June 7th, 2025
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THE TAPESTRY OF TIME
THE TAPESTRY OF TIME

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Sunshine, secrets, and swoon-worthy stories—June's featured reads are your perfect summer escape.

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He doesn�t need a woman in his life; she knows he can�t live without her.


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A promise rekindled. A secret revealed. A second chance at the family they never had.


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A cowboy with a second chance. A waitress with a hidden gift. And a small town where love paints a brand-new beginning.


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She�s racing for a prize. He�s dodging romance. Together, they might just cross the finish line to love.


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She steals from the mob for justice. He�s the FBI agent who could take her down�or fall for her instead.


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He�s her only protection. She�s carrying his child. Together, they must outwit a killer before time runs out.


Thrilled to Death
Lynne Tillman

Selected Stories

Catapult
April 2025
On Sale: March 25, 2025
320 pages
ISBN: 1593767196
EAN: 9781593767198
Kindle: B0CXJ6C5CD
Hardcover / e-Book
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Women's Fiction Friendship | Women's Fiction Family Life

From award-winning novelist and cultural critic Lynne Tillman, Thrilled to Death is a collection of selected stories across the career of America’s most audacious writer

Among the vanguard of American literary writers, Lynne Tillman’s work has defied categorization throughout her legendary career—a singular body of work that both redefined and reimagined the short story form entirely.

Curated by the author, Thrilled to Death is the definitive entry point for both established fans and new readers alike. These selected stories collect a bold, playful, and eclectic ensemble of Tillman’s Borgesian fictions that span decades and traverse themes of sex, death, memory, and anxiety.

With argumentative wit, Tillman’s meditations and reflections on art, politics, and culture are animated by deliciously paradoxical characters who desire and fret in turn, and who are imbued with searing intelligence and dolorous ambivalence. Describing Tillman's writing, Colm Tóibín says: “Her style has both tone and undertone; it attempts to register the impossibility of saying very much, but it insists on the right to say a little. So what is essential is the voice itself, its ways of knowing and unknowing.”

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