Fourth in the Eventing series brings Jules Thornton about as low as she could go. She and her boyfriend Pete Morrison are still moving around Florida. The run of poor LUCK has seen them lose Briar Hill Farm, Pete’s family home. Can they turn their luck around, and will their relationship survive? Life is going to get worse before it improves.
Natalie Keller Reinert writes horses incredibly well. She also doesn’t hesitate to throw life challenge after disaster at her poor characters. Now, I never understood why Jules sold the small farm she bought with her college fund. Okay, the buildings were destroyed by a hurricane, but they could have kept the fields. Maybe there is some land tax law I’m ignorant of, but anyway, now the pair are reduced to renting a field. They are testing their relationship by living together in a horse trailer. This is not the kind of trailer I’m used to, as it has a little self-contained accommodation unit to help riders attend shows. Actually, it must be a massive trailer. But that doesn’t make it a house.
The ever-present social media figures again in the tale, as Jules gains a fan club of young teen riders, and she helps herself by giving riding lessons for steady income at a nearby stable, using their facilities to train her event horses. Her sponsors are silent about the move – for now – but Dynamo and Danger Mouse (known as Mickey) had better keep winning when the season opens. Other people are not so understanding. The owners of competition horses, for one thing, want prestige. Living in a field with no stabling doesn’t cut the mustard.
We see Jules growing up. From her previous declaration that she just wants to win, she has to consolidate her dreams to care for her few special horses, her boyfriend, and her beagle Marcus. She develops more ethics and empathy where younger riders are concerned. Some serious events occur, which show us that you can’t trust people to do anything but look out for their personal interests. The horse world has always been an expensive one, and it seems that there is either too much money or none. I also noticed that most of Jules’s interactions are with women and most of Pete’s interactions are with men. Maybe women are equal opportunity employers – or prefer women around their kids – but men hire men.
LUCK can be tough going at times, but it’s quite addictive if only to see how they get out of this one. Come on, Jules, we’re cheering for you.
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