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Love, Danger, Homecomings & Heart β€” Your June Reading Escape Starts Here

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One disastrous night. One devastating man. One diabolical proposition.


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He’s stubborn. She’s tougher. His kid? Already picked the bride.


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A small-town second chance wrapped in danger, desire, and Sharon Sala heart.


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She came home to save the ranch… and found the cowboy she never forgot.


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From reality TV heartbreak to real-life reinvention.


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A missing twin. A deadly cartel. One K-9 team caught in the crossfire.


James Agee: Film Writing and Selected Journalism by James Agee

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Also by James Agee:

Cotton Tenants, June 2013
Hardcover / e-Book (reprint)
James Agee: Film Writing and Selected Journalism, September 2005
Hardcover
Let Us Now Praise Famous Men, August 2001
Trade Size (reprint)

JAMES AGEE: FILM WRITING AND SELECTED JOURNALISM
By: James Agee

Contains the full text of Agee on Film, a trove of other previously uncollected film reviews; Agee's screenplay for Charles Laughton's gothic masterpiece The Night of the Hunter; and a fascinating selection of Agee's penetrating journalism and book review

Library of America
September 2005
748 pages
ISBN: 1931082820
Hardcover
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Contemporary

James Agee brought to bear all his moral energy, slashing wit, and boundless curiosity in the criticism and journalism that established him as one of the commanding literary voices of America at mid-century. In 1944 W. H. Auden called Agee's film reviews for The Nation "the most remarkable regular event in American journalism today." Those columns, along with much of the movie criticism that Agee wrote for Time through most of the 1940s, were collected posthumously in Agee on Film: Reviews and Comments, undoubtedly the most influential writings on film by an American.

Whether reviewing a Judy Garland musical or a wartime documentary, assessing the impact of Italian neorealism or railing against the compromises in a Hollywood adaptation of Hemingway, Agee always wrote of movies as a pervasive, profoundly significant part of modern life, a new art whose classics (Chaplin, Dovzhenko, Vigo) he revered and whose betrayal in the interests of commerce or propaganda he often deplored. If his frequent disappointments could be registered in acid tones, his enthusiasms were expressed with passionate eloquence. This Library of America volume supplements the classic pieces from Agee on Film with previously uncollected writings on Ingrid Bergman, the Marx Brothers, Alfred Hitchcock's Lifeboat, Vittorio De Sica's Shoeshine, and a wealth of other cinematic subjects.

Agee's own work as a screenwriter is represented by his script for Charles Laughton's unique and haunting masterpiece of Southern gothic, The Night of the Hunter, adapted from the novel by Davis Grubb. This collection also includes examples of Agee's masterfully probing reporting for Fortune-on subjects as diverse as the Tennessee Valley Authority, commercial orchids, and cockfighting-and a sampling of his literary reviews, among them appreciations of William Faulkner, Virginia Woolf, S. J. Perelman, and William Carlos Williams.

Media Buzz

All Things Considered - December 12, 2005

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