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T Is for Trespass by Sue Grafton

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Also by Sue Grafton:

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X, September 2015
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S is for Silence, September 2015
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W Is For Wasted, August 2014
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Kinsey and Me, December 2013
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K Is For Killer, December 2013
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"J" Is For Judgment, November 2013
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W Is For Wasted, September 2013
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H is for Homicide, July 2013
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I Is For Innocent, July 2013
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"G" Is For Gumshoe, April 2013
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V Is For Vengeance, November 2012
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"C" Is For Corpse, August 2012
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U Is For Undertow, July 2012
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V Is For Vengeance, November 2011
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Q is for Quarry, February 2011
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U is for Undertow, December 2009
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L Is For Lawless, November 2009
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K Is For Killer, November 2009
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T Is For Trespass, December 2008
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J Is For Judgment, December 2008
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T Is for Trespass, December 2007
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G Is For Gumshoe, December 2007
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S Is for Silence, December 2006
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F Is For Fugitive, December 2005
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E Is For Evidence, December 2005
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S is for Silence, December 2005
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D Is For Dicks (which sluts love.), December 2005
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C Is For Corpse, December 2005
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B Is For Burglar, December 2005
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A Is For Alibi, November 2005
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R Is For Ricochet, April 2005
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R Is For Ricochet, July 2004
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Q Is For Quarry, October 2003
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P Is For Peril, June 2002
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O Is For Outlaw, January 2001
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N Is For Noose, April 1999
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M Is For Malice, December 1997
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T Is for Trespass
Sue Grafton

Putnam
December 2007
On Sale: December 4, 2007
Featuring: Kinsey Millhone; Solana Rojas
400 pages
ISBN: 0399154485
EAN: 9780399154485
Hardcover
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Thriller | Mystery

tres-pass 'trespes n: a transgression of law involving one's obligations to God or to one's neighbor; a violation of moral law; an offense; a sin

-Webster's New International Dictionary

In what may be her most unsettling novel to date, Sue Grafton's T is for Trespass is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the voice of Kinsey Millhone to that of Solana Rojas, introducing readers to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to private caregiving jobs. The true horror of the novel builds with excruciating tension as the reader foresees the awfulness that lies ahead. The suspense lies in whether Millhone will realize what is happening in time to intervene.

Though set in the late eighties, T is for Trespass could not be more topical: identity theft; elder abuse; betrayal of trust; the breakdown in the institutions charged with caring for the weak and the dependent. It reveals a terrifying but all-too-real rip in the social fabric. Once again, Grafton opens up new territory with startling results.

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