During this past school year, I have been taking a couple of classes to renew my
teaching license. Although I am already a certified French instructor, my state
requires that every teacher take two reading classes which actually have proven
to be quite useful. For example, who would have thought that reading picture
books to high school seniors would be an effective way to introduce common
themes and ideas? Well, I am here to tell you that not only does it capture
their interest, but also itās a much needed reprieve from the hectic school day.
It just so happens that this monthās Jenās Jewels fits
perfectly into my French curriculumā¦ THE FANTASTIC UNDERSEA
LIFE OF JACQUES COUSTEAU. You may recognize the name Dan Yaccarino
as the creator of such popular childrenās television shows as The
Backyardigans and Oswald. In his latest release, he
ventures into the deep, dark sea to explore the world according to Jacques
Cousteau. From the vivid illustrations to the fascinating facts about Cousteauās
explorations, this book is truly magnifique!
As part of this column, Alfred A.Knopf, a division of Random
House, has generously donated five copies for you my lucky readers to win.
So, donāt forget to look for the trivia question at the end. Bonne chance! And
as always, thanks for making Jenās Jewels a part of your reading
adventure.Ā Ā Ā
Jen: Itās always so fascinating to hear about the ābefore publicationā
story of an author because it gives the reader some insight as to the driving
force that led him to where he is today. Please tell us a little bit about your
educational and professional background. And, in what way did it prepare you for
a career in publishing?
Dan: Looking back, I realize that the one thing I really enjoyed doing
was telling stories. I made comic books, wrote short stories and scripts, made
super 8 movies, etc. I majored in illustration at Parsons School of Design and
very soon after graduating I began illustrating for magazines. After a few
years, I showed a childrenās book editor my portfolio thinking Iād get a
manuscript to illustrate, but he instead asked if I had any picture book
manuscripts Iād written, which I didnāt, so I said yes and went home and wrote
my first book, Big Brother Mike. Through that experience, I
learned how to put together a childrenās book and I really enjoyed it!
Jen: I think your story is unique in its own right because you wear
more than one hat.Ā Youāre an author and an illustrator. Letās start by talking
about your artwork. First of all, you have worked with many prestigious authors
such as Kevin Henkes and Margaret Wise Brown. How did that facet of your career
evolve?Ā Ā Ā
Dan: Like I said, I illustrated for magazines, which meant that I was
visually depicting someone elseās ideas, but in my own way. Illustrating a book
is just a more elaborate version of that. I love to work with other authorās
stories and enjoy the challenge. Iāve illustrated books written by Jack
Perlutsky and Naomi Shabib Nye as well.
Jen: Not only have you collaborated on many books, but also you are
the creator and producer of the animated series Oswald. In
addition, you designed the characters for The Backyardigans on
Nickelodeon and created Willaās Wild Life.
Approximately how much of your time is spent working in television? And
specifically, what aspect of your involvement in TV is most fulfilling from an
artistās perspective?Ā Ā Ā Ā Ā Ā Ā Ā Ā
Dan: The most important thing I learned from working freelance was how
to organize my time. Iām able to balance books, TV, and film work because I know
how and when I work best. I usually write in the morning, my afternoons are
spent working on TV projects, making phone calls, having meetings and a variety
of other things and in the evening I paint.
During the early stages of a TV series, I tend to spend the majority of my
workday on it in order to get everyone on board with a singular vision. Once
thatās established and Iāve assembled the right team, then my role becomes more
of an overseer to make sure the show stays true to the creative vision, which
requires less of my time.
I look at a TV series as a different way to tell stories. Itās remarkably
fulfilling, but in a different way from books. With books, itās mostly just
myself, the editor and designer putting it together, but with a series, itāll
take dozens of people, each responsible for a small aspect of the whole, to put
it together. I think of it as the difference between playing a musical
instrument solo and conducting an orchestra. I really enjoy doing both.
Jen: You also have been involved with corporate projects and
advertising campaigns. Whew! I donāt know how you do it all! Which of these put
your artistic expertise to the test and how so? Did it meet or exceed your
expectations? Why or why not?
Dan: About 10 years ago, I did a print campaign for a product called
Garden Burger, which ran in magazines and on billboards. Then the ad agency told
me they wanted to do a series of animated TV spots and asked if I would
co-direct and produce them, so of course I said yes, but I really had no idea
what I was doing. However by the time they were finished, I knew how animation
worked, which was good because a few months later, I made a deal with
Nickelodeon to produce my first series, Oswald.
The Gardenburger spots were a sort of a revelation to me
because up until then, my images were static. Animation is a different way to
tell stories and the spots far exceeded my expectations.
Jen: Currently, you reside in the Big Apple. Do you display your work
in any galleries?Ā Are any of your paintings available for purchase? And, what
piece of artwork are you most proud of and why?
Dan: Over the years, Iāve shown my work in galleries in New York, Los
Angeles, Tokyo and Rome. At the moment, I have paintings available for purchase
at Storyopolis in Los Angeles.
It would be pretty impossible for me to choose one image or book that Iām
most proud of. I guess Iām proud of the fact that the books exist at all because
it means that there are people out there who enjoy my work so much that they
want to buy my books. I really try to do my best with everything I do and it
makes me feel good when itās appreciated.
Jen: Okay, letās switch gears and talk about your latest projectā¦ THE FANTASTIC UNDERSEA
LIFE OF JACQUES COUSTEAU. I have to let you in on a little
secret. Besides being a writer, I also teach French part-time at our local high
school. So, as soon as your book arrived, I took it right into school and read
it to all my classes.Ā Despite being a picture book, my teenagers were truly
taken aback by the depth of your story as well as the colorful illustrations. As
one student said, āit truly is a work of art.ā How did you arrive at the
Dan: Wow! Thatās wonderful to hear.
I grew up watching Cousteauās TV series and found it fascinating. As an
adult, I read quite a bit about him and found him fascinating as well. Cousteau
was a visionary and way ahead of his time and I thought a new generation should
know about him.
Jen: The factual information is just as the title
suggests...fantastic! Approximately how much research went into the writing of
this book? And, what was the most fascinating tidbit you learned along the way?
Dan: I watched most of his films that were available and read about
his life as well as books that heād written himself. I never knew he wrote so
many books and was such a stalwart conservationist back when it wasnāt at all
popular, but in the end, weāve all benefitted from his hard work and faith in
Jen: In terms of the illustrations, please describe your creative
process. Do you use computer graphics of any kind?
Dan: Itās funny you should ask me about that. I work traditionally,
gouache on watercolor paper, and have done so for over 20 years, but recently
Iāve been trying to learn how to work digitally. Itās been quite a challenge.
I usually start off with dozens of rough ideas and organize them into book
form. Then I write the text and sketch out a dummy and my editor and I whip it
into shape for me to start illustrating. Once the text is finished and
illustrations are complete, the designer puts the book together and we tinker
with it until weāre all happy.
Jen: How did you go about putting it all togetherā¦the text and the
illustrations? (I love the additional informational included at the end.)
Dan: Some of my books come to me visually and some literary. I will
occasionally get an idea for a book from an image I created. Other times, Iāll
come up with a story and will write it out and not draw a single thing until Iām
happy with the text. Itās different every time.
Jen:Ā About how long did it take for you to complete this project?
What was the most challenging part of the task?
Dan: Thatās hard to say for any of my books. I could walk around with
an idea in my head for years before I even jot it down. Other times, Iāll get an
idea and within a month or two, Iāve completed the dummy and signed the
I guess Iād been thinking about doing a Cousteau bio for at least 2 or 3
years before getting the story right. The big challenge for me was how to tell
the story of his life. Chronologically? Hit all the points that I thought were
important and organize it in my own way? I ended up doing a bit of both.
Jen: How will you be promoting this outstanding book? Will you be
participating in a book tour? Do you participate in author phone chats? If so,
how would my readers go about scheduling one?
Dan: Well, Iām doing this interview, for one. Iām also doing signings
at bookstores and appearing at conferences which I announce on my website. Yes, Iād love to
do author phone chats. They can be arranged by e-mailing me from my website.
Jen: Are you currently at work on your next project? And if so, what
can you tell us about it?
Dan: Iāve been looking at designs for my next picture book, Lawn to
Lawn, due out next spring and Iām about to start work on a new picture book,
this one about my great grandfather coming to America, which Iām very excited
about. Of course, Iām writing a few more picture books as well as developing a
chapter book series.
Iām also producing my new TV animated TV series, Willaās Wild
Life and developing Unlovable and Go Go
America as animated TV series, which are both based on books of mine.
Jen: Merci beaucoup for taking the time out of your very busy schedule
to stop by and chat with my readers.Ā Ā I wish you the best of luck with this
book. Bravo! Well done, indeed!
Dan: Thanks! It was my pleasure.
I hope you have enjoyed my interview with Dan. Please stop by your local
bookstore or favorite library branch and pick up a copy today. THE FANTASTIC UNDERSEA LIFE OF JACQUES COUSTEAU would
also make a perfect gift from the Easter Bunny!Ā
Would you like to try to win one instead? Okay, be one of five readers with
the correct answer to the following trivia question and youāll win!
Name one of the authors Dan has collaborated with on a
Next time, I will be bringing to you my interview with John Pipkin, author of
the #1 pick on my Top Five List for April. You wonāt want to miss it.
Until next timeā¦ Jen
When a twist of fate landed Jennifer at the "Reading with Ripa" roundtable
discussion with Kelly Ripa and Meg Cabot, she knew that her career as a French
teacher would essentially be over. Instead, she figured out a clever way to
combine her love for reading and writing and "voilĆ " She became a book reviewer
and columnist with www.freshfiction.com. On the sidelines, her parents secretly
hoped that her French degree from Vanderbilt would one day come in handy and
Jennifer is happy to report that the phrases āJe ne sais pas' and āC'est
incroyable!' have been quite useful when reviewing certain selections! As is
typical in her whirlwind life, one thing led to another and soon she found
herself facilitating a popular moms' book club and writing a column she cleverly
named Jen's Jewels. (Jewelry is one of her many addictions, as is the color pink
and Lilly Pulitzer, which when you think about it, would probably make for a
good story! Hint! Hint! ) To keep herself away from her favorite retailer, Ann
Taylor, she serves on the Board of Trustees of the Harford County Public Library
in Maryland. As a national trainer for The Arthritis Foundation's Aquatic and
Land Exercise Classes, she is an advocate for those like herself who suffer from
arthritis, the nation's #1 cause of disability. When asked how she manages to do
all of these things and actually get some sleep at night, she simply replied,
"It's just Par for the Course." Hmm! Now where have we heard that before?
3 comments posted.
I agree this was a great interview.A very interesting man.Yes this is one book I hope I can find.
(Debra McDonald 5:47am May 31, 2009)