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Lindsey Frydman | Why We Need New Adult Books

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When new adult books exploded a handful of years ago, writers jumped at the
chance to explore this new category. Most of these authors self-published and
became extremely well known. Then as other authors jumped on the bandwagon, many
did so thinking it might be a โ€œget rich quickโ€ scheme. Because of this, the
quality of new adult books went down. Readers became disappointed with the
overused plot lines that exist in a lot of NA. Even Iโ€™ve reduced the amount of
NA I read. Itโ€™s gotten a bad reputation, which is why almost no agents want
these stories and most publishers donโ€™t either. Iโ€™ve also heard readers say they
donโ€™t read NA because the stories are all the same: predictable contemporary
romance with lots of sex.

I might agree with the predictability of many NA plots. But I disagree when it comes to claiming the NA category was created simply as a way to add more sex into young adult books and โ€˜get away with itโ€™. First of all, thereโ€™s sex in YA, too. And not all NA stories include sex. (Imagine that!) Iโ€™ve read tons of new adult books. (Most of them straight romance.) And yes, Iโ€™ve grown bored with the overused plots that frequently occurโ€”even ones written by my favorite authors. But how is this any different than the similarities within YA books? Vampires had their run. So did apocalyptic/dystopian worlds. As did the โ€œchosen oneโ€ stories. My question is this: why canโ€™t everyone see the need for the NA categoryโ€”and the need for other genres of NA.

We have books for young children, middle-grade kids, young adults, and adults.
But what about the things that happen to you when youโ€™re between eighteen and
twenty-five? A LOT. Do you remember that time in your life when you were first
set free from your parents and thrown into a whole new world all by yourself? Or
maybe youโ€™re going through that stage right now. It seems unfair to say NA isnโ€™t
sellable anymore when there are still plenty of readers buying them. Readers
need and want to experience all types of stories, with characters in every age
category.

In my NA contemporary romance, THE HEARTBEAT HYPOTHESIS, the main characters never have sex. Sure, they kiss and get pretty freaking close to having sex, but donโ€™t. Why? Because the plot didnโ€™t require the sexโ€”thereโ€™s plenty of romance and other subplots going on. Iโ€™m not saying sex shouldnโ€™t occur as much as it does in NA books. Iโ€™m simply saying that to believe NA is merely sexed-up YA isโ€ฆwell, not true. My story isnโ€™t simply a romance filled with sex scenes. I added in some plot twists and as much emotion as I could pack in there because I wanted to write a story that explored more than simply the romance angle. My book has romance as well as the characters dealing with grief and loss, survivorโ€™s guilt, and extremely unique circumstances. On too many occasions to count, I considered aging THE HEARTBEAT HYPOTHESIS down to young adult. If I had, I probably wouldโ€™ve found an agent with it. (One was even interested in representing me if I aged it down.) But aging it down meant taking my main character, Audra, out of college, putting her back home with her parents, and giving her โ€œteenage issuesโ€. And none of those things wouldโ€™ve done her story any justice. And based on the early reviews Iโ€™ve received, Iโ€™m glad I kept it as a NA book. One reviewer said:
โ€œReading THE HEARTBREAK HYPOTHESIS is like hearing a new voice that speaks out for teenage angst that's fully captured in its powerful, moody glory. But the subjects that Lindsey Frydman deals with here are difficult, heavy and weighed down with the solemnity of death, life and deception.โ€

NA stories are necessaryโ€”itโ€™s an important time in your life, and thereโ€™s so
much more going on than just a โ€˜boy meets girl, then they have lots of sexโ€™.
Itโ€™s about discovering who you are on your own, dealing with new
responsibilities, and finding your place and purpose in life. Everyone
eventually goes through this stage, so why would we not want books that
represent this age category? I can only hope that readers and publishers take
another look at how important new adult stories can be.

About Lindsey Frydman

Lindsey Frydman

Lindsey has been writing since she was nine years old, when she discovered the awesomeness that is Harriet the Spy. Her books always include a romance, though sometimes thereโ€™s an added sci-fi or magical realism twist. She lives in Columbus, Ohio (where the weather is never quite right). Her BFA in Photography and Graphic Design has granted her a wide assortment of creative knowledge that serves as inspiration (and not much else). When sheโ€™s not crafting YA and NA stories, you'll likely find her spending waaay too much time on Pinterest, playing a video game, singing show-tunes, or performing in a burlesque showโ€”because she enjoys giving her introversion a worthy adversary. (Plus, it's the closest to Broadway sheโ€™ll ever get.) Lindsey was a proud 2016 Pitch Wars Mentee and thoroughly adores being a part of the wonderful writing community. THE HEARTBEAT HYPOTHESIS is her debut novel.

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