May 9th, 2025
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THE GREEK HOUSE
THE GREEK HOUSE

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The books of May are here—fresh, fierce, and full of feels.

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Wedding season includes searching for a missing bride�and a killer . . .


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Sometimes the path forward begins with a step back.


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One island. Three generations. A summer that changes everything.


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A snapshot made them legends. What it didn�t show could tear them apart.


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This life coach will give you a lift!


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A twisty, "addictive," mystery about jealousy and bad intentions


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Trapped by magic, haunted by muses�she must master the cards before they�re lost to darkness.


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Masquerades, secrets, and a forbidden romance stitched into every seam.


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A vanished manuscript. A murdered expert. A castle full of secrets�and one sharp-witted sleuth.


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Two warrior angels. First friends, now lovers. Their future? A WILD UNKNOWN.


The Baby Dolls
Kim Marie Vaz

Breaking the Race and Gender Barriers of the New Orleans Mardi Gras Tradition

Louisiana State University Press
January 2013
On Sale: January 18, 2013
216 pages
ISBN: 0807150703
EAN: 9780807150702
Kindle: B00B02ASU4
Paperback / e-Book
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Non-Fiction History

One of the first women’s organizations to mask and perform during Mardi Gras, the Million Dollar Baby Dolls redefined the New Orleans carnival tradition. Tracing their origins from Storyville-era brothels and dance halls to their re-emergence in post-Katrina New Orleans, author Kim Marie Vaz uncovers the fascinating history of the “raddy-walking, shake-dancing, cigar-smoking, money-flinging” ladies who strutted their way into a predominantly male establishment.

The Baby Dolls formed around 1912 as an organization of African American women who used their profits from working in New Orleans’s red-light district to compete with other Black prostitutes on Mardi Gras. Part of this event involved the tradition of masking, in which carnival groups create a collective identity through costuming. Their baby doll costumes—short satin dresses, stockings with garters, and bonnets—set against a bold and provocative public behavior not only exploited stereotypes but also empowered and made visible an otherwise marginalized female demographic.

Over time, different neighborhoods adopted the Baby Doll tradition, stirring the creative imagination of Black women and men across New Orleans, from the downtown Tremé area to the uptown community of Mahalia Jackson. Vaz follows the Baby Doll phenomenon through one hundred years with photos, articles, and interviews and concludes with the birth of contemporary groups, emphasizing these organizations’ crucial contribution to Louisiana’s cultural history.

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