Simon and Schuster
Featuring: Larkin Conner Barkley; Joe Pike
304 pages ISBN: 0743281632 EAN: 9780743281638 Kindle: B000NY11VU Hardcover / e-Book Add to Wish List
Joe Pike, former military, cop, and mercenary, turned
private investigator, fears no human being on this planet.
He can kill a man with one shot without even blinking.
When Pike puts his mind to something, he means business.
Pike receives a phone call, calling in an old debt. The
rules of the debt, was if this person needed Pike, any
day, anytime, he can call and the job will be done. The
job is to watch over a spoiled rich girl named Larkin
Barkley. Larkin was involved in a hit and run and the
other driver and passengers were the ones who ran. The FBI
became involved when it was discovered that the passengers
in the car are wanted and involved with the mob. The only
way to indict and catch them is with Larkin's help. After
someone tries to kill her, Larkin's father is in fear for
his daughter's life. They need Pike to watch over Larkin,
and keep her alive so she can be the FBI's witness in this
case.
Pike agrees to take the case but he refuses to play by
anyone's rules but his own. After several of the safe
houses they are told to use, become known to the bad guys,
Pike removes everyone involved from knowing Larkin's
whereabouts. Someone deep in this case is tipping off the
wrong people. Without knowing all the facts, Pike
investigates the case himself so he can protect Larkin.
But after many sleepless nights, Pike decides he will not
just guard this girl and try to keep her alive. Pike runs
from no man. He decides to hunt down the hunters and no
longer be the willing prey.
While searching for answers, Pike enlists the help of his
friend and private investigator, Elvis Cole. With Cole's
help the two of them look for clues as to why this person
wants Larkin Barkley dead. Without knowing who is hunting
them, it is hard to know what to watch out for. The FBI
gave them a name, but something isn't right. Someone is
lying to Pike and he refuses to instill his trust in
anyone, including the FBI and the police. If Larkin
Barkley wants to live and survive, Joe Pike will have to
catch whoever is hunting them before they are found.
THE WATCHMAN is Robert Crais' first book devoted to his
secondary character Joe Pike. Pike shines through the
pages as the strong, dependable, tough, but loveable
protector to Larkin. Pike is the type of person you would
want as a friend if you were ever in a bad situation. He
will protect your life with all his might, or die trying.
THE WATCHMAN is thrilling with its short zippy chapters
and constant action on every page. If bullets aren't
flying, then someone is discovering a clue to the puzzle,
or chasing after a bad guy. I highly recommend this book
and I guarantee if you didn't know the name Robert Crais
before, you will remember it now!
Larkin Conner Barkley lives like the City of Angels is hers for the taking. Young and staggeringly rich, she speeds through the city during its loneliest hours, blowing through red after red in her Aston Martin as if running for her life. Until out of nowhere a car appears, and with it the metal-on-metal explosion of a terrible accident. Dazed, Larkin attempts to help the other victims. And finds herself the sole witness in a secret federal investigation.
For maybe the first time in her life, Larkin wants to do the right thing. But by agreeing to cooperate with the authorities, she becomes the target for a relentless team of killers. And when the U.S. Marshals and the finest security money can buy can't protect her, Larkin's wealthy family turns to the one man money can't buy -- Joe Pike.
Pike lives a world away from the palaces of Beverly Hills. He's an ex-cop, ex-Marine, ex-mercenary who owes a bad man a favor, and that favor is to keep Larkin alive. The one upside of the job is reuniting with Bud Flynn, Pike's LAPD training officer, and a man Pike reveres as a father. The downside is Larkin Barkley, who is the uncontrollable cover girl for self-destruction -- and as deeply alone as Pike.
Pike commits himself to protecting the girl, but when they immediately come under fire, he realizes someone is selling them out. In defiance of Bud and the authorities, Pike drops off the grid with the girl and follows his own rules of survival: strike fast, hit hard, hunt down the hunters. With the help of private investigator Elvis Cole, Pike uncovers a web of lies and betrayals, and the stunning revelation that even the cops are not who they seem. As the body count rises, Pike's biggest threat might come from the girl herself, a lost soul in the City of Angels, determined to destroy herself unless Joe Pike can teach her the value of life...and love.
Excerpt
prologue
City of Angels The city was hers for a single hour, just the one magic hour, only hers. The morning of the accident, between three and four A.M. when the streets were empty and the angels watched, she flew east on Wilshire Boulevard at eighty miles per hour, never once slowing for the red lights along that stretch called the Miracle Mile, red after red, blowing through lights without even slowing; glittering blue streaks of mascara on her cheeks. Accounting for her time before the accident, she would later tell police she was at a club on Yucca in Hollywood, one of those clubs du jour with paparazzi clotted by the door. She had spent an hour avoiding an aging action star while seeing her friends (trust-fund Westsiders and A-list young Hollywood; actors, agents, and musicians she had no problem naming for the police), all taking cell-phone pictures of each other, blowing air-kisses and posing with rainbow drinks. The police sergeant who interviewed her would raise his eyebrows when she told him she had not been drinking, but the Breathalyzer confirmed her story. One Virgin Cosmo which she did not finish. Three was her witching hour. She dropped a hundred on the valet for her Aston Martin, and red-lined away. Five blocks later—alone— she stopped in the middle of Hollywood Boulevard, shut the engine, and enjoyed a cashmere breeze. The scents of jasmine and rosemary came from the hills. The engine ticked, but she listened to find the silence. The stillness of the city at this hour was breathtaking. She gazed up at the buildings and imagined angels perched on the edge of the roofs; tall slender angels with drooping wings; standing in perfect silence, watching her without expectation as if in an eternal dream: We give you the city. No one is watching. Set yourself free. Her name was Larkin Conner Barkley. She was twenty-two years old. She lived in a hip loft downtown in an area catering to emerging painters and bicoastal musicians, not far from the Los Angeles River. Her family owned the building. Larkin pushed the accelerator and felt the wind lift her hair. She bore south on Vine, then east on Wilshire, laughing as her eyes grew wet. Light poles flicked past; red or green, it didn’t matter and she didn’t care. Honking horns were lost in the rush. Her long hair, the color of pennies, whipped and lashed. She closed her eyes, held them closed, kept them shut even longer, then popped them wide and laughed that she still flew straight and true— —85— —90— —101— —a two-hundred-thousand-dollar Tuxedo Black convertible blur, smudged by alabaster skin and Medusa copper hair, running wild and free across the city. She flashed over the arch at MacArthur Park, then saw the freeway coming up fast, the Pasadena; a wall guarding downtown. She slowed, but only enough, just barely enough, as cars appeared and streets narrowed, flying over the freeway into the tangle of one-way downtown streets—Sixth, Seventh, Fourth, Ninth; Grand, Hill, and Main. She turned where she wanted, went the wrong way, ran hard for the river; slowing more, finally, inevitably, as everything rippled and blurred— She told herself it was the dry night wind and lashing hair, the way her eyes filled when her lonely race finished, but it was always the same whether the air was dry or not, whether her hair was down or up, so she knew. For those few minutes running across the city, she could be and was herself, purely and truly herself, finding herself in those moments only to lose herself once more when she slowed, falling behind as her true self ran free somewhere ahead in the empty night— She lurched across Alameda, her speed draining like a wound. —65— —60— —55— Larkin turned north on an industrial street parallel to the river. Her building was only blocks away when the air bag exploded. The Aston Martin spun sideways to a stop. White powder hung in the air like haze; sprayed over her shoulders and arms. The other car had been a flashing shape, no more real than a shadow in the sea, a flick of gleaming movement broken by the prisms of her tears, then the impact. Larkin released her belt and stumbled from the car. A silver Mercedes sedan was on the sidewalk, its rear fender broken and bent. A man and a woman were in the front seat, the man behind the wheel. A second man was in the rear, closest to the impact. The driver was helping the woman, whose face was bleeding; the man in back was on his side, trying to pull himself up but unable to rise. Larkin slapped the driver’s-side window. “Are you all right? Can I help?” The driver stared at her blankly before truly seeing her, then opened his door. He was cut above his left eye. Larkin said, “Ohmigod, I’m sorry, I’m so sorry. I’ll call 911. I’ll get an ambulance.” The driver was in his fifties, well dressed and tan, with a large gold ring on his right hand and a beautiful watch on his left. The woman stared dumbly at blood on her hands. The backseat passenger spilled out the rear door, fell to his knees, then used the side of the car to climb to his feet. He said, “We’re okay. It’s nothing.” Larkin realized her cell phone was still in her car. She had to get help for these people. “Please sit down. I’ll call—” “No. Let me see about you.” The man from the backseat took a step but sank to a knee. Larkin saw him clearly, lit by the headlights of her car. His eyes were large, and so dark they looked black in the fractured light. Larkin hurried to her car. She found her cell phone on the floor, and was dialing 911 when the Mercedes backed off the sidewalk, its rear fender dragging the street. Larkin said, “Hey, wait—!” Larkin called after them again, but they didn’t slow. She was memorizing their license plate when she heard the man from the backseat running away hard up the middle of the street. A tinny voice cut through her confusion. “Emergency operator, hello?” “I had a wreck, an auto accident—” “Was anyone injured?” “They drove away. This man, I don’t know—” Larkin closed her eyes and recited the license number. She was scared she would forget it, so she pulled out her lip gloss—Cherry Pink Ice—and wrote the number on her arm. “Ma’am, do you need help?” Larkin felt wobbly. “Ma’am—?” The earth tilted and Larkin sat in the street. “Ma’am, tell me where you are.” Larkin tried to answer. “Ma’am, where are you?” Larkin lay back on the cool, hard street. Dark buildings huddled over her like priests in black frocks, bent over in prayer. She searched their roofs for angels. The first patrol car arrived in seven minutes; the paramedics three minutes later. Larkin thought it would end that night when the police finished their questions, but her nightmare had only begun. In forty-eight hours, she would meet with agents from the Department of Justice and the U.S. Attorney’s. In six days, the first attempt would be made on her life. In eleven days, she would meet a man named Joe Pike. Everything in her world was about to change. And it began that night.
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