May 2nd, 2024
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The Last True Story I'll Ever Tell: An Accidental Soldier's Account of the War in Iraq
John Crawford

The only book about the war in Iraq by a soldier on the ground-destined to become a classic of war literature.

Riverhead
August 2005
Featuring: John Crawford
219 pages
ISBN: 157322314X
Hardcover
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Non-Fiction Memoir

John Crawford joined the Florida National Guard to pay for his college tuition-it had seemed a small sacrifice to give up one weekend a month and two weeks a year in exchange for a free education. But one semester short of graduating, and newly married, he was called to active duty-to serve in Kuwait, then on the front lines of the invasion of Iraq, and ultimately in Baghdad. While serving in Iraq, Crawford began writing short nonfiction stories, his account of what he and his fellow soldiers experienced in the war. At the urging of a journalist embedded with his unit, he began sending his pieces out of the country via an anonymous Internet e-mail account.

In a voice at once raw and immediate, Crawford's work vividly chronicles the daily life of a young soldier in Iraq-the excitement, the horror, the anger, the tedium, the fear, the camaraderie. All together, the stories slowly uncover something more: the transformation of a group of young college students-innocents-into something entirely different.

In the tradition of Tim O'Brien's The Things They Carried, this haunting and powerful, brutal but compellingly honest book promises to become the lasting, personal literary account of the United States' involvement in Iraq.

John Crawford joined the Florida National Guard to pay for his college tuition, willingly exchanging one weekend a month and two weeks a year for a free education. But in fall 2002, one semester short of graduating and newly married-in fact, on his honeymoon-he was called to active duty and sent to the front lines in Iraq.

We crossed the berm the same day as the Army's Third Infantry Division, leading the invasion of Iraq. When the Third Division was sent home, our National Guard unit was passed around the armed forces like a virus: the 108th Airborne, First Marine Expeditionary, 101st Airborne, and finally the First Armored Division. They were all sent home, heroes of the war. Meanwhile, my unit stayed on, my soul rotting, our unit outlasted by no one in our tenure there.

Crawford and his unit spent months upon months patrolling the streets of Baghdad, occupying a hostile city. During the breaks between patrols, Crawford began writing nonfiction stories about what he and his fellow soldiers witnessed and experienced.

The world hears war stories told by reporters and retired generals who keep extensive notebooks and journals. They carry pens as they walk, whereas I carry a machine gun. War stories are told to those who have not experienced the worst in man. And to the listener's ears they can sound like glory and heroism. People mutter phrases like, "I don't know how you did it." And they look at you wondering how you have changed, wondering if you have forever lost the moral dilemma associated with taking another person's life.

In a voice at once raw and immediate, Crawford's stories vividly chronicle the daily life of a young soldier in Iraq- the excitement, the horror, the anger, the tedium, the fear, the camaraderie. But all together, the stories gradually uncover something more: the transformation of a group of young men, innocents, into something entirely different.

I have too many stories to tell, and if just a few of them get read, the ones that real people will understand, then maybe someone will know what we did here. It won't assuage the suffering inside me, inside all of us. It won't bring back anyone's son or brother or wife. It will simply make people aware, if only for one glimmering moment, of what war is really like.

Those stories became this book, a haunting and powerful, brutal but compellingly honest book-punctuated with both humor and heartbreak-that represents an important document revealing the actual experience of waging the War in Iraq, as well as the introduction of a literary voice forged in the most intense of circumstances.

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