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Love, Danger, Homecomings & Heart β€” Your June Reading Escape Starts Here

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One disastrous night. One devastating man. One diabolical proposition.


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He’s stubborn. She’s tougher. His kid? Already picked the bride.


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A small-town second chance wrapped in danger, desire, and Sharon Sala heart.


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She came home to save the ranch… and found the cowboy she never forgot.


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From reality TV heartbreak to real-life reinvention.


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A missing twin. A deadly cartel. One K-9 team caught in the crossfire.


KILLER RATINGS
By: Lisa Seidman

Author Self-Published
December 2012
On Sale: December 1, 2012
Featuring: Susan Kaplan
350 pages
ISBN: 1937868133
EAN: 978193786813
Kindle: B008PBOLEC
Trade Size / e-Book
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Mystery

Los Angeles is no stranger to glamour, celebrity . . . and murder. When Susan Kaplan moves to L.A. to become a TV writer, she's thrilled to be hired as a writers' assistant on the well-regarded but low-rated TV series Babbitt & Brooks. The last thing she expects, however, is that she'd find herself working for the beautiful yet seriously neurotic Rebecca Saunders, the show's less-than-competent associate producer who may or may not have gotten the job by sleeping with Babbitt & Brooks' demanding creator and executive producer, Ray Goldfarb.

And Susan definitely doesn't expect to find murdered Rebecca's body in her office at the studio early one morning. When the police learn that Rebecca torpedoed Susan's writing career shortly before her death, Susan becomes their number one suspect. Determined to prove her innocence and find the murderer, Susan discovers that all her colleagues have secrets they would kill to protect. From producers to writers tostars, it seems that the hopes and dreams of nearly everyone associated with the show were being threatened by Rebecca.

Despite the danger to her own life, Susan remains determined to find Rebecca's killer and in the process unmasks the dirty little secrets behind the making of a primetime television series. She learns that real life behind the camera is far more dramatic than the fictional one in front of it.

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