July 20th, 2026
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THE SECRET ATTIC
📚 New Books This Week 📰 Latest News ☀️🌙 Summer Days / Summer Nights Giveaways 🎪 Reader Games

Escape Into Adventure, Romance, Suspense, and Magic This July

Find Your Perfect July Escape

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Sink your teeth into the first novel in the #1 New York Times bestselling Sookie Stackhouse series—the books that gave life to the Dead and inspired the HBO® original series True Blood.


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#1 New York Times bestselling author Sandra Brown delivers a new signature sexy suspense about a detective seeking justice for his murdered wife with the help of a psychotherapist…while fighting an undeniable attraction to her.


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Open the book. Enter the nightmare. Escape is no longer guaranteed.


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Under Wyoming skies, love doesn't care about titles.


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Family secrets, lost love, and a mystery hidden beneath the sea.


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The bear is unleashed. The danger is real. The attraction is impossible to resist.

THE ART OF WEARING A TRENCH COAT
By: Sergi Pàmies

Other Press
March 2021
On Sale: March 16, 2021
128 pages
ISBN: 1635420784
EAN: 9781635420784
Kindle: B08BKSRRC9
Paperback / e-Book
Add to Wish List

Contemporary Novella / Short Story

A baker’s dozen of intertwined stories that brilliantly evoke the ups and downs of relationships between strangers, spouses, parents, and children.
 
Drawing on the author’s own experiences, this slim, intimate collection of thirteen stories explores myriad forms of love (and disappointment and nostalgia and panic) through a narrator who bemoans his inability to wear a trench coat well, like Humphrey Bogart and the other elegant men his mother taught him to admire. In these encounters and these endings, in these details and these feelings, a compassionate portrait of a life emerges.
 
Terse, droll, sometimes absurd but always lucid, Pàmies casts his gaze on the urge to write as seen through his mother’s final days; on his teenage fantasy that his father was actually Jorge Semprún; and on situations such as adopting a dog to staunch a failing marriage, or a father asked to play the part of a corpse in his son’s short film. In this phantasmagoria of failure and loss, Pàmies confronts us—pulling us in with his use of the second person—with the omnipresence of well-intentioned lies without which it might be impossible to ever make anyone else happy.

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