May 9th, 2025
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The books of May are here—fresh, fierce, and full of feels.

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Wedding season includes searching for a missing bride�and a killer . . .


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Sometimes the path forward begins with a step back.


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One island. Three generations. A summer that changes everything.


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A snapshot made them legends. What it didn�t show could tear them apart.


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This life coach will give you a lift!


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A twisty, "addictive," mystery about jealousy and bad intentions


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Trapped by magic, haunted by muses�she must master the cards before they�re lost to darkness.


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Masquerades, secrets, and a forbidden romance stitched into every seam.


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A vanished manuscript. A murdered expert. A castle full of secrets�and one sharp-witted sleuth.


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Two warrior angels. First friends, now lovers. Their future? A WILD UNKNOWN.


Detecting Women
Philippa Gates

Gender and the Hollywood Detective Film

SUNY Press
May 2011
On Sale: April 22, 2011
400 pages
ISBN: 1438434049
EAN: 9781438434049
Kindle: B0051UTSCK
Paperback / e-Book
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Non-Fiction

In this extensive and authoritative study of more than three hundred films, Philippa Gates explores the "woman detective" figure from her pre-cinematic origins in nineteenth-century detective fiction through her many incarnations throughout the history of Hollywood cinema. Through the lens of theories of gender, genre, and stardom and engaging with the critical concepts of performativity, masquerade, and feminism, Detecting Women analyzes constructions of the female investigator in the detective genre and focuses on the evolution of her representation from 1929 to today.

While a popular assumption is that images of women have become increasingly positive over this period, Gates argues that the most progressive and feminist models of the female detective exist in mainstream film's more peripheral products, such as 1930s B pictures and 1970s blaxploitation films.

Offering revisions and new insights into peripheral forms of mainstream film, Gates explores this space that allows a fantasy of resolution of social anxieties about crime and, more interestingly, gender, in the twentieth and early twenty-first centuries. The author's innovative, engaging, and capacious approach to this important figure within feminist film history breaks new ground in the fields of gender and film studies.

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