Jennifer Eganβs spellbinding interlocking narratives circle the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each otherβs pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapistβs couch in New York City, confronting her long-standing compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then as a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We plunge into the hidden yearnings and disappointments of her uncle, an art historian stuck in a dead marriage, who travels to Naples to extract Sasha from the cityβs demimonde and experiences an epiphany of his own while staring at a sculpture of Orpheus and Eurydice in the Museo Nazionale. We meet Bennie Salazar at the melancholy nadir of his adult lifeβdivorced, struggling to connect with his nine-year-old son, listening to a washed-up band in the basement of a suburban houseβand then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Franciscoβs punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gangβwho thrived and who falteredβand we encounter Lou Kline, Bennieβs catastrophically careless mentor, along with the lovers and children left behind in the wake of Louβs far-flung sexual conquests and meteoric rise and fall.
A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to PowerPoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for bothβand escape the merciless progress of timeβin the transporting realms of art and music. Sly, startling, exhilarating work from one of our boldest writers.
Media Buzz
PBS News Hour - April 18, 2011 Studio 360 - March 19, 2011 On Point - December 30, 2010 On Point - December 6, 2010 Studio 360 - September 25, 2010 Studio 360 - September 18, 2010 Morning Edition - July 26, 2010
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