September 24th, 2026
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On Top Shelf
Fresh Pick
MEET CUTE MAGIC
📚 New Books This Week 📰 Latest News 🎪 Reader Games

Snowbound secrets, shifter wars, family lies, and epic battles — September delivers it all.

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Some promises cost you the one you love.

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The Temple of Kronos wants her dead. The Stoneslayer wants her destroyed. Neither will have her.

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A poisoned cousin, a five-year-old's life, and a family with too many secrets.

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Betrayal runs in her blood. Justice runs in his. Together, they burn it all down.

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"ANOTHER WINNER!"
From New York Times
Bestselling Cleo Coyle

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Running from her past, she finds a killer, a protector, and her faith.

THE BEST THAT YOU CAN DO
By: Amina Gautier

Stories

1000 Words A Day Press
January 2024
On Sale: January 16, 2024
240 pages
ISBN: 1593767587
EAN: 9781593767587
Kindle: B0C3KY86Y6
Hardcover / e-Book
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Multicultural African-American

Winner of the 2023 Soft Skull-Kimbilio Publishing Prize, a collection of short stories that elaborate the realities of a diasporic existence, split identities, and the beautiful potency of meaningful connections

Primarily told from the perspective of women and children in the Northeast who are tethered to fathers and families in Puerto Rico, these stories explore the cultural confusion of being one person in two places—of having a mother who wants your father and his language to stay on his island but sends you there because you need to know your family. Loudly and joyfully filled with Cousins, Aunts, Grandparents, and budding romances, these stories are saturated in summer nostalgia, and place readers at the center of the table to enjoy family traditions and holidays: the resplendent and universal language of survival for displaced or broken families.

Refusing to shy away from dysfunction, loss, obligation, or interrogating Black and Latinx heritages “If we flip the channels fast enough, we can turn almost anyone Puerto Rican, blurring black and white into Boricua.” Gautier's stories feature New York neighborhoods made of island nations living with seasonal and perpetual displacement. Like Justin Torres’ We the Animals, or Quiara Alegria Hudes’ My Broken Language, it’s the characters-in-becoming—flanked by family and rich with detail—that animate each story with special frequencies, especially for readers grappling split-identities themselves.  

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