November 29th, 2022
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Cuddle up with a great read in November

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This Christmas, the Carlyle sisters will rediscover the gift of family


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A Christmas to remember


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Porto, Portugal—the home of the powerful and deadly vampire who rules Portugal.


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Sometimes a Lady Needs a Villain.


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An action-packed holiday adventure in her Section 47 urban-fantasy world of secrets, lies, and superspies with amazing magical abilities.


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Pulsing with passion, adventure, and paranormal suspense and romance, an immortal hero and a dream come true . . .


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Susan May Warren brings her Sky King Ranch series to a climactic close with this high-stakes race against the clock


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Because there’s something connecting us. Something stronger than fear…and way more bloody dangerous.


Pilot Impostor
James Hannaham

Catapult
January 2022
On Sale: December 21, 2021
208 pages
ISBN: 1593767013
EAN: 9781593767013
Kindle: B08VRDG7FP
Hardcover / e-Book
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Fiction Poetry

A startling, shape-shifting book of prose and images that draws on an unexpected pair of inspirations—the poetry of Fernando Pessoa and the history of air disasters—to investigate con men, identity politics, failures of leadership, the privilege of ineptitude, the slave trade, and the nature of consciousness.

Early in 2017, on a plane from Cape Verde to Lisbon, author and visual artist James Hannaham started reading Pessoa & Co., Richard Zenith's English translation of Fernando Pessoa's selected poetry. This was two months after Trump's presidential election; like many people, ideas about unfitness for service and failures of leadership were on his mind. Imagine his consternation upon discovering the first line of the first poem in the book: "I've never kept sheep/But it's as if I did."

The Portuguese, Hannaham had been musing, were responsible for jump-starting colonialism and the slave trade. Pessoa published one book in Portuguese in his lifetime, Mensagem, which consisted of paeans to European explorers. He also invented about seventy-five alter egos, each with a unique name and style, long before aliases and avatars became a feature of modern culture.

Hannaham felt compelled to engage with Pessoa's work. Once in Lisbon, he began a practice of reading a poem from Zenith's anthology and responding in whatever mode seemed to click. Even before his trip, however, he had become fascinated by Air Disasters, a TV show that tells the story of different plane crashes in each of its episodes. These stories—as well as the textures and squares of the city he was visiting—began to resonate with his concerns and Pessoa’s, and make their way into the book.

Through its inspirations and juxtapositions and its agile shifts of voice and form—from meme to fiction to aphorism to screenshot to lyric—the book leads us to reckon with the most universal questions. What is the self? What holds the self—multiple, fragmented, performative, increasingly algorithmically controlled, constantly under threat of death—intact and aloft?

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