March 24th, 2025
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March Into Romance: New Releases to Fall in Love With!

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As Lady Phoebe and her betrothed say their vows of holy matrimony, a killer has vowed unholy vengeance on the town�s chief inspector . . .


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A soldier-turned-duke and a widow: a forbidden love story awaits!


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Pregnant sheriff. Abducted baby. Can they solve this deadly mystery in time?


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A cowgirl with grit. A cowboy with control. Will they tame each other�s hearts?


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A sculptress. A war. Will ambition or love define her future?


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"WILDLY ENTERTAINING"
Coffee & crime were never so much fun!


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Can a painful past and a deadly secret heal a fractured relationship?


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Saving the ranch and his heart�one business plan at a time.


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A twist on Shakespeare�s classic�romance, comedy, and a little meddling!


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Disappearing girls, a blood moon, and a thriller that will keep you guessing.


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A Stray Pup, A Second Chance, and a Killer on the Loose�Wagtail�s About to Get Wild!


The Art of Wearing a Trench Coat
Sergi Pàmies

Other Press
March 2021
On Sale: March 16, 2021
128 pages
ISBN: 1635420784
EAN: 9781635420784
Kindle: B08BKSRRC9
Paperback / e-Book
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Contemporary Novella / Short Story

A baker’s dozen of intertwined stories that brilliantly evoke the ups and downs of relationships between strangers, spouses, parents, and children.
 
Drawing on the author’s own experiences, this slim, intimate collection of thirteen stories explores myriad forms of love (and disappointment and nostalgia and panic) through a narrator who bemoans his inability to wear a trench coat well, like Humphrey Bogart and the other elegant men his mother taught him to admire. In these encounters and these endings, in these details and these feelings, a compassionate portrait of a life emerges.
 
Terse, droll, sometimes absurd but always lucid, Pàmies casts his gaze on the urge to write as seen through his mother’s final days; on his teenage fantasy that his father was actually Jorge Semprún; and on situations such as adopting a dog to staunch a failing marriage, or a father asked to play the part of a corpse in his son’s short film. In this phantasmagoria of failure and loss, Pàmies confronts us—pulling us in with his use of the second person—with the omnipresence of well-intentioned lies without which it might be impossible to ever make anyone else happy.

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