August 7th, 2026
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On Top Shelf
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Fresh Fiction for August Is Here

Cowboys, castles, and shiftersβ€”this month has it all.

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Hotter than a Tuscan summer.


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Some promises cost you the one you love.


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Only she can pull him back from the darkness.


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One golden retriever knows this is love.


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Trust is the fiercest transformation of all.


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From Himalayan stargazing to the London Blitzβ€”one love endures.

Women Crime Writers by Sarah Weinman

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Also by Sarah Weinman:

Scoundrel, March 2022
Hardcover / e-Book
Women Crime Writers, September 2015
Hardcover / e-Book
Troubled Daughters, Twisted Wives, September 2013
Paperback / e-Book

WOMEN CRIME WRITERS
By: Sarah Weinman

Library of America
September 2015
On Sale: September 1, 2015
1512 pages
ISBN: 1598534513
EAN: 9781598534511
Kindle: B01682F8QO
Hardcover / e-Book
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Mystery

The Library of America and editor Sarah Weinman redefine the classic era of American crime fiction with a landmark collection of eight brilliant novels by the female pioneers of the genre, the women who paved the way for Gillian Flynn, Tana French, and Lisa Scottoline.

Though women crime and suspense writers dominate today’s best seller lists, the extraordinary creations of the mid-century female pioneers of the genre are largely unknown. Their work, influential in its day and still vibrant and extraordinarily riveting, is long overdue for rediscovery. Now The Library of America makes these classic books available in a deluxe two-volume collector’s edition.

From the 1940s, here are Vera Caspary’s famous career girl mystery Laura; Helen Eustis’s intricate campus thriller The Horizontal Man; Dorothy B. Hughes’s In a Lonely Place, the terrifyingly intimate portrait of a serial killer; and Elisabeth Sanxay Holding’s The Blank Wall, in which a wife in wartime is forced to take extreme measures when her family is threatened.

The 1950s volume includes Charlotte Armstrong’s Mischief, the nightmarish drama of a child entrusted to a psychotic babysitter; Patricia Highsmith’s brilliant The Blunderer, which tracks the perverse parallel lives of two men driven toward murder; Margaret Millar’s Beast in View, a relentless study in madness; and Dolores Hitchens’s Fools’ Gold, a hard-edged tale of robbery and redemption.

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