May 9th, 2025
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The books of May are here—fresh, fierce, and full of feels.

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Wedding season includes searching for a missing bride�and a killer . . .


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Sometimes the path forward begins with a step back.


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One island. Three generations. A summer that changes everything.


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A snapshot made them legends. What it didn�t show could tear them apart.


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This life coach will give you a lift!


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A twisty, "addictive," mystery about jealousy and bad intentions


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Trapped by magic, haunted by muses�she must master the cards before they�re lost to darkness.


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Masquerades, secrets, and a forbidden romance stitched into every seam.


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A vanished manuscript. A murdered expert. A castle full of secrets�and one sharp-witted sleuth.


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Two warrior angels. First friends, now lovers. Their future? A WILD UNKNOWN.


The Great White Bard
Farah Karim-Cooper

How to Love Shakespeare While Talking About Race

Penguin Press
August 2023
On Sale: August 15, 2023
336 pages
ISBN: 0593489373
EAN: 9780593489376
Kindle: B0BDD9FPD2
Hardcover / e-Book
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Literature and Fiction Drama

A clear-eyed look at the works of Shakespeare through the lens of race, by Director of Education at Shakespeare’s Globe Theatre, Farah Karim-Cooper

Consider the dead white male author. No intersection of identities could sound less equipped to address the dire racial inequality that plagues Western society. Now consider Shakespeare, the most venerated of these authors, and we have before us what seems like a cultural relic, all too easy to dismiss.

Farah Karim-Cooper, Shakespeare scholar and head of higher education and research at the Globe Theatre, asks us to take a step back from this initial reaction. The first step, she says, is to take him off his pedestal. Karim-Cooper’s deft analysis and deep love of Shakespeare generate an account of his works that confronts their complexities, and those of British society and the English-speaking world, through the lens of race. Thinking about Shakespeare through the lens of race may be discomfiting at times, but the depth of understanding that it yields is worth the challenge.


In The Great White Bard, Karim-Cooper contends with Shakespeare as neither an idol nor an irrelevant fossil, but as a writer whose works are deeply human and comprehensible by all who actively engage with them. From examining the texts themselves to considering the conventions of the plays’ staging, Karim-Cooper unflinchingly interrogates how Shakespeare, both then and now, has been shaped by race.

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