June 4th, 2026
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Love, Danger, Homecomings & Heart β€” Your June Reading Escape Starts Here

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One disastrous night. One devastating man. One diabolical proposition.


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He’s stubborn. She’s tougher. His kid? Already picked the bride.


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A small-town second chance wrapped in danger, desire, and Sharon Sala heart.


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She came home to save the ranch… and found the cowboy she never forgot.


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From reality TV heartbreak to real-life reinvention.


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A missing twin. A deadly cartel. One K-9 team caught in the crossfire.


St. Marks Is Dead by Ada Calhoun

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Also by Ada Calhoun:

Crush, March 2025
Hardcover / e-Book
Also a Poet, June 2022
Hardcover / e-Book
Why We Can’t Sleep, January 2020
Hardcover / e-Book
Wedding Toasts I’ll Never Give, May 2017
Hardcover / e-Book
St. Marks Is Dead, September 2015
Paperback / e-Book
Instinctive Parenting, March 2010
Hardcover

ST. MARKS IS DEAD
By: Ada Calhoun

The Many Lives of America's Hippest Street: The Many Lives of America’s Hippest Street

W. W. Norton & Company
September 2015
On Sale: October 22, 2015
ISBN: 0393353303
EAN: 9780393353303
Kindle: B00TMA922G
Paperback / e-Book
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Historical

New York Times Editors' Choice

A vibrant narrative history of three hallowed Manhattan blocks—the epicenter of American cool.

 

St. Marks Place in New York City has spawned countless artistic and political movements. Here Frank O’Hara caroused, Emma Goldman plotted, and the Velvet Underground wailed. But every generation of miscreant denizens believes that their era, and no other, marked the street’s apex. This idiosyncratic work of reportage tells the many layered history of the street—from its beginnings as Colonial Dutch Director-General Peter Stuyvesant’s pear orchard to today’s hipster playground—organized around those pivotal moments when critics declared “St. Marks is dead.”

In a narrative enriched by hundreds of interviews and dozens of rare images, St. Marks native Ada Calhoun profiles iconic characters from W. H. Auden to Abbie Hoffman, from Keith Haring to the Beastie Boys, among many others. She argues that St. Marks has variously been an elite address, an immigrants’ haven, a mafia warzone, a hippie paradise, and a backdrop to the film Kids—but it has always been a place that outsiders call home. This idiosyncratic work offers a bold new perspective on gentrification, urban nostalgia, and the evolution of a community.

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