I love classical music, but honestly I know very little about it. Merry Wynter,
the main character of the Merry Muffin Mystery series, knows a lot more, not
because she grew up listening to it, but because her late husband and best
friend/mentor Pish Lincoln introduced her to so much. She knows a fair bit about
classical music, and is starting to understand opera.
And so it is that each Merry Muffin novel has a bit of a soundtrack to go
with it. In BRAN NEW DEATH, (Book 1) when Merry first sees her
magnificent inheritance, Wynter Castle, she stands in the great hall and hears
the haunting strains of Clair de Lune by Claude Debussy, the piece to
which she walked down the aisle in a castle wedding with her late husband. When
she comes home one day and hears Erik Satie’s deeply romantic piano piece
Gymnopédie No. 1, she is overwhelmed with memories of making love with him on a
rainy New York Sunday just before he died.
This shifts as Aaron Copland’s Hoedown from Rodeo comes on the music system and
she does a wild jig with her friends. Even the enigmatic and sometimes dour
sheriff Virgil Grace is drawn into the dance.
Copland is again featured in DEATH OF AN ENGLISH MUFFIN. Merry hears in her head the
strains of Appalachian Spring as she ventures out into the woods on her
inherited land in upstate New York. In this book there is a shift, somewhat,
from memories of her beloved late husband to thoughts of what this land and
Wynter Castle mean to her, and how she has been so closed off from living life
until coming here.
And I have a confessions; DEATH OF AN ENGLISH MUFFIN also features opera, Mozart’s
Magic Flute. No, don’t cringe! I know opera is not everyone’s cup of tea. I’m
not much of an opera buff, but having listened to more and more as I researched
this book, I have to say… opera rocks! The Queen of the Night’s aria as
sung by Diana Damrau sends shivers down my spine.
This is all kind of funny, because I’m more of a Joni Mitchell/James Taylor fan
than anything. And yet… and yet. There is so much out there to hear and
experience, and among those things, classical music and opera deepens my
understanding of what it is to be human. It’s what makes us important as a
species. No money can replace art, and wealth is of little lasting value
compared to it.
We live in a glorious age to be exploring classical music and opera, I must say.
Because of the internet we have access to the world’s best orchestras and opera
companies. All of these pieces can be listened to on YouTube, and I have, on
occasion, thought of posting on Facebook a kind of playlist of sorts for each Merry Muffin
Mystery. Take a moment and find them; listen, if you don’t already. Many
of you have a far deeper knowledge than I of these composers, but I feel that
being at the beginning of a journey of exploration is a glorious thing.
Now… I’ll be writing Merry Muffin Mystery Book 4 soon… what classical
pieces shall I incorporate? Do you have any suggestions? Any favorites?
Victoria Hamilton, nationally bestselling author of the Vintage
Kitchen Mystery series, is the pseudonym of Donna Lea Simpson, bestselling
author of romance and historical mystery novels.
Victoria starting reading mystery novels at the age of 12 and devoured Agatha
Christie mysteries, as well as those of Dorothy L. Sayers and Ngaio Marsh. She
still adores mysteries, especially the cozy mysteries of Janet Bolin, Krista
Davis, and others.
She loves to cook, and collects teapots and teacups, as well as vintage kitchen
utensils and bowls. She also enjoys crafts, especially cross–stitching and
crocheting, and spends summer days in the garden, drinking tea or wine. Besides
the Merry Muffin Mystery series, Victoria writes two other mystery series
for Berkley Prime Crime, the Vintage Kitchen Mystery series, and the
Teapot Collector Mystery series.
Website
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From the national bestselling author of MUFFIN BUT MURDER, baker Merry Wynter
returns with a fresh tray of muffins and a case that has authorities stumped…
They say one’s home is one’s castle, but when it comes to Wynter Castle,
Merry would like it to belong to someone else. But until a buyer bites, she
could use some extra dough, so she decides to take in renters. The idea pans
out, and Merry’s able to find a handful of tenants eager to live in a real
castle. The only problem is most of them are crumby, tea-swilling old biddies.
The Legion of Horrible Ladies, as Merry calls them, is led by the terribly nasty
—and fabulously wealthy—Cleta Sanson. The abrasive Englishwoman keeps everyone
whipped into a frenzy—until she meets an embarrassing end behind a locked door.
Evidence reveals that Cleta was murdered, yet no one is privy to how the deed
was done. Merry knows she must quickly find the killer before another of her
guests gets greased…
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