I went to MileHiCon in
Denver last month, and I picked up enough news and information for multiple
columns. This time around, I'll focus on one of my big thrills from this
convention: meeting Katherine Kurtz. I started reading her Deryni fantasy
series when I was in high school, and I was obsessed. I guess you could
say they were my Twilight, but that was back in the Dark Ages before the
Internet, so I couldn't get on message boards and discuss these books with
anyone, and I barely knew anyone in my town who read books at all, let alone
these books, so I was just about bursting to hash over all the little plot and
character things with someone else. I ended up buying the first book and
sending it to a long-distance friend so I could get her hooked. I suspect that
most of my first attempts at writing fantasy were really bad imitations of Katherine Kurtz's
writing. Fortunately, they were handwritten, and my handwriting was so bad that
even I can't read them now.
I did what I usually seem to do when meeting a writing idol: I start out
nervous and fangirly, and then about five minutes later, I forget about the
idol thing and just talk to them like a person and a professional peer. A lot
of the time, I even forget to talk about books and writing. My hanging out time
with Katherine Kurtz at this convention mostly involved watching boat races at
the hotel swimming pool, so I didn't pick up any exclusive tidbits, but I did
attend some panels and sessions and got some news there.
One of the big pieces of news is that the first novel in the Deryni series, Deryni Rising, has been
optioned for film, and a screenplay is in the works. I thought it had a very
cinematic feel to it, so I'd always thought it would make a good movie, though
I suspect all the mental casting I did when I was a teenager would be woefully
out of date -- like those people's kids might now be the right age for the
roles.
Kurtz was one of the authors who established the modern fantasy genre in the
1970s and 1980s. She wrote the initial trilogy of books, then wanted to write a
book about a character mentioned in those books as a historical figure. When
she was about two-thirds of the way through that book, she realized she'd need
two books to tell the story, and then later realized it wouldn't all fit in two
and she'd need three books. That established her pattern of writing books in
groups of three, and since it fell into the trilogy pattern from the
publication of The Lord of the Rings as three volumes, it also helped firmly
establish the expectation among readers that fantasy had to come in trilogies.
She said she's currently working on the third book in the series about the
childhood of Alaric Morgan, the central character from the initial trilogy, and
it's possible that this will be one of those stories that ends up needing two
books. After that, she may go back and pick up the story from the earlier
timeline for this universe.
Next month, I'll have some insight into some popular fantasy series.
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