1. It’s been more than a decade since you’ve published your last novel.
What was
it like to get back in the game with TREASURE COAST?
I have to say it’s been exhilarating, maybe because it was so unexpected. A year
ago at about this time I went to my mailbox and discovered a package containing
an autographed copy of THE HEIST by Janet Evanovich and her co-author, Lee
Goldberg. I’d never met Ms. Evanovich but Lee I remembered from a writers
conference years ago when he was just getting his start in crime fiction. We’d
not stayed in touch, so I was naturally rather puzzled by the gift. Tucked
inside the book I found a letter from Lee reintroducing himself and explaining a
new venture he and his partner were embarked upon. That venture was Brash Books, a
publishing company specializing in the revival of out-of-print crime novels, and
since I had six such books, long since out of print, he invited me to
participate. With nothing to lose, I readily agreed. Once the project was
underway I mentioned to Lee that I had a manuscript languishing in a drawer, and
he invited me to send it along. Happily for me, he liked it, and thusly was TREASURE COAST launched.
It’s been available now in e-book and trade paperback formats since early
September, and so far it’s been quite a ride.
2. It has been said that you’re a “master of the low-life novel.” What
draws you to writing your darker characters?
Over the course of my life I’ve been thrust into environments almost exclusively
male: the army (of my day), swinging a sledge on a railroad section crew, and,
perhaps most useful of all for fiction writing, teaching inmates at Stateville
Prison in Joliet, Illinois. In all these settings I was exposed to the
uninventable vernacular of clusters of men absent the civilizing influence of
females, so I had a share of the dialogue for such characters handed to me like
a gift. But with the villains (as, I hope, with all the other types of
characters) what I wanted to do was avoid the stereotypes of villainy by
investing them with qualities I can only call human. In TREASURE COAST, for
example, Junior Biggs, the most despicable of villains, still plans to use part
of the money he hopes to come by with their big score to buy a proper headstone
for his mother’s grave. The introduction of such seeming incongruities can add
what I like to believe is a certain comedic element to a narrative, as when the
character Hector Pasadena, an equally unregenerate villain in TREASURE COAST, submits
almost meekly to the instructions of the kidnap victim herself and joins without
complaint in the group’s house cleaning and cooking chores. Juxtaposing such
comic scenes with those of brutal violence helps me create an atmosphere of
ambiguity I’m striving for in both narrative and characterization.
3. Of all the characters you’ve created, which is your favorite?
If I exclude the villains, many of whom I’ve certainly enjoyed creating, I’d
have to say my favorite is the protagonist of the three “Waverly novels,”
Timothy Waverly. He appeals to me because of the qualities that comprise his
character: intelligence, focus, loyalty, shrewdness—a cynic with a streak of
romanticism, a stoic fatalist with an abundance of courage. For me it’s easy to
like, if not to identify with, such a character, maybe because he’s the man I
wish I were.
4. Describe your writing space and how it inspires you.
If by “space” is meant the room where all the work gets done, there’s not a
whole lot to describe and even less to say about it in the way of inspiration.
It’s small, cramped, untidy, cluttered with all the paraphernalia of a writing
enterprise. There’s a brace of windows along one wall that offer me glimpses
into the human comedy of the outside world; inside, it looks like a mess, but
it’s my mess and I wouldn’t have it any other way. Seven novels got penned on
the battered desk that dominates the room, and I’ve got a sentimental attachment
to the place.
5. What are your hobbies/interests outside of writing? Do any of these
activities find their way into your books?
I’ve never been much of a hobbyist, but I have been a lifelong fitness addict,
beginning by lifting weights in a grungy basement at age 15 and still hoisting
them today, though with poundages more suitable for a nursing home. That
activity was useful in developing the character D’Marco Fontaine in DOUBLE
DOWN, a narcissistic bodybuilder who happens to make a living maiming and
killing people.
6. How much of you or your experience is in your book? (Are any
characters in your book based on people you know? Are any of the situations in
your novel based on real events?)
The opening scene in TREASURE COAST, the central
character Jim Merriman engaged in a deathwatch over a dying sister, was taken
almost intact from a similar personal experience. Many years ago my older sister
was diagnosed with a particularly virulent strain of cancer. Miraculously, she
survived almost 20 years till finally the malady caught up with her. I spent the
last few days of her life in a bumbling effort to comfort her, and during that
difficult time I must have absorbed some of the peculiarly repellent ambience of
a hospital, for a great deal of it emerges in that first chapter. The difference
between the fictional and actual events is that in real life there was no
hapless nephew in a world of trouble or a tempting seductress down the hall.
Those two and all the other characters in TREASURE COAST are purely
products of my overheated imagination. Same with the events in the novel, the
kidnapping plot and all the sub-plots, though I might add that all of the Palm
Beach Gardens venues cited and described are faithful to the book’s time setting.
7. At this point in your writing career, what has been your most
memorable moment as an author?
My most memorable moment, as I suspect is the case with many writers, was the
day I learned my first novel, MICHIGAN ROLL, had been accepted for publication. I was 57
years old and had been trying for decades to break into print with a work of
fiction. When it finally happened I’m not sure if I felt joy or vindication of
all my efforts or simply an immense relief. All I know for certain is it was one
of the highlights of my life.
8. If TREASURE
COAST were to be turned into a movie, who would you have in the starring
roles?
Daniel Day-Lewis is, in my opinion, the finest and most versatile actor of his
generation. I’m not sure the Jim Merriman character would be challenging enough
for him, but it would be an honor to have him portray it. Other male actors
whose work I admire include Edward Norton and Viggo Mortensen, either of whom
would do justice to the role. For the Billie Swett character I can think of no
one better suited for that part than Sandra Bullock.
9.What was the best writing advice you’ve ever received?
My mentor at the U. of Iowa Writers Workshop was the novelist Vance Bourjaily. I
once timidly submitted a short story to him, and to my intense gratification he
seemed to like it very much. He encouraged me to submit it to some of the
literary magazines of that era, which I did but with no success. When I
expressed my frustration and dismay at not instantly breaking into print, his
response was neither new nor particularly original: persistence, he maintained,
was what finally carried the day. I believe my experience bears out the simple
truth of this advice.
10. Who among modern writers in the genre of crime fiction and suspense
do you most admire and why?
I’ve always liked the work of Ross Thomas and George Higgins, both sadly
deceased. But it was Dutch Leonard, also abruptly departed, whose fast-paced
novels, both crime and western, and memorable characters first captured my
interest in the crime fiction genre. His plotting, in particular, defines that
over-used term “page turner.” And while she is hardly limited to that genre
herself, I have to mention here the work of Flannery O’Connor, who blended
comedy and violence in an unforgettable mix, as in her peerless short story, “A
Good Man Is Hard To Find.”
11. What is next for you?
Next year Brash
Books is bringing out the last two of my out of print novels, FLAWLESS and BLIND
SPOT. What will follow for me depends on the reception of all six books and,
of course, TREASURE
COAST. If there’s an audience out there for these kinds of stories and
characters, I’d be tempted to pick up my pen one more time and see what flows.
Purchase TREASURE COAST today, one of the first releases
from the new publishing company, Brash Books. Bestselling authors Lee
Goldberg and Joel Goldman created Brash Books to
publish "the best crime novels in existence", so, mystery and thriller lovers,
don't miss out!
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