When new adult books exploded a handful of years ago, writers jumped at the
chance to explore this new category. Most of these authors self-published and
became extremely well known. Then as other authors jumped on the bandwagon, many
did so thinking it might be a βget rich quickβ scheme. Because of this, the
quality of new adult books went down. Readers became disappointed with the
overused plot lines that exist in a lot of NA. Even Iβve reduced the amount of
NA I read. Itβs gotten a bad reputation, which is why almost no agents want
these stories and most publishers donβt either. Iβve also heard readers say they
donβt read NA because the stories are all the same: predictable contemporary
romance with lots of sex.
I might agree with the predictability of many NA plots. But I disagree when it
comes to claiming the NA category was created simply as a way to add more sex
into young adult books and βget away with itβ. First of all, thereβs sex in YA,
too.
And not all NA stories include sex. (Imagine that!)
Iβve read tons of new adult books. (Most of them straight romance.) And yes,
Iβve grown bored with the overused plots that frequently occurβeven ones written
by my favorite authors. But how is this any different than the similarities
within YA books? Vampires had their run. So did apocalyptic/dystopian worlds. As
did the βchosen oneβ stories. My question is this: why canβt everyone see the
need for the NA categoryβ
and the need for other genres of NA.
We have books for young children, middle-grade kids, young adults, and adults.
But what about the things that happen to you when youβre between eighteen and
twenty-five? A LOT. Do you remember that time in your life when you were first
set free from your parents and thrown into a whole new world all by yourself? Or
maybe youβre going through that stage right now. It seems unfair to say NA isnβt
sellable anymore when there are still plenty of readers buying them. Readers
need and want to experience all types of stories, with characters in every age
category.
In my NA contemporary romance,
THE HEARTBEAT HYPOTHESIS,
the main characters never have sex. Sure, they kiss and get pretty freaking
close to having sex, but donβt. Why? Because the plot didnβt require the
sexβthereβs plenty of romance and other subplots going on. Iβm not saying sex
shouldnβt occur as much as it does in NA books. Iβm simply saying that to
believe NA is merely sexed-up YA isβ¦well, not true. My story isnβt simply a
romance filled with sex scenes. I added in some plot twists and as much emotion
as I could pack in there because I wanted to write a story that explored more
than simply the romance angle. My book has romance as well as the characters
dealing with grief and loss, survivorβs guilt, and extremely unique circumstances.
On too many occasions to count, I considered aging
THE HEARTBEAT HYPOTHESIS down
to young adult. If I had, I probably wouldβve found an agent with it. (One was
even interested in representing me if I aged it down.) But aging it down meant
taking my main character, Audra, out of college, putting her back home with her
parents, and giving her βteenage issuesβ. And none of those things wouldβve done
her story any justice.
And based on the early reviews Iβve received, Iβm glad I kept it as a NA book.
One reviewer said:
βReading THE HEARTBREAK HYPOTHESIS is like hearing a new
voice that speaks out for teenage angst that's fully captured in its powerful,
moody glory. But the subjects that Lindsey Frydman deals with here are
difficult, heavy and weighed down with the solemnity of death, life and deception.β
NA stories are necessaryβitβs an important time in your life, and thereβs so
much more going on than just a βboy meets girl, then they have lots of sexβ.
Itβs about discovering who you are on your own, dealing with new
responsibilities, and finding your place and purpose in life. Everyone
eventually goes through this stage, so why would we not want books that
represent this age category? I can only hope that readers and publishers take
another look at how important new adult stories can be.
Lindsey has been writing since she was nine years old, when she discovered
the awesomeness that is Harriet the Spy. Her books always include a romance,
though sometimes thereβs an added sci-fi or magical realism twist. She lives in
Columbus, Ohio (where the weather is never quite right). Her BFA in Photography
and Graphic Design has granted her a wide assortment of creative knowledge that
serves as inspiration (and not much else).
When sheβs not crafting YA and NA stories, you'll likely find her spending waaay
too much time on Pinterest, playing a video game, singing show-tunes, or
performing in a burlesque showβbecause she enjoys giving her introversion a
worthy adversary. (Plus, it's the closest to Broadway sheβll ever get.) Lindsey
was a proud 2016 Pitch Wars Mentee and thoroughly adores being a part of the
wonderful writing community. THE HEARTBEAT HYPOTHESIS is her debut novel.
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