September 15th, 2026
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On Top Shelf
📚 New Books This Week 📰 Latest News 🎪 Reader Games

Snowbound secrets, shifter wars, family lies, and epic battles — September delivers it all.

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Some promises cost you the one you love.

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The Temple of Kronos wants her dead. The Stoneslayer wants her destroyed. Neither will have her.

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A poisoned cousin, a five-year-old's life, and a family with too many secrets.

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Betrayal runs in her blood. Justice runs in his. Together, they burn it all down.

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"ANOTHER WINNER!"
From New York Times
Bestselling Cleo Coyle

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Running from her past, she finds a killer, a protector, and her faith.

Thrilled to Death by Lynne Tillman

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Also by Lynne Tillman:

Thrilled to Death, April 2025
Hardcover / e-Book
Mothercare, August 2022
Hardcover / e-Book

THRILLED TO DEATH
By: Lynne Tillman

Selected Stories

Catapult
April 2025
On Sale: March 25, 2025
320 pages
ISBN: 1593767196
EAN: 9781593767198
Kindle: B0CXJ6C5CD
Hardcover / e-Book
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Women's Fiction Family Life | Women's Fiction Friendship

From award-winning novelist and cultural critic Lynne Tillman, Thrilled to Death is a collection of selected stories across the career of America’s most audacious writer

Among the vanguard of American literary writers, Lynne Tillman’s work has defied categorization throughout her legendary career—a singular body of work that both redefined and reimagined the short story form entirely.

Curated by the author, Thrilled to Death is the definitive entry point for both established fans and new readers alike. These selected stories collect a bold, playful, and eclectic ensemble of Tillman’s Borgesian fictions that span decades and traverse themes of sex, death, memory, and anxiety.

With argumentative wit, Tillman’s meditations and reflections on art, politics, and culture are animated by deliciously paradoxical characters who desire and fret in turn, and who are imbued with searing intelligence and dolorous ambivalence. Describing Tillman's writing, Colm Tóibín says: “Her style has both tone and undertone; it attempts to register the impossibility of saying very much, but it insists on the right to say a little. So what is essential is the voice itself, its ways of knowing and unknowing.”

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