March 4th, 2021
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A gift from the gods…
Can unleash hell…
in a thrilling Night Rebel novel


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They’re hunting a killer so silent, so invisible, that his unspeakable crimes are the only proof he exists.


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Second-chance romance about love, loss, finding yourself, and getting lost in the right person.


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Wise and witty novel about a fired advice columnist who discovers lost and found family members in Charleston


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Paranormal Women's Fantasy
KindleUnlimited


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Every bloody thread has been leading to this . . .


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Can an awkward bluestocking transform into a beauty?


Sorrow and Bliss
Meg Mason

Harper
February 2021
On Sale: February 9, 2021
352 pages
ISBN: 0063049589
EAN: 9780063049581
Kindle: B088FS3N1S
Hardcover / e-Book
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Coming of Age | Fiction

"While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." –Ann Patchett

"Brutal, tender, funny. . . . I saw myself here. I saw the people I love. I am changed by this book." –Mary Beth Keane, New York Times bestselling author of Ask Again, Yes

A compulsively readable debut novel—spiky, sharp, intriguingly dark, and tender—about a woman on the edge that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine.

Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out.

Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks. 

And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her. 

But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.

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