Academy Award-nominated for adapted screenplay 

Meet Ree Dolly -- not since Mattie Ross stormed her way through Arkansas in True Grit has a young girl so fiercely defended her loved ones. Sixteen-year-old Ree Dolly has grown up in the harsh poverty of the Ozarks and belongs to a large extended family. On a bitterly cold day, Ree, who takes care of her two younger brothers as well as her mother, learns that her father has skipped bail. If he fails to appear for his upcoming court date on charges of cooking crystal meth, his family will lose their house, the only security they have.

Winter's Bone is the story of Ree's quest to bring her father back, alive or dead. Her goal had been to leave her messy world behind and join the army, where "everybody had to help keep things clean." But her father's disappearance forces her to first take on the outlaw world of the Dolly family. Ree's plan is elemental and direct: find her father, teach her little brothers how to fend for themselves, and escape a downward spiral of misery.

Asking questions of the rough Dolly clan can be a fatal mistake, but Ree perseveres. Her courage and purity of spirit make her a truly compelling figure. She learns that what she had long considered to be the burdens imposed on her by her family are, in fact, the responsibilities that give meaning and direction to her life. Her story is made palpable by Woodrell, who is "that infrequent thing, a born writer" (Philadelphia Inquirer).

Excerpt

Chapter One

REE DOLLY stood at break of day on her cold front steps and smelled coming flurries and saw meat. Meat hung from trees across the creek. The carcasses hung pale of flesh with a fatty gleam from low limbs of saplings in the side yards. Three halt haggard houses formed a kneeling rank on the far creekside and each had two or more skinned torsos dangling by rope from sagged limbs, venison left to the weather for two nights and three days so the early blossoming of decay might round the flavor, sweeten that meat to the bone. Snow clouds had replaced the horizon, capped the valley darkly, and chafing wind blew so the hung meat twirled from jigging branches. Ree, brunette and sixteen, with milk skin and abrupt green eyes, stood bare-armed in a fluttering yellowed dress, face to the wind, her cheeks reddening as if smacked and smacked again. She stood tall in combat boots, scarce at the waist but plenty through the arms and shoulders, a body made for loping after needs. She smelled the frosty wet in the looming clouds, thought of her shadowed kitchen and lean cupboard, looked to the scant woodpile, shuddered. The coming weather meant wash hung outside would freeze into planks, so she'd have to stretch clothesline across the kitchenabove the woodstove, and the puny stack of wood split for the potbelly would not last long enough to dry much except Mom's underthings and maybe a few T-shirts for the boys. Ree knew there was no gas for the chain saw, so she'd be swinging the ax out back while winter blew into the valley and fell around her.

Jessup, her father, had not set by a fat woodpile nor split what there was for the potbelly before he went down the steep yard to his blue Capri and bounced away on the rut road. He had not set food by nor money, but promised he'd be back soon as he could with a paper sack of cash and a trunkload of delights. Jessup was a broken-faced, furtive man given to uttering quick pleading promises that made it easier for him to walk out the door and be gone, or come back inside and be forgiven.

Walnuts were still falling when Ree saw him last. Walnuts were thumping to ground in the night like stalking footsteps of some large thing that never quite came into view, and Jessup had paced on this porch in a worried slouch, dented nose snuffling, lantern jaw smoked by beard, eyes uncertain and alarmed by each walnut thump. The darkness and those thumps out in the darkness seemed to keep him jumpy. He paced until a decision popped into his head, then started down the steps, going fast into the night before his mind could change. He said, "Start lookin' for me soon as you see my face. 'Til then, don't even wonder."

She heard the door behind her squeak and Harold, age eight, dark and slight, stood in pale long johns, holding the knob, fidgeting from foot to foot. He raised his chin, gestured toward the meat trees across the creek.

"Maybe tonight Blond Milton'll bring us by one to eat."

"That could be."

"Don't kin ought to?"

"That's what is always said."

"Could be we should ask."

She looked at Harold, with his easy smile, black hair riffling in the wind, then snatched his nearest ear and twisted until his jaw fell loose and he raised his hand to swat at hers. She twisted until he bore up under the pain and stopped swatting.

"Never. Never ask for what ought to be offered."

"I'm cold," he said. He rubbed his smarting ear. "Is grits all we got?"

"Butter 'em more. There's still a tat of butter."

He held the door and they both stepped inside.

"No, there ain't."

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