I can’t believe we are up to book 10 in the Lady Darby mysteries by historical mystery author Anna Lee Huber! A PERILOUS PERSPECTIVE and the others in this series straddle, to me, the line between historical mystery and cozy mystery. Lady Darby and her husband are inquiry agents, but the main reason that artist Kiera, Lady Darby, works as an inquiry agent is her vast knowledge of death in its many guises due to her work as a reluctant cadaver illustrator. While there is plenty of historical detail to flesh out the scenes, much of the focus is on Kiera and her relationships with her dashing husband, Sebastian Gage, and her family and friends.
Huber reminds me of the Impressionist painter Mary Cassatt, who is known for imbuing her paintings with the glow of domesticity and motherly love. I follow Huber on social media so I know about her daughters and Huber’s love for family. So while reading about Lady Darby interacting with her infant Emma, I pictured the author interacting with her daughters; her domestic scenes are suffused with a mother’s tender love for her offspring.
Kiera and her husband have traveled to the Highlands with their baby to attend the wedding of her cousin Rye to her friend Charlotte. The wedding will take place at the estate of Kiera’s great-uncle, the crotchety Marquess of Barbreck, who is frankly an ass. Kiera’s artistic eye discerns that several of Barbreck’s lauded paintings by various masters are actually forgeries. As Kiera and her cohort investigate the fraudulent masterpieces, the dead bodies start to pile up.
This is a fun whodunit, with plenty of intrigues, danger, and red herrings. The slow evolution of Lady Darby from the mousy abused widow in book one to the more confident woman and mother has been charming to watch. Much of my enjoyment of this series is the gentle focus on family, both biological and found family. Huber’s A PERILOUS PERSPECTIVE brings us a gentle domestic scene enlivened by a few corpses in this entertaining historical mystery.
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