“It sure looks haunted,” Edna murmured to no one in particular, to the cast of Dracula in general. They were grouped around her on the sidewalk that ran past the old Hanratty place that Carlos and Bella had rented. I’d never been inside though once I’d driven by it when I first moved to Etonville on my way out of town. The house stood on half an acre of scruffy lawn with patches of dried dirt, surrounded by a few straggly trees—minus leaves at this time of the year—and no neighbors. The nearest houses were on a side street some distance away. The three-story building looked as if it might collapse at any moment, its outer walls covered with weathered, gray shakes, the steps to the front door supported by concrete building blocks. There was no handrail. Light leaked out of windows on the first floor. Curtains covering small, circular panes on the third story—an attic room?—quivered. Was someone up there watching us? I shivered. A turret rose upward from the right side of the structure, giving the house a smidge of outdated dignity. A drain pipe dangled loosely from the gutter.
“Let’s go.” Penny corralled actors and nudged everyone forward to the front door. There were six company members, Renfield saying he’d be along later, plus Penny, Lola, Pauli, and me. Strength in numbers.
We crept across the porch cautiously, aware of the creaking beneath us as the flooring shifted with each individual’s footsteps. Penny put out a hand to knock on the door. Before she could hit knuckles to wood, it flew open. “Welcome everyone!” Bella stood in the doorway, a silhouette backlit by muted foyer lighting.
Behind her Carlos stood silently, observing the group huddled in his entryway, like deer caught in headlights.
Lola took the lead, moving graciously into the house. “Thank you. So nice of you to invite us to your home.”
I’m not sure what the members of the Etonville Little Theatre were expecting. Given the exterior and location of the Hanratty homestead, I anticipated something out of a late-night classic horror film.