"Late, late! Late, late late," Agnes yelled, ushering
Mallory in the side door that circumvented the front of the
club. "I’ve been asking everyone, where’s Moxie? Where’s
Moxie. And no one knows!"
Moxie was her stage name – they all had one. Alec said
her choice in name was sexy and spunky, just like she was.
She could hear him already on stage, the host of the
evening, warming up the crowd with his usual biting pop
commentary laced with double entendres. He was a great
writer – the Bill Maher of Burlesque, Mallory always said.
Back when she was speaking to him.
Last year, his "day job," Gruff magazine, assigned him a
story about the growing burlesque scene in New York . He
became fascinated with the subculture, and brought Mallory
to her first show on her birthday. Before she could
say "shake your ass," she had abandoned her plans to become
a lawyer and, instead, auditioned for a place on the Blue
Angel stage. Now, a year later, she was one of the top
draws at the club. And Alec had made a place for himself
as occasional MC and sometimes producer.
"Sorry – I’m half dressed." Mallory pointed feebly to
her stockings.
"What does that mean?" Agnes said, her Polish accent
thick and her attitude even thicker. "Half dressed,
undressed, late is late. You have to try costume on and
what if it doesn’t fit?" Agnes drew fitfully on her
cigarette, the no smoking ordinances be damned.
"You’ve been making costumes for me for a year – when
has anything not fit? You’re a genius!" Flattery got you
everywhere with Agnes.
"Yes, this is true."
A corner of the backstage area, wood-planked and poorly
lit, was the makeshift dressing room. Like the chaotic
backstage of a fashion show, clothes were scattered
everywhere, compacts and stray lipstick tubes and stockings
of every color, and no one had any privacy. In one corner
was a black sheet thumb-tacked diagonally to make a closed
space, but no one bothered to use it. Next to it was a
signed copy of a photo from this season’s Dolce & Gabana ad
campaign that was plastered all over New York, a campaign
featuring Bette Noir. Last year, Bette was just another
girl performing on the Blue Angel stage. But then she
started dating a pop star, Us Weekly featured her on the
cover twice, and the next thing everyone knew she had an
agent, a cameo in an indie film, and then the national
Dolce & Gabana print campaign. Needless to say, she hadn’t
been back to the Angel since the first Us cover.
Mallory shed her skirt and tank top, avoiding Agnes’s
disapproving gaze. "You know, Christian Louboutin made a
pair of limited edition Marie Antoinette heels," she
said. "They were incredible – only 36 pairs and they were
all sold. Six thousand dollars for a pair of shoes.
"What color?"
"Yellow, I think."
Agnes waved her hand in dismissal. "I wouldn’t pay six
dollars for yellow shoes. I make your dress a proper color!"
Behind her, Agnes removed a pouf of the palest blue
satin from her garment bag. She shook it out in front of
Mallory with a flourish.
"Oh my god. It’s gorgeous!" Louboutin shoes be damned –
Agnes’s dress was the greatest homage to the Queen she
could imagine. The bustier was baby blue satin threaded
with white lace and five delicate, pink velvet bows from
the décolletage to the waist. The back of the dress was
nearly floor length, and supported by the mini-corset it
would be full in the back, with a shorter bustle in the
front that brushed her mid-thigh. She would pair the dress
with baby blue garter belt and white thigh-high stockings.
"It’s perfect," Mallory breathed, stepping inside the
dress.
"Pull this side seam, off it comes," Agnes said,
appraising her clinically. "It fits. You find someone to
lace up the back. I can’t be bothered when you show up so
late."
She shuffled away, on the lookout for any girls who
might be goofing off with a smoke outside or one too many
pre-show shots of vodka instead of getting ready to
perform. She was like a bizarro-world dorm mother.
Mallory was happy to have the dressing room to herself –
a rarity. The universe was rewarding her for being late.
"That dress is worth losing your head over. And I don’t
mean the one on my shoulders."
Mallory turned around, searching for the French phrase
for fuck off. But she could only come up with merde. That
was the thing about Alec – when he was close to her, she
couldn’t think for shit.
"I know, I know – where’s the guillotine when you need
it, right?" He grinned at her, his sexy smile with the
slight gap between his front teeth, the dimple on the
right, and two days worth of scruff that she couldn’t look
at without imagining how it felt between her legs.
It was difficult for her not to smile back at him. But
she didn’t.
"I’m late so just…go."
"I’ll help you with the back. Come over here where
there’s more light."
He steered her to the back of the room, where it was
obviously darker.
"Stop it, Alec. I don’t have time for joking around."
He pulled the corset tight with the first band of ribbon
in the back, then traced the line of her spine with his
finger. "I’m not joking."
He pressed her forward to the black sheet, the make-
shift dressing room.
From the stage, she heard the first chords of "Mercy" by
Duffy. That meant Cookies N’Cream was on stage – a petite,
pretty redhead with the hips of a ten year old boy and the
double-D breasts she bought when she still worked at
Goldman Sachs.
Only two performances to go before it was her turn.
"Finish tying this thing," Mallory said. But Alec’s
fingers moved away from the dress to her ribcage, and
forward still until he cupped her breasts with both hands.
His index fingers played gently with her nipples, and her
breath quickened despite herself.
"I need to get dressed," she said feebly, her body
automatically arching back to meet his erection pressing
against her ass. He rubbed it against her, and she reached
behind to press her palm against the length of him. He
pushed her hand away, maneuvering her slightly off balance
so she was forced to reach forward and steady herself on a
wooden stool covered with weeks worth of odds and ends of
discarded clothes.
He traced the edge of her panties, then slipped a finger
inside her, perfectly slowly.
"Yes," she breathed, and he moved it in and out, in and
out, the pressure growing slightly with each stroke.
"I don’t know why you’re so upset with me," he breathed,
his face against her own. "Regardless of what you think, I
only have eyes for you. And I definitely only have this for
you." He took her hand and pressed it against his cock,
hard in his pants.
"Sometimes you make that very difficult to believe," she
said.
"You’re crazy," He pressed a finger against her clit,
barely rubbing her. She felt her heart racing, her mind
entering that fugue state that only he could send her in.
She arched herself against him, and he dipped his finger
inside her again. She knew she was going to come, but
didn’t want to – didn’t want to give him the satisfaction.
She made a feeble attempt to pull his hand away.
"Sometimes I think you like fighting just so we can make
up," he said, and then she came, her pussy shuddering
against him in waves that made her moan much too loudly.
He pulled up her underwear and kissed her neck.
"Come here," he turned her around and cupped her face in
his hands. Her mind was already switching back to logic
mode, worrying about the cum on her costume, the time she
had left before going on stage, whether anyone had heard
them.
"I have to get ready," she said.
"Look at me," he said. She did. His eyes were so
beautiful, green and gold and blue. She loved his eyes, and
nothing made her feel sexier than having his eyes focused
on her. The gaze of a thrilled audience was nothing
compared to a single look from Alec.
"Alec…"
"We are great," he said. "That’s all you need to think
about."
He kissed her, and she opened her mouth to him, her
stomach doing the little flip it always did, still, five
years into their relationship.
He smacked her playfully on the ass.
"Are we cool?" he said.
"It’s not that simple."
"I think it should be."
The first chords of "Heads Will Roll" played over the
sound system: Showtime.