PRIME TIME goes behind the scenes in major market television, as a top notch TV investigative reporter, based in Boston, goes after which might be the biggest story of her career---or it might be the one that will end her life.
Charlie's smart, savvy, and sexier than she realizes--especially when she meets a charming Atticus Finch look-a-like. What happens when a successful TV reporter is married to her job, but begins to worry the camera doesn't love her anymore? She just might meet the man she's been waiting for. Or is he just a little too handsome? And a little too helpful?
Chapter 23
I canβt breathe. I canβt drive. I have to think. I have to pull over. I look at my watch and calculate: no time. No time to stop, and no time to panic.
I read somewhere that new pilots arenβt allowed to fly at night because they canβt tell which way is up. They fly through the darkness, instruments useless, their horizon lost, totally confused and incapable of telling whether theyβre upside down.
As I head toward my destination, I know just how they feel. Could I have been completely and totally duped?
I reconstruct our evening, seeing in neon lights each moment when the diabolical Josh, suave manipulator of honest truth-seeking reporters, pulled the pashmina over my eyes.
Didnβt know Mack Briggs? Of course he did. Didnβt know why Brad was asking about the emails? Of course he knew. Didnβt know the origin of the SPAM? Sure he did. Didnβt know what was going on at Aztratech? Didnβt know Brad was ready to blow the whistle? He was probably in on the whole thing, whatever it is.
I hit the steering wheel with the heel of my hand, annoyed with myself. And Brad and Josh met at a big dinner party, I remember. Probably hosted by Wes Rasmussen.
Itβs so frighteningly clear he was trying to figure out how much I knew. And I was soβlustingβfor romance and affection, I didnβt even see through the deception.
I close my eyes in self-loathing, before I remember that Iβm driving and that closing my eyes is not the best idea.
And thereβs my exit.
###
When I arrive at the cemetery, a long, slow-moving caravan of cars is snaking down a narrow unpaved road, each car puffing up a plume of gravel dust as it curves past a stone and masonry sign that says βEventide.β I ease my Jeep onto the end of the line, and pushing my conscience out of the way, flip the switch to turn on my headlights.
Itβs Mack Briggsβ funeral procession, and now Iβm part of it.
The cars line up to park, one after the other, on the side of a grassy rise. Beyond that, I see a dark green canopy set up on metal poles, rows of folding chairs underneath. The first arrivals file into the seating area, men in substantial overcoats, hatless, braving the cold. Women wrapped in extra shawls and close-fitting hats against the increasing chill, their faces somber and serious, some holding flowers and little prayer books. A little boy carrying a firetruck stumbles a bit in the gravel, and as he grabs the hand of the man walking next to him. I can tell theyβve both been crying. A flock of gray birds wheels gracefully over the mourners, gliding through the dusky sky then leaving the cemetery silent.
Itβs almost time for me to turn into the parking area, but now, sneaking into someoneβs funeral, my conscience kicks its way back in. Questioning my own motives and attempting to retrieve my moral compass, all I can think about is getting out of here. This is a hideous invasion of privacy. This is why people hate reporters. Itβs shocking, unacceptable, certainly a no-refund no- exchange ticket to hell and eternal damnation.
But I can save myself. All I have to do is say, I made a mistake. Iβm in the wrong place, forgive me, I thought this was someone elseβs service. Iβm so sorry, big adios, and exit.
But, I hafta knowβ¦
I look up, and a dark suited attendant is waving me into the next spot. I follow his directions, lock my better judgment in the glove compartment, and get out of the car.
Staking out a spot behind the rows of folding chairs, I try to stay hidden by an ancient maple tree. No one seems to notice me, but problem is, I can only see backs of heads, which is no help at all in my search for suspects. I thought I might recognize someone or get some clue by coming here, like the FBI agents who shadow the edges of organized crime funerals to see if some fugitive mob boss, inexorably drawn to the burial of his arch rival, sneaks out of hiding to savor a final moment of gangster revenge. So much for that idea.
And who do I even think is going to show up at Mack Briggsβ funeral? I reconsider my theories, as a plumpish red-faced minister begins to read from Ecclesiastes. I almost smile. Wouldnβt it be too funny if he started reading from the book of Numbers?
Because thatβs the key. If thereβs someone here who I can link to both Briggs and Brad Foreman, then that is the someone who is going to be the key to the SPAM mystery. It would have to be someone who knew about Brad and what he thought heβd uncovered with those refinancing SPAMS. Someone who also knew Brad had written to Mack Briggs asking for advice.
The minister looks up from this Bible, scanning the group, squinting with stern disapproval. The mourners look at each other, concerned and upset. I suddenly hear whyβ someoneβs cell phone is trilling, muffled slightly but still a disastrous breach of etiquette for some poor--
I dive for my purse, whirling to put the tree between me and the service. Itβs my phone. I plow though my bag and smash the off button without even looking at my caller ID. Good work, I congratulate myself. Subtle.
I lean against the tree, holding my breath. A momentβs pause, and the minister continues. I wait, envisioning some black-suited funeral home goons picking me up by the elbows and throwing me head over heels out of the cemetery.
Iβm clammy with my imminent doom. No one at the station even knows Iβm here, so Kevin OβBannon can totally cut me loose, point to some clause in my rapidly expiring contract that says Iβm legally on my own if I do something that he, the news director, doesnβt know about. Iβll be instantly fired. I see my entire life savings, including my plastic surgery fund, heading into the coffers of lawyers and going to pay huge fines.
Course they donβt teach in J-school: Deniability 101: Make sure you get permission for everything.
I tentatively creep out from behind my tree, peering around the edge to see if any goons are on the hunt. But the ministerβs head is bowed again, and it sounds like heβs nearing the end of the service. The mourners seem to be focused on their sorrow and not some misfit with a cell phone. No goons in sight.
I echo their murmured βAmen,β and then watch the group move to pay their final respects as the casket is lowered. Iβm almost in the clear. No lawsuits, no headlines. Iβll just hang here until the funeral is over and pretend the whole thing never happened. I admit I still havenβt seen anyone I recognize, which is a bummer, but on the bright side, no one has recognized me, either.
βCharlie McNally?β
Busted.
Someoneβs benign-looking grandmother is headed in my direction, walking carefully in the damp leaves that have fallen on the browning grass, and sheβs calling my name.
Thereβs no escape. If Iβm lucky, sheβs a Channel 3 watcher up from Boston. Iβll just pretend Iβm covering the funeral, and sheβll never know.
βCharlie McNally?β she repeats.
βYes?β I say. I race through my mental Rolodex. Is this someone Iβm supposed to know? I donβt have time to play the identity game with funeral-attending news fans.
βCharlie McNally, the reporter for Channel 3?β
I knew it. Now sheβll tell me how much better I look in real life than on camera, how the camera adds ten pounds and ten years, like I donβt know that. I appreciate fans, but let me out of here.
βYes?β Ten seconds. Iβll give her ten seconds.
Sheβs still smiling, but two dark-suited factotums seem to materialize at her side. Disturbingly like those funeral goons I worried about. The men hover, one on either side of her, like bulked-up robots programmed to protect and defend at any cost.
The woman somehow loses her grandmotherly look. Her placid face hardens into brittle, her eyes narrow, sizing me up.
This is no fan.