When new adult books exploded a handful of years ago, writers jumped at the
chance to explore this new category. Most of these authors self-published and
became extremely well known. Then as other authors jumped on the bandwagon, many
did so thinking it might be a โget rich quickโ scheme. Because of this, the
quality of new adult books went down. Readers became disappointed with the
overused plot lines that exist in a lot of NA. Even Iโve reduced the amount of
NA I read. Itโs gotten a bad reputation, which is why almost no agents want
these stories and most publishers donโt either. Iโve also heard readers say they
donโt read NA because the stories are all the same: predictable contemporary
romance with lots of sex.
I might agree with the predictability of many NA plots. But I disagree when it
comes to claiming the NA category was created simply as a way to add more sex
into young adult books and โget away with itโ. First of all, thereโs sex in YA,
too.
And not all NA stories include sex. (Imagine that!)
Iโve read tons of new adult books. (Most of them straight romance.) And yes,
Iโve grown bored with the overused plots that frequently occurโeven ones written
by my favorite authors. But how is this any different than the similarities
within YA books? Vampires had their run. So did apocalyptic/dystopian worlds. As
did the โchosen oneโ stories. My question is this: why canโt everyone see the
need for the NA categoryโ
and the need for other genres of NA.
We have books for young children, middle-grade kids, young adults, and adults.
But what about the things that happen to you when youโre between eighteen and
twenty-five? A LOT. Do you remember that time in your life when you were first
set free from your parents and thrown into a whole new world all by yourself? Or
maybe youโre going through that stage right now. It seems unfair to say NA isnโt
sellable anymore when there are still plenty of readers buying them. Readers
need and want to experience all types of stories, with characters in every age
category.
In my NA contemporary romance,
THE HEARTBEAT HYPOTHESIS,
the main characters never have sex. Sure, they kiss and get pretty freaking
close to having sex, but donโt. Why? Because the plot didnโt require the
sexโthereโs plenty of romance and other subplots going on. Iโm not saying sex
shouldnโt occur as much as it does in NA books. Iโm simply saying that to
believe NA is merely sexed-up YA isโฆwell, not true. My story isnโt simply a
romance filled with sex scenes. I added in some plot twists and as much emotion
as I could pack in there because I wanted to write a story that explored more
than simply the romance angle. My book has romance as well as the characters
dealing with grief and loss, survivorโs guilt, and extremely unique circumstances.
On too many occasions to count, I considered aging
THE HEARTBEAT HYPOTHESIS down
to young adult. If I had, I probably wouldโve found an agent with it. (One was
even interested in representing me if I aged it down.) But aging it down meant
taking my main character, Audra, out of college, putting her back home with her
parents, and giving her โteenage issuesโ. And none of those things wouldโve done
her story any justice.
And based on the early reviews Iโve received, Iโm glad I kept it as a NA book.
One reviewer said:
โReading THE HEARTBREAK HYPOTHESIS is like hearing a new
voice that speaks out for teenage angst that's fully captured in its powerful,
moody glory. But the subjects that Lindsey Frydman deals with here are
difficult, heavy and weighed down with the solemnity of death, life and deception.โ
NA stories are necessaryโitโs an important time in your life, and thereโs so
much more going on than just a โboy meets girl, then they have lots of sexโ.
Itโs about discovering who you are on your own, dealing with new
responsibilities, and finding your place and purpose in life. Everyone
eventually goes through this stage, so why would we not want books that
represent this age category? I can only hope that readers and publishers take
another look at how important new adult stories can be.
Lindsey has been writing since she was nine years old, when she discovered
the awesomeness that is Harriet the Spy. Her books always include a romance,
though sometimes thereโs an added sci-fi or magical realism twist. She lives in
Columbus, Ohio (where the weather is never quite right). Her BFA in Photography
and Graphic Design has granted her a wide assortment of creative knowledge that
serves as inspiration (and not much else).
When sheโs not crafting YA and NA stories, you'll likely find her spending waaay
too much time on Pinterest, playing a video game, singing show-tunes, or
performing in a burlesque showโbecause she enjoys giving her introversion a
worthy adversary. (Plus, it's the closest to Broadway sheโll ever get.) Lindsey
was a proud 2016 Pitch Wars Mentee and thoroughly adores being a part of the
wonderful writing community. THE HEARTBEAT HYPOTHESIS is her debut novel.
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