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On Top Shelf
Fresh Pick
📚 New Books This Week 📰 Latest News 🎪 Reader Games

Snowbound secrets, shifter wars, family lies, and epic battles β€” September delivers it all.

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Some promises cost you the one you love.

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The Temple of Kronos wants her dead. The Stoneslayer wants her destroyed. Neither will have her.

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A poisoned cousin, a five-year-old's life, and a family with too many secrets.

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Betrayal runs in her blood. Justice runs in his. Together, they burn it all down.

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"ANOTHER WINNER!"
From New York Times
Bestselling Cleo Coyle

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Running from her past, she finds a killer, a protector, and her faith.

WELL-BEHAVED WOMEN SELDOM MAKE HISTORY
By: Laurel Thatcher Ulrich

Well-Behaved Women Seldom Make History celebrates a renaissance in history inspired by amateurs, activists, and professional historians. It is a tribute to history and to those who make it.

Knopf
September 2007
On Sale: September 4, 2007
320 pages
ISBN: 1400041597
EAN: 9781400041596
Hardcover
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Non-Fiction

β€œThey didn’t ask to be remembered,” Pulitzer Prize-winning author Laurel Ulrich wrote in 1976 about the pious women of colonial New England. And then she added a phrase that has since gained widespread currency: β€œWell-behaved women seldom make history.” Today those words appear almost everywhereβ€”on T-shirts, mugs, bumper stickers, plaques, greeting cards, and more. But what do they really mean? In this engrossing volume, Laurel Ulrich goes far beyond the slogan she inadvertently created and explores what it means to make history.

Her volume ranges over centuries and cultures, from the fifteenth-century writer Christine de Pizan, who imagined a world in which women achieved power and influence, to the writings of nineteenth-century suffragist Elizabeth Cady Stanton and twentieth-century novelist Virginia Woolf. Ulrich updates de Pizan’s Amazons with stories about women warriors from other times and places. She contrasts Woolf’s imagined story about Shakespeare’s sister with biographies of actual women who were Shakespeare’s contemporaries. She turns Stanton’s encounter with a runaway slave upside down, asking how the story would change if the slave rather than the white suffragist were at the center. She uses daybook illustrations to look at women who weren’t trying to make history, but did. Throughout, she shows how the feminist wave of the 1970s created a generation of historians who by challenging traditional accounts of both men’s and women’s histories stimulated more vibrant and better-documented accounts of the past.

Media Buzz

Diane Rehm Show - NPR - November 15, 2007

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