By late afternoon the Virginia landscape was drenched with
heat. Amanda wanted to rip off her stays, hoops,
petticoats, and gown and run naked across the lawns to the
river. But the tourists' ticket of admission to Melrose
Hall didn't include a strip show.
She opened the front door of the house and curtsied. "My
thanks, sirs and mesdames, for your kind attentions.
Please do us the honor of visiting the gift shop upon your
departure."
Her flock of visitors, smelling of sunscreen and sweat,
piled into the glare. Still smiling, Amanda turned the
sign reading "Hall Open" around to "Hall Closed. Please
Come Again." She slammed the door, locked it, scooped the
cap from her head and said, "Hey! Twenty-first century!
I'm back!" to the paneled walls of the entrance hall.
Her voice echoed and died. A tread of the staircase
creaked. A stack of leaflets slumped over the edge of the
Chippendale sideboard and pattered to the floor. The
sweaty roots of her hair made her scalp feel cold.
Shrugging away her chill, she thought, they knew how to
build houses in the eighteenth century. Thick brick walls
and wooden doors kept out not only heat but noise.
Amanda stuffed her cap and her fan into her pockets and
stooped painfully to pick up the fallen leaflets. On their
covers the words "Melrose Hall, Gateway to the Past"
topped a trio of period portraits: Page Armstrong, the
planter-patriot who built the house in 1751. Sally, his
daughter, the belle of Tidewater Virginia. James Grant, a
British officer, dazzling in scarlet coat and tartan kilt.
Inside the leaflet were early prints of Melrose and a
sketch of the battle of Greensprings Farm, fought on a
similar July day at a nearby river crossing. Amanda felt
sorry for the British soldiers in their high collars and
stiff coats, trying to conduct a proper battle in spite of
the heat and opponents who hid in the underbrush like
homicidal squirrels.
"Whew," said a voice behind her. "I feel like a steamed
dumpling."
Amanda spun around. One of her fellow interpreters was
walking down the staircase. "Carrie! It was so quiet I
thought everyone was gone!"
"Not quite," Carrie replied. "I found two strays. Young
sir and miss?"
A teenaged couple emerged from the shadows of the upper
hall and shyly descended the stairs. Amanda had to look
twice to figure out which of the scrawny, long-haired, T-
shirted figures was the boy and which the girl. Inspiring,
she thought, what maturity did for the male body. Not that
she'd encountered any inspiring men recently. She stacked
the leaflets back on the sideboard. Carrie unlocked and
opened the door.
"Sorry," said the girl. "I wanted to hang out in Sally's
room for a minute. I mean, she was cool, so pretty and
everything."
"Not necessarily," Amanda explained, abandoning her role
as character in favor of teacher. "Portrait painters in
Sally's day spent the winters painting generic bodies and
the summers going around from plantation to plantation
adding faces. She may have had smallpox scars, or Page a
lumpy red nose, or Grant knobbly knees and jug ears."
The boy looked out from beneath his hair like a small
animal from the underbrush, warily. He urged the girl
toward the bright light of the outside world. But she hung
back, her lipsticked mouth a stubborn line. "It says in
that leaflet Sally and Captain Grant fell in love, but he
was killed at Greensprings Farm, like, a tragedy, you
know."
"So they were automatically drop-dead gorgeous?" returned
Amanda.
"I'm afraid," Carrie, mother-of-teens, said gently, "the
story about Grant is probably just that, a story. Like the
one about Sally turning down Thomas Jefferson's proposal.
We know from Jefferson's diaries he hardly knew her. The
71st Highlanders were billeted at Melrose for ten days or
so, yes. But Sally might not have been here then. We know
from the regimental rolls Grant was here, but that doesn't
mean he had the time of day for Sally. He probably spent
his off hours polishing his shoe buckles or powdering his
wig."
"But Grant ran up this staircase," the girl
countered, "yelling at his troops, 'The Yankees are
coming! The Yankees are coming!', and slicing the
bannister with his sword."
"If he liked Sally so much, why the vandalism?" Amanda
asked. "And there might have been some other officers
upstairs, but the troops would have been outside. Probably
downwind." She ran her hand along the silky wood of the
bannister. Her fingertips detected several grooves,
rounded by years of varnish. "Dr. Hewitt, the
archaeologist, thinks these scars date from the Civil
War."
The girl shrugged away the lecture in historical method.
Taking the boy's arm, she paraded him out the door as
though imagining them in long gown and knee breeches
respectively.
"Thank you for coming!" Amanda shook her head. She liked a
good romantic tragedy just fine. She liked a good they-
lived-happily-ever-after romance even better. But at the
end of the day a story was just a story.
Carrie locked the door. "You know, I'm really rather glad
she didn't believe us. So few young people have any sense
of romance these days."
"All my romantic illusions have been thoroughly trashed,"
Amanda told her.
"That's a shame. By the time you get to be my age you
could use a few." Carried turned toward the kitchen wing
of the house. "See you tomorrow."
"Stay cool." Laughing, Amanda started up the staircase.
Carrie had taken Amanda her wing last May, right after her
ascent into graduate school, when she'd interviewed for
the internship at the newly-restored mansion. Of course,
getting the internship meant she was now not only a
character interpreter but official caretaker, and had
better go close the lined drapes in Sally's bedroom before
the fabric of the bed hangings faded.
The original of Sally's portrait hung at the head of the
stairs, picked out from the shadows by a ray of sunlight.
In the glare Amanda could see the ridges of paint swirling
one into the other. This painting was a custom job-- Sally
really had been attractive. She'd had large blue eyes,
blond curls, a soft, rounded chin that could have been
either demure or stubborn, and an minuscule waist that
implied frequent sinking spells. After marrying one of the
Mason boys, whose father had signed the Declaration of
Independence, she'd produced a pack of children and lived
to a ripe old age. Maybe she got her jollies remembering
an affair with an enemy officer, maybe not. Whatever,
Amanda had a hard time seeing a tragic heroine in that
banal face.
She didn't see herself in that face, either. Her eyes were
brown, not blue. Her wavy brown hair was cut so short she
had to conceal its ends beneath the period cap. Her chin,
far from being soft, was cut as distinctly as her
cheekbones. At five-nine she was probably taller than
Sally, and, if the portrait was accurate, not as buxom.
Although the cone-shaped bodice of an eighteenth-century
dress acted like a primitive Wonder Bra, which is why
Sally--and Amanda--wore a scarf called a fichu tucked into
its low neckline.
Chin forward, Amanda turned into Sally's bedroom and
creaked across the floorboards to the window. Beside it
stood a small table holding the original of Captain
Grant's portrait, a miniature of his face and red-coated
torso. According to the picture, at least, he'd definitely
had the chiseled features of a romantic hero. A white wig
set off ironic dark eyes which seemed to know what people
were saying about him behind his back. Amanda wondered
where the picture had come from. It certainly could've
inspired a few fantasies.
She squinted out of the window into the sun. At the end of
the garden an archaeological team plugged away at the
remains of the summer house, or gazebo, or pavilion,
depending on what period of history you were considering.
Just below the window strolled several plainly-dressed men
and women, playing only a few of the slaves who'd watered
Virginia's prosperity with their blood, sweat, and tears.
Behind them came Carrie, Wayne Chancellor at her side.
He'd already taken off his coat and waistcoat and was
making hangman's noose gestures with his knotted
neckcloth. Wayne was as hearty and as heavy as his
character Page Armstrong--like a Keebler elf on steroids--
although at twenty-four he was only a year older than
his "daughter" Amanda. For somebody who'd never made it
out of adolescence socially, she thought, he played
pompous middle-age to a tee. But then, his family had once
owned Melrose. Blue blood will tell.
She knocked on the window. The departing figures looked
up, smiled and waved. Wayne sketched a low bow. His gray
wig slipped over his forehead. He peered upward from
beneath its rim like a nearsighted sheep and blew kisses
toward the window.
In your dreams. Amanda pulled the curtains shut and turned
around. Her eyes still adjusted to the light, she tripped,
lurched forward, caught her foot in the hem of her dress,
and fell to her hands and knees. The table thunked to the
carpet beside her. "Way to go, Grace!" she exclaimed.
She sensed a vibration in the floorboards, an echo of her
fall, or of the tourist buses revving up and pulling out
the main gate, or maybe even distant thunder.
Using the bedpost as support, Amanda hauled herself to her
feet. She set the table upright and checked it for damage.
Nothing, thank goodness. The miniature had landed safely
on the rug. She set it on the table top, then turned to
smooth down the edge of the carpet. It was already flat,
its fringes lined up like little soldiers. She must have
tripped over her own feet.
That was it. Time to change back into civilian clothes.
Her apartment at the end of the service wing of the house
was a module of real time, complete with television,
microwave, CD changer, computer, and Melrose's resident
pet. The electronics were silent when Amanda opened the
door, but the pet leaped down from the seat of the most
comfortable chair and meowed. Like his namesake, the
Marquis de Lafayette, he expected to be obeyed.
"Yes, Master, yes, Master," Amanda told him, and went into
the kitchen. The whir of the can opener sent the gray and
black tabby into ecstasies of affection. Entangled in both
skirts and cat, Amanda got a reeking mound of meat by-
products into a bowl and on the floor. Dumping her now
that she'd served her purpose, Lafayette went to work on
the food.
In the bedroom Amanda shed her costume, struggling with
persnickety laces and hooks. If she'd learned nothing else
from this job, she'd learned why eighteenth-century
aristocrats had body servants. And yet in her own clothes,
a loose T-shirt, shorts, and sandals, she felt oddly
awkward, her gestures broader, her stride longer, her
voice louder. She seemed to occupy more space. Weird, when
the period dress contained so much more fabric.
Leaving Lafayette grooming his already sleek fur, Amanda
picked up her clipboard and walked outside to begin her
evening tour of inspection.
The sun hung just at the tops of the trees, casting
stripes of shadow across the grass. At the foot of the
lawn shimmered the James river, its far bank lost in a
moist haze. Clouds massed on the horizon. Crows called
from the parking lot, probably fighting over some pizza
crusts.
Behind the house the formal gardens were still under
reconstruction. The brick-walled terraces close to the
house had been replanted with roses and other flowers, but
the ones beyond the boxwood allee were still overgrown,
waiting for the touch of the landscape archaeologist and
the banker both.
Amanda craned her neck over the boxwood. The
archaeologists were standing around like onlookers at an
accident. Maybe somebody'd been bitten by a snake. She
crunched off down the path toward them.
The summerhouse had once been surrounded by an artifical
wilderness, trees and shrubberies carefully planted to
look "natural". Now it was natural with an attitude. The
archaeologists had waded into the tangle of blackberry
bushes with machetes, and only reached for their shovels a
week ago. Underbrush and a few small trees hemmed in the
site. Leaves of everything up to and including poison ivy
tossed in fitful gusts of wind. Insects hummed.
Bill Hewitt looked like a praying mantis kneeling by the
trench cut into the pale dirt. The hairs of his moustache
trembled as he scraped delicately away with a spoon. A
couple of his gofers stood by, holding trowels, brushes,
and plastic artifact bags. The rest of the crew, volunteer
students, were so quiet Amanda could hear them breathing.
She edged her way through the dirty and sunburned backs,
for once failing to appreciate those that were male. "What
is it?"
Hewitt glanced up. "Ah, Miss Witham. You're just in time.
Take a look. Very interesting."
He drew back. From the mottled dirt at the bottom of
trench emerged a regular series of brown ridges. Roots,
Amanda thought, and then, No. Bones. Human bones.
Another chill trickled down her spine as she leaned
forward over the grave.
Amanda realized she was looking at a rib cage, an upthrust
shoulder at one end and a similarly upward-curved pelvic
bone at the other. The rest of the skeleton was still
buried. It looked like the body had been rolled into an
unevenly-dug hole, head, hands, and feet flopping into the
deeper ends. Someone sure hadn't had any respect for the
dead....
Well, at least that someone had buried him. Her. If not,
the bones would've been disturbed by scavenging animals.
What a way to go. Amanda straightened and waved away a
gnat that was trying to fly up her nose.
"...drainage here," Hewitt was saying. "Dry soil.
Preserved the bones. And hopefully clothing or personal
effects to date them by."
"Would you like me to call the police?" Amanda asked. "Or
are the bones old enough to be out of their jurisdiction?"
"We'll notify them, of course. But these bones are very
old. It's an archaeological matter, not a judicial one.
Other than the usual legalities of digging up human
remains."
One of Hewitt's assistants said, "I bet this body dates
from after 1751, when Melrose was built."
"This type of landscape gardening," Amanda offered, "the
formal terraces and little recreational buildings, was
really trendy in the 1770's."
Hewitt stood up, rubbing particles of mud from his
hands. "We'll cover this up with a sheet of plastic
tonight. Get back out here bright and early tomorrow. Get
the entire body uncovered. It'll have to be moved, with
the reconstruction of the summerhouse and everything.
Identification, that's the tricky part, legally and
otherwise. Might have to call in the Smithsonian."
"What if," one of the students asked, "the rest of the
body isn't in there? What if it was dismembered or
something?"
"We're scientists. Leave the sensationalism for the
tabloids." Hewitt's black eyes shot the girl a withering
glance. She withered. "Let's get the plastic spread out
and staked down. Move."
Amanda wondered how she should enter this on her daily
summary--under "associated features"? But it was Hewitt's
responsibility to make a formal report, she only had to
note the body's existence. As an artifact, not as a
person. With a grimace of sympathy for the unknown
deceased she worked her way back through the group of
students and headed toward the house.
The sun set, leaving a thin, greenish twilight. Clouds
rose halfway up the western sky. A glowing quarter moon,
half a disc, hung high overhead. Each of Melrose's windows
gleamed faintly, as though interested in the scene in the
garden.
The poor guy, if it was a guy, had probably been stuffed
into his makeshift grave late at night. Amanda thought of
Scarlett O'Hara shooting the Yankee soldier and burying
him in her back yard. No telling how many real-life bodies
were lying in odd corners of the Virginia countryside.
There'd been enough battles over the years to produce an
army of skeletons.
Amanda locked the outer door behind her and turned on the
exterior floodlights. She thought of Robert Frost's poem,
where the skeleton of the murdered man stands outside the
door, chalky fingers scratching chalky skull.... "That's
what I get for cramming English," she said to Lafayette,
who was waiting by the cat flap in the apartment door. He
tilted his head to the side. If he'd had eyebrows, he
would've arched them.
She really was hearing thunder now, a mutter rising and
falling beneath the thump of her own feet. She shut the
door to her apartment and set the alarm system. As she
turned toward the kitchen the phone rang. "Melrose Hall,
Amanda Witham."
"Amanda!" exclaimed Wayne's deep voice. "I just heard
about the body!"
"That was fast."
"Bill Hewitt's having dinner with Mother and me tonight--
you know, about the grant for the landscaping--but he
called to say they'd found a body behind the summerhouse
and he'd be late. Did you see it? Is it really gross?"
"No way," Amanda replied, and added to herself, thanks,
the literary references were enough. "It's nothing but
bones."
"Are you scared? You want me to come out there and keep
you company?"
Like she didn't know what he meant by that? "You're living
a couple of blocks from Bruton Parish Church and its
cemetery," she told him. "Are you scared?"
"Those are legitimate bodies. Buried will full rites and
all that."
"So?"
"So the ones that aren't buried properly get kind of
restless...."
"Thanks for thinking of me, Wayne. But everything's okay."
"Well, if you're sure... Coming, Mother! I'll see my
little girl tomorrow, then, okay, Sally?"
"Good night, Wayne." Making a face, Amanda hung up the
phone.
The body in the back yard would be a great excuse to ask a
guy over, if she knew any guys more appealing than Wayne.
Not that Wayne was repulsive. He was a big, lovable,
clumsy puppy who could use a semester at obedience school.
His family's wealth made him one of Virginia's most
eligible bachelors, but it wasn't his immaturity that was
going to keep him one. It was his mother.
A shame the summerhouse was gone long before Cynthia
parked her broom at Melrose. The thought of her sipping
tea, pinkie extended, a few paces from a positively
indecent dead body would've made Amanda grin with glee if
she wasn't also thinking of that body as a living, feeling
human being who'd probably met a gruesome end.
She opened the windows in her kitchen, living room, and
bedroom, and switched on the ceiling fans. The approaching
storm sent a cool if damp and musty breeze before it,
stirring the turgid air. Lafayette arranged himself on the
sill of the living room window, his tail draped
artistically over the computer on the desk below.
Amanda popped a frozen lasagna dinner into the microwave
and threw together a salad. Tonight she'd definitely get
some work done. That was the reason for this job, after
all, over and beyond its basic appeal. She was getting an
apartment, spending money, and good experience for her
resume while she wrote her thesis. She liked these long,
quiet, solitary evenings. She enjoyed being on her own.
Really.
Thunder grumbled closer. A few raindrops plopped onto the
roof. The breeze fluttered Lafayette's fur. Amanda was
cleaning up when Lafayette woke suddenly from his doze and
looked out the window, nose twitching, ears pricked.
A rabbit? Amanda asked herself. A deer? The kitchen garden
attracted all sorts of wildlife....
Every hair on Lafayette's body shot upright. He leaped
from the windowsill, scattered the papers on the desk, and
dived beneath the couch leavning only his bottle brush of
a tail exposed.
The nape of Amanda's neck prickled. She turned off the
lights and looked out each window in turn. Beyond the
floodlit halo surrounding the house the night was pitch
black. She might as well have been standing on a stage
trying to check out the audience.
Maybe someone was out there. One of Hewitt's students,
playing a prank on her. Or someone with more sinister
motives. The furnishings of the house included some choice
artifacts. If anyone tried to get inside, though, the
alarms would raise the dead....
The alarms would call the police, Amanda corrected. She
closed the thick wooden slats of the venetian blinds and
turned the lights back on. Then she punched the number of
the other two caretakers, an elderly couple who lived in a
small house where the driveway met the main road, a good
quarter of a mile from the Hall itself.
"No," Mrs. Benedetto answered Amanda's question. "We
haven't opened the gates for a living soul. Someone could
have climbed the fence, though."
"You think?" Amanda could hear every word of the sitcom on
the Benedetto's television. A brass band could have
marched up the drive and they wouldn't have noticed.
"Would you like us to call the security service, dear?"
"No--no problem. Sorry to have bothered you."
Rain pattered down outside, sounding like gravel slipping
and sliding beneath stumbling feet. Lightning flashed.
Amanda peered around the edge of the window blind, waiting
for the next bolt. There! In the sudden brilliance she
could see every tree, every brick, starkly defined all the
way to the eaves of the forest. Nothing and no one was
outside.
Amanda blinked away the after-image of garden terraces and
boxwood allee. Wearing stays, the eighteenth-century
corset, all day had cut off the blood flow to her brain.
Was she ever out of it. With an aggravated snort, she put
on a classical CD and sat down at the desk. No computer
tonight, not with the approaching storm. She'd work on her
outline....
The door that led into the rest of the house rattled in
its frame and the cat flap shivered. Amanda stared at it.
Air pressure from the storm. No one could have opened an
outside door into the Hall. Even someone with a key would
have set off the alarms. And she could see the alarm panel
from where she sat, green lights steady, all systems go.
The room disappeared in a blast of white light that was
gone as quickly as it had appeared. The music stopped in
mid-phrase. Amanda sat goggling blindly into total
darkness as thunder exploded in her head. Shit! Lightning
had taken out a nearby transformer. A good thing she
hadn't turned on the computer. A good thing she had a
flashlight. Swallowing her heart, she rose from her chair
and groped across the room.
The flashlight was in the kitchen cabinet. She flicked it
on and waved the circle of light around the room.
Lafayette had subtracted his tail and was completely
hidden. Raindrops poured over the roof, slowed, and
stopped. A cold wind sent the blinds knocking against the
window frames.
If someone was snooping around the house, they now had an
engraved invitation to come inside. The doors were locked,
yes, but it would be easy enough to break a window. Her
presence wouldn't stop a thief from taking the silver tea
service in the dining room, or a vandal from trashing the
crystal wineglasses in the library, but she was supposed
to be keeping an eye on the place even so.
Amanda opened the door of her apartment and listened. A
few stray plunks were raindrops outside. The wind was a
sigh in the distance. The house was so utterly silent hear
ears rang, like she was listening to a seashell,
compartment after compartment filled with dank air....
No. Wait. From somewhere in the house came a faint
clatter. Something had fallen over. Something had been
knocked over. Great.
She glanced back at the sofa. A pair of disgruntled golden
eyes caught the light. "Thank you for your support," she
whispered. The cat's eyes vanished.
No way she was going to call for backup until she'd scoped
out the situation. Tucking the telephone into the pocket
of her shorts, she tiptoed into the hallway. She took a
step, stopped, and listened. Nothing. No silver clashing,
no glass breaking. She took a few more steps and arrived
at the door leading from the service wing into the rest of
the house. Several of the doors in the Hall squeaked. She
couldn't remember if this was one of them.
Turning off the flashlight and holding her breath, she
eased the door open. It went quietly. On the other side
was the passage that led between the library and the
parlor. The darkness was so thick Amanda felt as though
she could have scooped it up in handfuls. Feeling her way,
she inched toward the entrance hall. Was that a scraping
sound? She couldn't tell whether it came from above her
head or in front of her.
The doors into the parlor and library were shut, just as
she'd left them. She listened at each one. Nothing.
With a tiny bump that sounded loud as an explosion she
walked into the door leading into the entrance hall. She
laid her ear against the wood. Silence. No wind, no rain,
no falling objects, just the all-encompassing silence of
the grave.
Get a grip! Amanda ordered herself, and set her hand on
the doorknob.
Then she heard the breathing. Slow, slightly uneven
breaths, like those of somebody old or sick. Or somebody
trying to be very, very quiet.
Amanda waited a moment, willing herself to breathe. Most
of her friends had jobs in nice bright office buildings.
But no, she had to shut herself up in a dark old house
with someone--something....
So look already, and then go for 911. Slowly, carefully,
she turned the knob and opened the door a fraction of an
inch. Cold air flooded through the opening, raising
gooseflesh on her body. From her vantage point she could
see almost the entire entrance hall. If anyone was there
he was standing in the dark.
But no, it wasn't dark. The windows on either side of the
front door were rectangles of very pale, very faint
luminescence. The clouds must be lifting outside. And yet
that wasn't the light that gleamed on the paneling and
picked out the reds and golds of the Turkey carpet. A
fragile glow radiated from the foot of the staircase, the
one spot Amanda couldn't see. What the...?
She lifted the flashlight--it was the size of a
policeman's nightstick, and almost as heavy--but didn't
turn it on. Pushing the door open, she stepped into the
cold. She picked up one foot and put it down. She picked
up the other and put it down. The balusters made vertical
lines against the cloud of silvery light. Not a
flashlight, not a candle....
Amanda balanced on the balls of her feet, ready to run,
ready to swing her makeshift weapon. She closed her eyes a
moment, then opened them again.
The glow darkened and solidified. It was the size of a
human being. It was shaped like a human being, head, body,
legs. And yet Amanda could still see the edges of the
steps indistinctly through its--through his--form. A warm
sigh dissipated the chill in the room, and she smelled
whiskey.
Good God. She stepped back, flat-footed, and lowered the
flashlight.
He sat on the fourth step from the bottom, his legs with
their checkered stockings splayed, his green and blue kilt
draped over his knees. His coat shone scarlet and his
waistcoat white, as though lit from within. Across his lap
he held an empty scabbard.
It had to be a trick. A projection, special effects--
Stephen Spielberg had dropped by to test out some
equipment.... The electricity's off, Amanda reminded
herself.
The soldier looked up from the scabbard, and his eyes met
hers.
This guy has had a bad day.
His eyes were a smoky blue-grey, his knotted brows dark,
his expression that of a kid facing an algebra test.
Reddish-brown hair fell over his forehead. His face was
translucent, carved by light against darkness. Amanda
recognized that face. She'd seen it over and over again,
in paint and print. Captain James Grant, late--very late--
of His Majesty's 71st Highlanders.
This guy has had a bad couple of centuries.
Maybe if she turned the flashlight on him he'd vanish. But
she could see him just fine, more than fine.... Again she
closed her eyes. She counted to five, watching the pixels
of static behind her lids. When she opened them he was
still there. And he was still looking at her.
His lips moved. He croaked. Frowning, he grimaced and
tried again. His voice was a wisp of velvet. "Have you
seen my sword, then, lass?"
Her voice sounded like a crow's. "Ah--no, I haven't.
Sorry."
"Taken by the enemy, I'll be bound. Scoundrels. Not fit to
deal with a gentleman."
Like she was going to argue with him?
Slowly his brows smoothed. His eyes started at the top of
Amanda's head, worked their way down to her toes, and
moved up again. One corner of his mouth turned upward. "I
do beg your pardon, madam. I seem to have interrupted you
at your toilet. If you would care to complete your
dress...."
"No problem. Er...." Her interpreter's training kicked
in. "I don't believe we've been introduced."
He tried to stand and sank back again. "I find myself
begging your indulgence again, madam. I am James Grant of
Dundreggan, at your service."
"Amanda Witham of Chicago. At yours, I guess." This isn't
happening. I am not standing here making conversation with
a ghost.
"And this is Melrose Hall, is it not, in His Majesty's
colony of Virginia?"
"It's Melrose, yeah. Yes."
"In faith, the battle must have been particularly fierce,
I am--fatigued."
No kidding.
His lashes fell over his eyes. With a groan he slumped
back over the empty scabbard. The pale glow around him
faded, draining the colors in his uniform.
Amanda took a step toward him. Light flooded in the front
windows and the alarm system began to whoop. Her entire
body convulsed.
No one was there. The hall was lit only by the shine of
the floodlights outside. The staircase rose blankly toward
the second floor. Amanda galloped back down the corridors
to her apartment, slamming doors behind her.
All the lights were on in her living room and kitchen. She
threw herself at the control panel and killed the
deafening screech of the alarm. The sudden silence made
her ears ring.
No, that was the phone ringing. First the Benedettos, then
the police. No, no, Amanda explained, lightning struck a
transformer, and when the power came back on it started
the alarm, no, everything's all right, thank you anyway.
She hung up the telephone. Her legs wobbled and her head
spun. She staggered to the couch and plopped down.
She hadn't seen him. She'd imagined him. He'd been a trick
of the light--of the darkness.... It hadn't happened. It
couldn't have happened.
Lafayette oozed out from beneath the couch and looked
accusingly up at her. She looked right back at him. "He's
the body in the garden, isn't he? You heard him coming,
from the summerhouse back to the staircase he remembered."
The cat didn't blink.
"But what the hell is James Grant, of all people, doing in
a hole in the ground in Melrose's garden?"
The cat stretched and yawned.
"I did see him, didn't I? I haven't lost it. I'm not nuts.
I saw him." Amanda lay back against the throw pillow,
staring upward at the ceiling. She saw a scarlet coat, an
empty scabbard, and a fall of reddish-brown hair above a
puzzled face. She heard a cultured baritone saying, I do
beg your pardon....
He'd been there. She'd seen him. And no way did he have
knobbly knees and jug ears.
Amanda looked down at Lafayette. "Like you'd make a
believable witness? Yeah, right."
He sat down and started to wash his face, committing
himself to nothing.