The books of May are here—fresh, fierce, and full of feels.
Sheila Connolly
After collecting too many degrees and
exploring careers ranging from art
historian to investment banker to
professional genealogist, I began
writing mysteries in 2001, and now I'm
a full-time writer.
I wrote my first mystery series for
Berkley Prime Crime under the name
Sarah Atwell, and the first book,
Through a Glass, Deadly (March 2008),
was nominated for an Agatha Award for
Best First Novel; Pane of Death
followed in November 2008, and Snake in
the Glass in September 2009.
Under my own name, the Orchard Mystery
Series (Berkley Prime Crime) debuted in
2008 with One Bad Apple, followed by
Rotten to the Core in July 2009, Red
Delicious Death in March 2010, and A
Killer Crop in December 2010. The
fifth book in the series, Bitter
Harvest, will appear in August 2011.
My new series, the Museum Mysteries
(Berkley Prime Crime), opened with
Fundraising the Dead in October 2010,
and the second book, Let's Play Dead,
will be published in July 2011.
I'm a member of Sisters in Crime,
Mystery Writers of American and Romance
Writers of America. I'm currently
President of Sisters in Crime-New
England, and co-chair for the 2011 New
England Crime Bake conference.
In what little spare time I can
scrounge from writing, I enjoy filling
in my family tree and visiting as many
restaurants as possible. I live in
southeastern Massachusetts with my
husband, daughter, and three cats.
Hi, Peggy--I think you nailed it. Our characters become real to us, like old friends (and at least the less-nice ones are familiar). Don't you find yourself saying, "But she would never do that!" just to make your plot work? I've had people ask, "how do you keep your characters straight?" And I look blankly at them: "Because they're all people, not just cardboard cutouts filling space!" (Well, I say it more nicely than that.)
Thanks so much for having me here! People--both readers and reviewers--have said such nice things about An Early Wake. I'm so glad I could share that "magic" with others.
Thank you all for your comments. I first went to Ireland not knowing what to expect, looking mainly to see where my father's family had come from. And look what happened! I'll confess I've borrowed a lot of real details. The pub I called Sullivan's was actually Connolly's when I first saw it. Knockskagh is real, as is Bridget Nolan's house there. And Drombeg definitely is, and is mystical--I visit there every time I'm in West Cork, and it's always different. The Keohanes' house is based on the bed and breakfast where I stayed--where the landlady put me in touch with a second cousin (whose daughter's name is Grainne), who she claimed as a "cousin" too, not that she could explain how. The place continues to surprise me (and a lot of that ends up in the books!).