Tom Noone is a journalist and author, with two ghost- written books to his credit as well. An elderly Irish- American businessman, Shay Govern, picks him to ghost- write the biography of a writer and recluse in THE LOST AND THE BLIND. Sebastian Devereaux went to live on an island in Lough Swilly in Donegal, where he turned out a few thrillers now long forgotten, and his daughter wants to use his biography as a stepping stone to launch a writers' retreat on the island. The work pays well, so what could go wrong?
A former Garda detective, now running investigations, is a friend of Tom's and he was also contacted by the Irish- American. This time, an old friend in Donegal needed to be tracked down. Only, the investigator found that the friend, Gerard Smyth, used to be the Danish Gerhard Uxkull, and arrived in Donegal on a Nazi submarine in 1940. Smyth tells of an atrocity on the same island, and claims that he has proof which he will only provide to a journalist. Why did Shay Govern, with an interest in mining precious metals in Donegal, want this man found? And is Tom wise to pursue this investigation?
Unlike most thrillers, I found much of the story is told by means of conversations. The journalist/author interviews people in Dublin, then gets involved in police work before he even gets out of the city. When Tom does head north to Donegal, setting this tale aside from many others is the fact that his six-year-old daughter has been dumped on him by his estranged wife. Emily is a great kid, bright as a button, and Tom does his level best to protect her from the increasingly dark stories and situations he encounters.
I was surprised that when Tom gets shown a Garda ID by a person out of uniform, he does not go and confirm this person's status with the Guards. He tells the person everything everyone has told him - and he's supposed to be a journalist? What happened to protecting your sources? He is also unaware of whether Ireland possesses an intelligence service. Not likely for a thriller author who's been hanging around journalists and police. Aside from Tom not being the brightest however, there's plenty of variety in tensions and damage limitation. The story unravels increasing complexities and internal knots between characters, so the latter half is packed with revelations and action. Irish author Declan Burke has written five previous quirky titles in the crime area, but as THE LOST AND THE BLIND is a standalone this would be a good place to jump in to his work.
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