June 7th, 2025
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THE TAPESTRY OF TIME
THE TAPESTRY OF TIME

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Sunshine, secrets, and swoon-worthy stories—June's featured reads are your perfect summer escape.

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He doesn�t need a woman in his life; she knows he can�t live without her.


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A promise rekindled. A secret revealed. A second chance at the family they never had.


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A cowboy with a second chance. A waitress with a hidden gift. And a small town where love paints a brand-new beginning.


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She�s racing for a prize. He�s dodging romance. Together, they might just cross the finish line to love.


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She steals from the mob for justice. He�s the FBI agent who could take her down�or fall for her instead.


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He�s her only protection. She�s carrying his child. Together, they must outwit a killer before time runs out.


Gone by Renata Adler

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Also by Renata Adler:

Pitch Dark, March 2013
Paperback / e-Book (reprint)
Speedboat, March 2013
Paperback / e-Book (reprint)
Gone, September 2011
Paperback / e-Book (reprint)

Gone
Renata Adler

The Last Days of The New Yorker

Simon & Schuster
September 2011
On Sale: September 10, 2011
256 pages
ISBN: 1451667221
EAN: 9781451667226
Kindle: B005OKK5QU
Paperback / e-Book (reprint)
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Non-Fiction

From a legendary journalist and star writer at The New Yorker -- one of the most revered institutions in publishing -- an insider's look at the magazine's tumultuous yet glorious years under the direction of the enigmatic William Shawn.

Renata Adler went to work at The New Yorker in 1963 and immediately became part of the circle close to editor William Shawn, a man so mysterious that no two biographies of him seem to be about the same person. Now Adler, herself an unrivaled literary force, offers her brilliant take on the man -- and the myth that is The New Yorker -- disputing recent memoirs by Lillian Ross and Ved Mehta along the way.

With her lucid prose, meticulous eye for detail, and genuine love of The New Yorker, Adler re-creates thirty years in its history and depicts Shawn as a man of robust common sense, amazing industry, and editorial genius, who nurtured innumerable major talents (and egos) to produce a magazine that was -- and remains -- unique. Her ensemble cast -- all involved in legendary friendships, feuds, and love affairs -- includes Edmund Wilson, S. N. Behrman, Brendan Gill, Calvin Trillin, Dwight MacDonald, Donald Barthelme, Hannah Arendt, Pauline Kael, S. I. Newhouse, Robert Gottlieb, Tina Brown, and practically everyone of note in and around The New Yorker.

Above and beyond the fascinating literary anecdotes, however, Adler's is a striking narrative that follows the weakening of Shawn's hold over the magazine he loved, his reluctant attempts to find a successor, and the coup by which he was ultimately overthrown. It is a wonderful piece of reporting, full of real-life drama of Shakespearean dimensions, which Shawn himself surely would have loved.

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