legs positively affect your relationship
with both your sisters?
Kevin: I think that if anything, my lack of legs possibly solidified the
familial bond. Not just between my sisters, either, but the whole family. I
think that in some ways, that bond was created through dealing with all of the
unwanted challenges and attention together. Maybe it’s a little like the bond I
hear of between men and women in the military. Once you’ve seen and been
through some nasty stuff together, that bond of friendship (or family) is
strengthened.
Jen: At any point did you feel a sense of guilt knowing that your
disability greatly affected your family unit as a whole? And if so, how did you
overcome that guilt?
Kevin: I think that one of the smartest things that my parents did was
to not let my disability greatly affect the family as a whole. I still got on
the bus and went to school with my sisters. Still had the same amount of
homework. Still got yelled at when I whined or shirked responsibility. I think
that those very ordinary demands kept me from getting all wrapped up in guilt
during my younger years.
However, I would say that at a couple of points I’ve felt guilty about the
impact my not-having-legs has had on my family. Most summers in Montana are
spent hiking or camping, and I remember feeling bad about not being able to
keep up on some of the more strenuous hiking trips. I’m damn strong, but my
stride is short and a pack is more difficult to carry when you’re only using
your arms to ambulate. All of those things added up to me usually being the
last in the line of people on a hike. That said, as I’ve gotten older and
spoken more openly with them about it, that guilt has really dissipated. Now I
sound a lot like my Dad on hiking trips. “Screw ‘em, they can wait!”
Jen: Despite your limitations, you were able to find a physical outlet
that allowed your innate yearning for competition to surface. I chuckled as I
read your description of the dirt bags, the men on the slopes. Please share
with us your introduction to skiing and how it enabled you to find your voice
within.
Kevin: I was introduced to skiing at the age of ten, and my first day
was spent up at Bridger Bowl in Bozeman, MT. I think my most vivid memory of
that first day (and maybe my skiing experience as a whole) was of the car ride.
Helena is almost two hours west of Bridger Bowl, and I remember grudgingly
eating my cereal at five-thirty during that first morning while Dad ran around
the house trying to scrounge up old hunting clothes and anything that would
keep us warm on the hill. Most ski days, we left Helena before the sun came up,
and got back well after it’d gone down. Especially during those early days of
skiing when I was still trying to get in shape, I would maybe ski only four or
five hours in a day. With that in mind, as much time was spent in the car as on
the slopes.
Crazy road trips aside, I think that skiing really gave me a physical outlet in
which to both vent and express myself. It got me in shape and gave me more
confidence. In high school especially, it allowed me to create an identity for
myself that extended beyond “Kevin-the-Student” or “Kevin-the-Kid-in-the-
Wheelchair” and into something much more in kind with my fellow peers. “Kevin
the Skier.” The book is all about identities – both those that we occupy as
well as those we throw onto others – and being a skier provided a really
positive, challenging identity for me.
Jen: Your relationship with your Dad in your teen years appears to be
the center core of your being. In a sense, you both set out to conquer your
disability from two unique angles yet ultimately united as one in its
discovery. When was the defining moment in your relationship when you knew that
with your skiing, you two had found a mutual respect and admiration for each
other?
Kevin: I don’t know if it really happened during skiing, to be honest.
Dad – while he supported my skiing with almost religious fanaticism – still
stressed that my success in school was far more important than on the ski hill.
So while I admired what Dad was doing for me all of those years, I don’t think
that I appreciated (or fully realized) just how much he was doing for me during
that time. During the writing of the book, though, I called him on more than
one occasion to thank him just for putting up with a semi-ungrateful (or not
grateful enough) son and some long hours on the road.
Now things are much different, of course. Pops and I definitely have the mutual
respect thing going, though it stems from a more holistic, traditional place.
The basic thing with my Dad is that he’ll give all of the time and money he
physically can to his kids, but he expects a hell of a lot out of them in
return. So I think that he’s more admiring of the fact that I’m his 24-year-old
son with a college degree; a good job; a solid work ethic; and decent moral
fiber.
Jen: Growing up without two legs, you know firsthand how it feels to be
living as if you are always under the microscope. Rather than dwelling on the
harsh reality of your circumstances, you chose to turn it into a learning
experience for all of us. Please describe for us your project.
Kevin: The Rolling Exhibition involved rolling around the world on a
skateboard and chronicling the reactions people had to me in all of these
different countries and cultures. The bulk of the photo project was shot over
the summer of 2007, between my Junior and Senior year of college. The project
involved almost 33,000 photographs and really went out to prove two things:
1.) That nearly everyone - regardless of age, location, or culture - stares at
the people that spark their interest or curiosity.
2.) After that initial look, people sometimes create a narrative in their heads
as to why that person came to be. This is where the nuance comes in, and where
I would like to turn it over to an excerpt from my artist statement that's
posted at http://www.therollingexhibition.com/statement.php .
It says:
"Whether it is a glance or a neck twisting ogle, we look at that which does not
seem to fit in our day to day lives. It is that one instant of unabashed
curiosity - more reflex than conscious action - that makes us who we are and
has been one of my goals to capture over the past year. It is after this
instant that we try to hazard a guess as to why such an anomalous person
exists. Was it disease? Was it a birth defect? Was it a landmine? These
narratives all come from the context in which we live our lives. Illness,
drugs, calamity, war - all of these might become potential stories depending
upon what we are exposed to in connection with disability."
While I think that the first objective was clearly accomplished by the photo
series, the second was much better articulated in the later sections of Double Take.
Jen: Your mother seems to be the constant in your life always willing to
accept any decision you make as a step in the right direction. When you made
the decision to travel the world, what was going on in your mind about the way
this would affect her? As a mother, I can only imagine how she must have
worried about your safety.
Kevin: By the time I came to her with my idea to travel, I already knew
that she’d have my back. She’ll always advise us kids, but once a decision is
reached, she gets behind it. So when I called her, I was kind of hoping that
she’d play against type and actually try and talk me down. I knew that I was
making a big commitment to the project, and that conversation was probably my
last chance to back out of the whole trip. If there’s one thing Mom’s good at,
though, it’s controlling her tone and emotions. She can’t play poker to save
her life, but she sure is tough to read on the phone. If she sounded worried or
concerned, she didn’t let on.
Jen: In order to navigate your journey, you enlisted the aid of
your “custom-built” skateboard. Describe for us your mode of transportation and
how you were able to use it to serve your purpose.
Kevin: My mode of transport during this journey abroad was a Sector9
longboard (basically a heavier, longer, and more stable version of a
skateboard). While I did assemble the board using my own selection of parts,
the reason I chose a skateboard over a wheelchair was specifically because it
wasn’t truly custom built. If I shredded a wheel on glass bottle or seized up
some ball bearings in a flood, I could pull a replacement out of my backpack,
or find something at a skateshop if I was in a city. Those are advantages not
as easily afforded to a wheelchair, and as a result, I found that traveling on
a skateboard was a much more efficient (if not attention-getting) way to get
around.
Jen: Throughout the book, you have peppered each anecdote with examples
of your fascinating photographs. Truly, a picture says a thousand words. Which
one best encapsulates your entire experience and how so?
Kevin: Boy, I don’t know if I’d be able to answer that. While I’m dearly
in love with certain photographs on an aesthetic level – the Girl on the
Millennium Bridge in London, or the two Romans in Split, Croatia – I don’t
think that I can single one out as best encapsulating my entire experience. I
think that, if anything, the photo series is meant more to explore single
reaction as it appears crystallized in all these faces around the world.
When I set out to make this project, I set out to prove a fact about human
nature, and so I wanted to be as deliberate as I could in terms of creating
something that looked more like a data set from a scientific study than a bunch
of pretty photographs. It’s why all of the photos are taken on the same lens,
from the same angle, without ever once looking through the viewfinder. I was
setting rules for myself. Basically creating a system of controls in which my
only variable was the bipeds walking by.
So as a result, while really love my photo project, I feel like it is
ultimately more a visual preface to the ideas expressed in the book rather than
its own entity. We created the endpapers to the book with just that idea in
mind. All of those faces on the endpapers of Double Take serve somewhat
as a Cliff Notes to the photo project itself.
Jen: I read that your photographs have been on display around the world.
Are they currently on exhibit? And if so, where?
Kevin: Yes they are! I have two galleries currently traveling around the
continental U.S. as well as another gallery displaying in Liverpool, UK.
Jen: I was so excited when I read about your girlfriend! Every person
needs to love and be loved. In what ways has your disability made you a better
partner? If you don’t mind me asking, are you currently in a relationship?
Kevin: I don’t know if I can answer that fairly or responsibly. Being
born without legs, I’ve never really been in someone else’s shoes, and thus
can’t really speak on whether or not my not-having-legs has had any effect on
my success as a partner. I would say that I’m a constantly traveling workaholic
has probably more to do with my efficacy as a partner than the legs thing!
That said, I am not currently in a relationship.
Jen: One of the most moving parts in the book for me was on page 171
where you discuss the word disabled. You write, “You are only disabled if you
are incapable of overcoming the challenges presented in any given situation.”
What powerful words! So true! How have you been able to incorporate these words
into your everyday living?
Kevin: The way I apply those words to my life is by looking at time in
small chunks. I’m a big fan of “winging it” in almost any situation – whether
that’s speaking in front of a crowd or trying to adapt my way out of a new
situation – so viewing disability in an ephemeral light makes a lot of sense to
me. Say we’re racing through an airport. I’m going to smoke you both speed and
efficiency anytime we’re on flat ground in the terminal. However, you’ll be
able to laugh at me later when I’m hauling my slow butt up a flight of stairs.
It’s all a tradeoff. Not better, not worse, just different.
Jen: In the book you mention that you were driving with your family
alongside you in the car. What specific adaptations were made in order for you
to do this?
Kevin: Automotive hand controls are actually a fairly standard device
that we had installed by a small business an hour outside of my hometown. It’s
basically a little lever that sits underneath the blinker on the left side of
the steering wheel. Pull down for gas, and push in for brake. Try not to mix
the two up.
Jen: Now that your story has been put into words, what is next for you
in your life’s journey?
Kevin: Another project. This one deals a bit more with tech than photos
(so images are still a big component). We’re still in prototype phase, but all
I can say is that I tested out one of the rigs I’ll be using on my next bout of
travel and….I can jump (really high) and run (really fast).
Jen: Finally, let’s talk about your website. Please walk us through it.
Kevin: My work on the web has really been where I put most of my early
efforts. The website for The Rolling Exhibition was built by an old high school
buddy who offered to do it for super cheap. After collaborating on the design
for the site, we realized that my image needed to be in some way integrated
with the website in order to understand the look on each person’s face in the
photos. After my appearance on ABC’s 20/20, I remember my site crashing four or
five times due to the traffic load. Since then, the link has made its way
around the world, and I still get hits from Iran, Russia, and Korea, to name a
few.
Since the inception of that site, I’ve created another one that works somewhat
as my "mothership" online. All of my photographs (including The Rolling
Exhibition and extra photos from my book Double Take) are stored on
the site along with my blog and book trailer. The site is called http://www.kevinmichaelconnolly.com/ and I check up on it
every day. Posting a comment on my blog or sending me a line from there is
definitely the best way to get a hold of me.
Jen: To thank you for stopping by would be such a trite statement.
Rather, thank you for allowing my readers the chance to view the world through
a beacon of hope. Your story is truly amazing. I wish you only the best in your
future endeavors. I have no doubt. You will soar.
Kevin: Thanks again, Jen. I hope everyone enjoys the book!
I hope you’ve been inspired as much as I was from reading about Kevin’s
miraculous journey. Please stop by your favorite bookstore, Amazon.com, or
local library branch and pick up a copy of DOUBLE TAKE today.
Better yet, would you like to win one instead? Okay, be ONE of FIVE people to
correctly answer the following question and you could win.
What is
Kevin’s "custom-built" mode of transportation?
On November 20th, I will be bringing to you my interview with the award-winning
mystery novelist Carolyn
Hart. You won’t want to miss it.
Until next time...Jen
When a
twist of fate landed Jennifer at the "Reading with Ripa" roundtable
discussion with Kelly Ripa and Meg Cabot, she knew that her career as a French
teacher would essentially be over. Instead, she figured out a clever way to
combine her love for reading and writing and "voilà" She became a book reviewer
and columnist with www.freshfiction.com. On the sidelines, her parents secretly
hoped that her French degree from Vanderbilt would one day come in handy and
Jennifer is happy to report that the phrases ‘Je ne sais pas' and ‘C'est
incroyable!' have been quite useful when reviewing certain selections! As is
typical in her whirlwind life, one thing led to another and soon she found
herself facilitating a popular moms' book club and writing a column she cleverly
named Jen's Jewels. (Jewelry is one of her many addictions, as is the color pink
and Lilly Pulitzer, which when you think about it, would probably make for a
good story! Hint! Hint! ) To keep herself away from her favorite retailer, Ann
Taylor, she serves on the Board of Trustees of the Harford County Public Library
in Maryland. As a national trainer for The Arthritis Foundation's Aquatic and
Land Exercise Classes, she is an advocate for those like herself who suffer from
arthritis, the nation's #1 cause of disability. When asked how she manages to do
all of these things and actually get some sleep at night, she simply replied,
"It's just Par for the Course." Hmm! Now where have we heard that before?
2 comments posted.
Kevin, you are to be commended for your attitude, determination, and sharing your deepest thoughts with others. God Bless You. Thank you Jen for bringing this story to our attention. Pat Baldwin
(Patricia Baldwin 7:26am November 27, 2009)
Great interview Kevin. You are another example of "handicapped" people are the ones who refuse to conquer the challenges life presented them with.
(Susan Lathen 7:13am November 29, 2009)