With Historical Fiction, it can be so hard to come across a book with a timeline that hasnβt been oversaturated, but I thought Fiona Davis did a great job of bringing a fresh new story to life, with a storyline that swept me up right away, making this her best yet! Β In 1919, after eight months Lillian Carter was still grieving and her mother died during the Spanish flu epidemic. Lilly owes her landlord Mr. Watkins rent money, she's been unable to work, and when his wife is found murdered, and the police consider her a suspect. Supervised by her mother Kitty, Lillian started working as an artist's muse when she was fifteen and many of her statues are on public display around New York City. She inadvertently winds up with a job and a place to hide but how long will her luck keep her safe?Β Β Fast forward to the late 1960's Veronica is so excited to be given a chance to be on a Vogue photoshoot and she could really use the money. But when she starts to look around the Henry Frick house to get away from the other girls and her embarrassmentΒ at not being the model she wants to be, she gets locked in the mansion over the weekend with a young college student and they look to solve the Frick mansion mystery from years ago.Β Β Told in dual timelines, THE MAGNOLIA PALACE is perfect just like Fiona Davis's other novels. She really captures both storylines so the reader is engrossed and can not put the book down. I highly recommend you pick this one up as soon as possible.Β Β
Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue, returns with a tantalizing novel about the secrets, betrayal, and murder within one of New York City's most impressive Gilded Age mansions.
Eight months since losing her mother in the Spanish flu outbreak of 1919, twenty-one-year-old Lillian Carter's life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists' models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But with her mother gone, a grieving Lillian is rudderless and desperate—the work has dried up and a looming scandal has left her entirely without a safe haven. So when she stumbles upon an employment opportunity at the Frick mansion—a building that, ironically, bears her own visage—Lillian jumps at the chance. But the longer she works as a private secretary to the imperious and demanding Helen Frick, the daughter and heiress of industrialist and art patron Henry Clay Frick, the more deeply her life gets intertwined with that of the family—pulling her into a tangled web of romantic trysts, stolen jewels, and family drama that runs so deep, the stakes just may be life or death.
Nearly fifty years later, mod English model Veronica Weber has her own chance to make her career—and with it, earn the money she needs to support her family back home—within the walls of the former Frick residence, now converted into one of New York City's most impressive museums. But when she—along with a charming intern/budding art curator named Joshua—is dismissed from the Vogue shoot taking place at the Frick Collection, she chances upon a series of hidden messages in the museum: messages that will lead her and Joshua on a hunt that could not only solve Veronica's financial woes, but could finally reveal the truth behind a decades-old murder in the infamous Frick family.
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