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Love, Danger, Homecomings & Heart β€” Your June Reading Escape Starts Here

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One disastrous night. One devastating man. One diabolical proposition.


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He’s stubborn. She’s tougher. His kid? Already picked the bride.


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A small-town second chance wrapped in danger, desire, and Sharon Sala heart.


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She came home to save the ranch… and found the cowboy she never forgot.


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From reality TV heartbreak to real-life reinvention.


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A missing twin. A deadly cartel. One K-9 team caught in the crossfire.


CALVIN LITTLEJOHN
By: Bob Ray Sanders

Portrait of a Community in Black and White

Texas Christian University Press
September 2009
On Sale: September 14, 2009
216 pages
ISBN: 0875653812
EAN: 9780875653815
Hardcover
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Non-Fiction Photography

In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. This was the Jim Crow era, when mainstream newspapers wouldn’t publish pictures of black citizens and white photographers wouldn’t take pictures in black schools.

In Fort Worth, Littlejohn began what would become a lifelong career of documenting the black community. And there would be nothing remotely related to the white culture’s depictions of Amos β€˜n’ Andy or black kids grinning over a slice of watermelon in Littlejohn’s portrayal of his adopted home and the people he came to appreciate and love. Littlejohn’s natural aptitude for drawing had been honed by correspondence courses in graphic design and a stint in a photo shop where he learned about the camera, lighting, and the use of shadows.

When Littlejohn was assigned to be the official photographer at I. M. Terrellβ€”the city’s only black high school at the timeβ€”his professional career was launched.

Unlike many segregated cities, where blacks lived only in one section, blacks in Cowtown lived in every quadrant of the city. There was a thriving black business district, with hotels, restaurants, a movie theater, a bank, and a major hospital, pharmacy, and nursing school. And of course, there were the schools and churches. All would eventually be seen through Littlejohn’s lens.

Although he never set out to be the documentarian of Fort Worth’s black community, he did what he set out to do: to capture the best of a community, focusing on its good times.

This book features more than 150 shots Littlejohn captured over the course of his career.

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