May 1st, 2024
Home | Log in!

On Top Shelf
THE LIES I TOLDTHE LIES I TOLD
Fresh Pick
THE DREADFUL DUKE
THE DREADFUL DUKE

New Books This Week

Fresh Fiction Box

Video Book Club

Latest Articles


Discover May's Best New Reads: Stories to Ignite Your Spring Days.

Slideshow image


Since your web browser does not support JavaScript, here is a non-JavaScript version of the image slideshow:

slideshow image
"COLD FURY defines the modern romantic thriller."�-�NYT�bestselling author Jayne Ann Krentz


slideshow image
Romance writer and reluctant cop navigate sparks during fateful ride-alongs.


slideshow image
Free on Kindle Unlimited


slideshow image
A child under his protection�and a hit man in pursuit.


slideshow image
Courtney Kelly sees things others can�t�like fairies, and hidden motives for murder . . .


slideshow image
Reunited in danger�and bound by desire


slideshow image
Journey to a city that�s full of quirky, zany superheroes finding love while they battle over-the-top, evil ubervillains bent on world domination.


Denise McClain

Features & Posts

No posts found.

1 comment posted.

Re: The Secret Life of Bees (12:19pm February 8, 2009):

Sandi,
Hi!

I prefer reading the book first. I rarely
watch the movie after reading the
book because 90% of the time I'm
disappointed. What is it about
Hollywood?

They see a book. Sometimes it's
incredibly popular, a bestseller. At
other times, it's just a great find they
picked up from a shelf. They take this
project, which was very important to
the writer. And they butcher it. All
under the guise of artistic license. I
got that. But a book isn't, say, a
painting. When someone goes into a
gallery and the title of the show is 'An
Interpretation of...', the patron knows
it's going to be someone's creative
views on whatever the subject is. With
a movie based on a book, it's a whole
different story. No pun intended.
Viewers, more often than not, want to
see the book come to life, not to be a
loose, personal interpretation thereof.

Two books come to mind when I think
of book I read that had VERY different
endings as movies. I felt those
endings were disparate enough that
they blew the whole movie experience.
First is THE FIRM by John Grisham.
The book's ending was much, MUCH
more thrilling.

The second book is THE HORSE
WHISPERER by Nicholas Evans. In the
book the guy does NOT ride off into
the sunset as he did in the movie. I
wanted to vomit I was so disgusted. I
know there's artistic license and all but
I think when H'wood is going to do
that they should then add to the
credits that the movie is very loosely
adapted from the book, not just 'This
movie is adapted from the book by...'
And it should be the first credit rolled
at the beginning of the movie.

With longer books? Difficult decision.
After all, HBO took a normal sized
book (Charlaine Harris) and turned it
into an entire season (True Blood). I
guess it all depends on the aptitude of
the producer/screenwriter and how
they're able to convey the most
important poin

© 2003-2024 off-the-edge.net  all rights reserved Privacy Policy