June 6th, 2025
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New Books This Week

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Sunshine, secrets, and swoon-worthy stories—June's featured reads are your perfect summer escape.

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He doesn�t need a woman in his life; she knows he can�t live without her.


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A promise rekindled. A secret revealed. A second chance at the family they never had.


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A cowboy with a second chance. A waitress with a hidden gift. And a small town where love paints a brand-new beginning.


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She�s racing for a prize. He�s dodging romance. Together, they might just cross the finish line to love.


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She steals from the mob for justice. He�s the FBI agent who could take her down�or fall for her instead.


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He�s her only protection. She�s carrying his child. Together, they must outwit a killer before time runs out.


What We Are
Peter Nathaniel Malea

Grove/Atlantic, Inc.
March 2010
On Sale: March 3, 2010
416 pages
ISBN: 0802119077
EAN: 9780802119070
Hardcover
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Fiction

A New York Times Editors’ Choice and a blazing and authentic new literary voice, Peter Nathaniel Malae’s raw and powerful, bullet-fast debut novel looks at contemporary America through the eyes of one disillusioned son.

What We Are follows twenty-eight-year-old Samoan-American Paul Tusifale as he strives to find his place in a culture that barely acknowledges his existence. Within San Jose’s landscape of sprawling freeways and dotcom headquarters, where the plight of migrant workers is ever-present, Paul lives outside society, a drifter who takes a personal interest in defiantly—even violently—defending those in need. As he moves through the lives of sinister old friends, suburban cranksters, and septuagenarian swingers, Paul battles to find the wisdom he desperately needs, whether through adhering to tradition or casting it aside.

A dynamic addition to America’s diverse literature of the outsider, What We Are establishes Peter Nathaniel Malae as an authentic, gifted new writer, whose muscular prose brings to life the pull of a departed father’s homeland, the anger of class divisions, the noise of the evening news, and in the end beautifully renders the pathos of the disengaged.

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