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Pleasure for Pleasure

Pleasure for Pleasure, December 2006
Essex Sisters Quartet
by Eloisa James

Avon
Featuring: The Earl of Mayne; Josie Essex
416 pages
ISBN: 0060781920
EAN: 9780060781927
Kindle: B000MAH7D6
Paperback / e-Book
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"Another eloquent and evocative Regency romance from this talented author."

Fresh Fiction Review

Pleasure for Pleasure
Eloisa James

Reviewed by Suan Wilson
Posted November 17, 2006

Romance Historical

Josie Essex's first London season is in tatters. Maliciously nicknamed the "Scottish Sausage," she finds herself a social pariah. Ignoring the advice of her sisters and chaperone, Josie attempts to blend in with the other debutantes and not respond to the insults -- with disastrous results. Finally, she accepts the advice of an older rake who she has secretly loved. He teaches her to embrace her differences and celebrate her generous curves and witty tongue. Josie adheres to his advice by banishing the tight restricting corsets and her shy demeanor.

After years of meaningless affairs, Garrett, the Earl of Mayne, believes he has found the perfect mate, a chaste and proper French woman. The indifference she exudes is refreshing after all the years of women pursuing him. As the fog of infatuation diminishes, Mayne reevaluates his relationship with his fiancée. His perfect woman has severe flaws that would make life very difficult. As this becomes more apparent, Mayne is aware of his changing and deepening friendship with the saucy and seductive Josie. If only she was not so young and he was not engaged.

Against this backdrop, another May/December romance begins as Josie's chaperone falls for a younger rake. The couples' bewilderment builds as their love intensifies, despite the differences in age and the inappropriateness.

Ms. James' love of Shakespeare is evident as elements of Midsummer Night's Dream are found in the title, the characters' names, their dilemmas and the symmetry of dreamy confusion ruling the four lovers' lives. She uses sweet and light touches, with a trace of malice in several characters, to enhance the reality. The characters emerge from their confusion and in the end celebrate the wonders of marriage. Ms. James provides an added treat with her elaborate and overwrought entries from the Earl of Hellgate's Memoir at the start of each chapter.

Learn more about Pleasure for Pleasure

SUMMARY

Fueled by the knowledge that notoriety is better than failure, witty, unconventional Josie does what no proper young lady should—she challenges fate. She discards her corset and flirts outrageously. She attends the horse races and allows an arrogant rakehell to whisk her behind the stables for a surreptitious kiss . . . and is caught!

She doesn't want to marry the young hellion—but who's to help? Her chaperone keeps disappearing for mysterious appointments; her guardian is on his wedding trip; and his friend the Earl of Mayne is too busy staring into the eyes of his exquisite French fiancée.

Can a marriage forced by stuffy convention and unwilling desire become the match of the season?

Excerpt

Griselda was wearing the daring crimson gown that Madame Barbet delivered for her. In fact, in some ways Josie hardly recognized her chaperone. When they first met, two years ago, Griselda was the quintessential pretty, English gentlewoman. She dressed with the exquisite propriety of a widow interested in two kinds of reputation: that of sexual propriety, and that of good taste. She was a merry, adorable person who showed no interest in the opposite sex, other than a fervent wish to discuss their foibles. In point of fact, while she generally had a beau or two hanging in her rear, they were often foolish young men, good for nothing but bleating poetry and providing an arm on the way into supper.

But somehow in the last few months, Griselda had changed. Josie couldn’t quite put her finger on it. But as she glanced back, waiting for her chaperone, she was fully aware that her chaperone would be the least chaperone-like woman in the room. Of course, Griselda had always had a delightful little figure. But Madame Barbet’s crimson dress was fashioned in such a way that swathes of dark crimson came over the shoulders and cross – but they didn’t actually meet until almost Griselda’s waist. Now that was a gown that a debutante could not wear.


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