You can't refuse from Greg Rask, a dying billionaire. Rye gets a second
chance, and together, with other people that have also been given a
second chance by Rask, he is now on a hunt for a miracle cure.
Something that will give Rask his own second chance. There is a
painting that is said to have a hidden map that will lead to a lost city,
Shambhala. But, there are also those out there that will do anything to
stop them from finding the city.
As a great fan of adventures stories, the blurb for WHITE PEAK was really tantalizing to me. I love reading
books about lost cities, hunt for clues, and non-stop action. This book
starts off great with the introduction of Rye who gets a phone call he
will never forget. I have to admit that despite the great intro the
characters in this book didn't make a great impression on me. It very
much felt like the usual kind of gathering of people: the thief, the
muscle, the brain(s), the assassin, and of course, our hero Rye, who is
quite the mountaineer, which is good when the team is off to find
Shambhala. I hope the characters continue to develop in the next book;
I just couldn't find a connection with any of them in this book. Rye was
actually a little too naive to be believable in my opinion, so I am hopeful
he will continue to grow. The ending of this book was it's saving grace,
so I hope it will be continued. It was very different and not at all what I
had expected.
WHITE PEAK started off great, lost
a bit off footing for me along the way, but the ending set the book in
the right track again.
A new adventure book in the tradition of Matthew Reilly and
James Rollins
Do you think you deserve a second chance?
Greg Rask, a dying tech billionaire, has invested millions
chasing miracle cures. None of them are worth a damn, but
he
refuses to give up. Now, he’s gathering a team willing to
go
to the ends of the earth chasing life.
Each of Rask's crew has beaten incredible odds to rise from
the ashes of their old lives to where they are now.
Together, their next task is to retrieve a painting that is
believed to have a hidden layer, and within it a map which,
if genuine, marks it as a treasure of the Ahnenerbe, the
occult wing of the SS, who had devoted dozens of
expeditions
in search of the three cintamani stones for their
combined properties, and the lost city where they were
rumored to lay hidden: Shambhala.
But forces are working against them. Facing some of the
most
savage terrains known to man, the crew will be pushed to
the
limits of endurance and beyond. A mystical brotherhood
sworn
to protect the secrets of the ancients—the same secrets
that
allow its members to defy death—will stop at nothing to
ensure that Hannah and her crew fail, and die in the
process. Can they uncover the secret history of the world
before Rask’s body finally betrays him?
In White Peak, Ronan Frost draws on his experience
working for the British Ministry of Defence to create an
adrenalin-pumping quest full of death-defying adventure and
fast-paced action.
Excerpt
Chapter 1
Ryerson McKenna listened to his wife’s death on the
telephone.
He fed another quarter into the slot. The radio was playing
his favorite song. No one in the roadside diner said a
word. They all stared at him.
He pressed the phone against his ear. “Rye? Rye? Can you
hear me?”
“I’m still here,” he said, then cupped his hand over the
mouth- piece to yell at the waitress behind the counter, “I
need coins. Quickly. Please.”
On the screen above her head the words active shooter
scrolled across the aerial shot of the black smoke and
Sheridan Meadows shopping mall where less than five minutes
ago the shooter had rammed a truck through the plate glass
windows of the anchor store and kept on driving right into
the heart of the perfume de- partment. The smoke was more
than just the settling of debris; the truck, with a beer
company logo on the side, had been carrying a crude
fertilizer bomb that had detonated less than sixty seconds
after the engine died, barely giving the driver time to get
free of the vehicle and start shooting his way clear.
Ryerson was down to three bucks in change, enough to keep
the line alive for less than two minutes at the rate the
pay phone was eating through the coins.
He pushed it all into the slot.
He couldn’t afford to let the connection die. The cell
phone networks were overloaded. No other calls were getting
through. If the line dropped, he lost contact with Hannah.
It was as simple as that.
Three gunshots in rapid succession punctuated his next
words. “I’m going to get you out of there, Hannah, I
promise.” It was a stupid thing to promise, but he needed
her to believe him. This was what he did for other people;
he could do it for her. “Just stay with me, okay?”
“Okay,” she said, unaware that the clock on their call was
running out fast.
The world narrowed to vivid snapshots, brittle too-bright
im- ages of a life that had, in a couple of seconds, become
incredibly fragile: the foam crescent of his lips slowly
sliding down the side of the glass as his coffee went cold
in the booth; the yolk of his sunny-side up eggs congealing
on the greasy plate; the short-order cook with grease on
the front of his apron and bacon sizzling on the hot plate;
the candy-stripe straws in the glass jar on the coun-
tertop; the yellow sunflowers on the tables, petals wilting
in the too-warm interior; the trucker leaning against the
bar with a piece of green from his burger stuck between his
teeth as he hit on the waitress; the coffeepot burning dry
with nothing but dregs in the bottom.
The trucker emptied out his pockets, pushing another three
bucks in quarters toward Rye, who fumbled them up and fed
them into the phone, buying another two minutes on the open
line.
The cash drawer chimed as the waitress opened it, scooping
out another handful of silver. It still wasn’t enough. No
one paid by cash anymore. Not even tips. She pushed the tip
jar across the counter. There was maybe another seven or
eight minutes in there at best.
“More. I need more,” he said, his gaze sweeping across the
din- ers. Not including the two waitstaff, there were seven
people in there with him, and two of those were kids. One
of the diners, an art student type with plastic fl wers in
her hair, pushed back her chair and went around the table
with her hat, collecting every last quarter the diners had
between them, and brought it over to him.
He could only pray it was going to be enough to stay with
Han- nah until she was out of there.
The problem was he didn’t have a religious bone in his
body. He stared at the screen, trying to think.
He needed to do this like it was a complete stranger in
there, not the woman who was his world: keep her moving,
keep her away from the crowds, find a place to either hide
out or get out.
“Han, I need you to look for the mirrors,” he said,
thinking on his feet. “You should be able to see rows of
them between the storefronts?”
“I see some,” she said.
“Good. That’s great. Okay. You need to find the one that
opens into the service corridors. It’s probably in the
middle. Don’t panic if it doesn’t immediately open, some
are false fronts. You need to find the one that opens, and
go through it, before that main aisle becomes a shooting
gallery.”
He regretted the choice of words as soon as they were out
of his mouth.
She breathed heavily in his ear. Running. It was hard to
hear anything over the screams and panic on the open line.
It was mid- afternoon. Not peak hours, but there must have
been a thousand- plus people in the mall. More, probably,
counting employees.
He was forty miles away, helpless, and his money was
running out. It was one of the modern pay phones, with a
little LCD dis- play counting down the cents.
He fed the coins from the tip jar into the phone. “I need
more,” he shouted at the girl with the hat. She nodded, but
they both knew she couldn’t just magic up money from
nowhere. Thinking on her feet, she ran outside to the
parking lot.
“I can see them,” Hannah repeated, but this time she wasn’t
talking about the mirrored doors. Another burst of gunfire
under- lined exactly what she could see.
“Get out of there, Han. Don’t look at anyone. Just focus on
the mirrors. Get through the mirrors.”
“Oh god, oh god . . . oh god . . . Rye . . . Oh god . . .
They just . . . oh god.”
“Hannah, listen to me. Hannah, you can’t help anyone. I
need you to concentrate on my voice. You’re coming home to
me. Okay?” She didn’t answer him. “Go through the mirrored
doors. Hannah, can you hear me? You need to get out of
there.”
The girl with the hat came back into the diner and offered
up more coins. Her hands were shaking as she held out the
hat. There was a felt flower pinned to the front, and maybe
six bucks in coins and a pearl button inside it. It wasn’t
going to buy him enough time.
He needed more.
Rye grabbed a handful of silver and fumbled the coins into
the slot, each one adding precious seconds to the call.
The message on the television screen changed, the ticker
adding more detail to underscore the horror: explosion at
shopping mall. eyewitness reports of multiple shooters.
casualties.
Multiple shooters.
He’d been concentrating on getting her away from a single
point of danger, but before he could think about how that
changed things she was back with him. “I’m through. I’m in
some sort of passageway. It’s all concrete and pipes.” As
the mirrored doors closed behind her they muted the sounds
of dying. “I can see signs for Bay One and Bay Two.”
“Follow the one that’s heading away from the shooting,” he
said. “Every time you get a choice, head away from the
shooting. Eventually you’ll see signs for the fire exits.”
“I can see an arrow,” she said breathlessly. “Follow it.”
He heard her hustling down the service corridor. The count-
down on the phone said he had less than ninety seconds with
her. She was on her way out now, away from the worst of it.
He looked up at the television screen, thinking: god help
those other people. . . . There was a distance to it now.
He’d made good on his promise. She was on her way out.
“I can see light up ahead,” Hannah told him.
“Great,” he said, “head toward it. You’re coming home,
love. Just get out of there. Don’t stop. Don’t look back.
Just run and keep on running until you’re behind the
wheel.”
For the next dollar, the only sounds he heard were Hannah’s
heavy breathing and the slap of her footsteps echoing in
the in- dustrial passage.
And then they stopped.
Again, he cupped his hand over the mouthpiece. “I need more
money.” He saw the poker machine beside the door and
pointed. The waitress understood. She grabbed the key for
the coin box and emptied it out, spreading the coins out
across the counter. She sorted through them quickly.
He looked up at the television screen. The message hadn’t
changed.
“Rye,” Hannah said in his ear, only that, but it was the
way that she’d suddenly stopped, like there was nothing
else to say, the way that last footstep had dragged as she
faltered, the way her breathing had changed in that last
second, that told him she was in trouble.
Multiple shooters.
He’d led her away from one straight into the path of
another. There were no last I love yous.
With eleven seconds left on the display, the gunshots rang
out. Seven of them in less than a second. There was no more
brutal sound in the world. With nine seconds left on the
display he heard the phone fall from her hand. Eight,
silence. Seven, silence. Six and the only sound was the
slow measured approach of heavy booted feet. Five, and it
was the scratch of the cell phone’s case on the concrete
floor as the gunman picked it up. Three, a man’s voice told
him, “She can’t come to the phone right now.”
The one thing he didn’t hear in any one of those last
eleven seconds was Hannah breathing.
One final shot killed any remaining hope. The waitress had
more money for him.
He didn’t take it.