"Fargo" | 53 min. | TV-MA | Creator: Noah Hawley |
Stars: Billy
Bob Thornton, Allison
Tolman, Colin Hanks,
Martin
Freeman, Joey King, Bob Odenkirk,
Oliver Platt and Keith Carradine
If you have been keeping up with "Fargo" on FX,
you would know how intense things have been getting. The show seems to be
getting better and better by the week, due to its incredible writing and
performances.
One of the performances that is worthy of note is Oliver Platt ("X-Men: First
Class"), who plays Supermarket King, Stavros Milos.
Fresh Fiction had the opportunity to speak with Platt about playing the king,
the show's ties to the original 1996 film, and his thoughts on modern television.
This past week we learned about the ice scraper and the money that ties
things together to the original 1996 film, and I’m wondering how much of a back
story were you given by Noah Hawley in order to prepare for your roll as
Stavros?
Oliver Platt: "We developed this idea that he had come from
Chicago with his family, and that he was just on hard times; a devout man on
hard times who is given this 'gift' if you will. That was pretty much it. The
material, itself, is pretty alive. That was pretty much it."
We see Stavros kind of go from being sort of broken, and he believes God
gave him this money, and then to who he is now, this man who has so much power,
and he’s even calling himself the king. How do you think he evolved into the man
he is when Malvo (Billy Bob Thorton) comes into his life?
Platt: "He built this extraordinary supermarket empire, and
he’s been very, very focused on the externals. You get the sense that Malvo
detects a certain amount, and he just has a nose for that kind of thing. He’s
all about how everything’s looking. Obviously, he doesn’t really feel he
deserves it, which is probably why he’s on some level, which is why he’s so
focused on the theatricality of it all. I think that that’s where we are when
Malvo shows up."
Did you have any right of first refusal or any input on anything on the
guy who got to play the young you, and how close was he?
Platt: "I thought they did a sensational piece of casting there
myself. I was really surprised, and I thought that it was— clearly they had that
crossfade in mind, and if you’re going to sell that there better be some
architectural similarity there, you know? I thought he was marvelous. I really did."
There's that scene where all the crickets are in the store, and I am
wondering if they were real or CGI.
Platt: "It was a pleasant mix. There were inanimate crickets,
there were animate crickets, and then there were imaginary crickets. It was one
of those classic green screen situations where you sort of—yet, with a lot of
motion to it, too. It was a lot of fun to shoot, it was a lot of fun to shoot,
and I thought that the way the concentric circles of chaos that were created in
the market, itself, was delightfully realized."
It certainly came over well. It all went very smoothly as planned, and
no problems with all that?
Platt: "Yes. I think that so much of this stuff can be sort of
laced in, in post. I don’t remember doing a tremendous amount of takes."
You worked in television when you were younger and starting out. Then
you took a break and came back in the 2000s. What are your feelings on how TV
has evolved?Platt: "Depending on who you talk to, we’re in either the
second or third golden age of American television, and the advent of the limited
mini-series, as you observe, a marvelous thing for actors because, as you said,
you don’t have to sign your life away. It’s also allowing television to do what
really only television can do, which is novelize a—use the format, the
serialized format, to tell us a story over a period of time and really get under
the character’s skin. Television’s going strong."
You were saying that the writing is so
alive on this show. Do you think that the stuff you were looking at in the ages
was written with less detail, maybe?
Platt: "Yes, certainly. Network television was very, very
different and, again, it was about having closed episodes. Like I say, the fun
part is to take part in a story that’s unfolding. People walk up to you on the
street and they grab you by the lapels and they say, what’s going to happen next?"
Did you have any trepidation at all about starring in a show that’s
based on a movie that’s so critically acclaimed that people still hold so dearly
to their hearts?
Platt: "The answer is, absolutely. The stuff that I was shown,
the story that I was told, the fact that Joel and Ethan Coen had blessed it was
not insignificant. I have to say, I think that Noah’s done a pretty remarkable
job of sort of threading that needle of writing in their tone, but sort of— he
had his own voice, if you will and, to me, it’s pretty impressive stuff."
And lastly, what do you think it is about Fargo that’s made it such a
fast fan favorite?
Platt: "I think it’s a combination of the storytelling and the
style. There’s something so compelling about exploring the menace and the
loneliness beneath that culture; the people that ostensibly are incredibly
polite, button down way of—the way that people relate to each other on a
superficial level. I think that there’s a fascination to that, and then the fact
that if good writing is compelling sequences of events then Noah’s really got
that nailed."
"Fargo" airs Tuesdays at 9 p.m. CT on FX.
Photo: Oliver Platt plays Supermarket King, Stavros Milos,
in "Fargo." Photo courtesy of FX.
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