I'd previously read The First Rule Of Survival, a strong
police story set in modern South Africa. Now author Paul
Mendelson looks back in the life of his main character
Vaughn deVries in THE SERPENTINE ROAD. The story is told
in
present tense, but it's so well written that we barely
notice.
In January 1994, terrorist atrocities kill people of all
colours in Cape Town. The end of minority rule has been
approaching for three years, especially since the release
of political prisoner Nelson Mandela. But for some, the
process is not moving fast enough, and they have turned to
violence. DeVries is a Captain in the police, and it's
his
job to help hunt down the terrorists. The country has been
suffering from outside sanctions which are now being
lifted; the police use outdated, worn-down equipment. Men
are angry and resentful among the police too; they fear
change, and want to defend their families from a new and
perhaps unfriendly regime. Scared men make mistakes.
In April 2015, deVries is now Colonel in the Special
Crimes
Unit. Veldt fires are frequent during summer and many
police officers are black. But some things don't change; a
murder has occurred on Serpentine Road below Table
Mountain. DeVries and his constable Don February examine
the scene where a wealthy woman has been shot in her home.
Taryn Holt owned an art gallery, which currently hosts a
controversial display by a woman artist who depicts
exploited women in Africa. Does this supply a motive for
the planned murder, or is wealth at the bottom of the
matter? And separately, do the roots of the deaths of
former police officers lie further back in time, in 1994?
While murder is never pleasant, deVries currently has
nothing else in his life. This is no doubt an accurate
portrayal of men who keep going because of their job, and
have no family life. However it saves the author from
having to portray a more rounded character with personal
relationships. DeVries has come far enough since his
divorce that he's now getting to know women again, but
with
today's morality, they don't seem to want much from him.
While the first book was all about men, this complex crime
story is initially about women, though the police are all
male apart from one pathologist and a new constable. The
atmosphere is again richly drawn; smoked warthog ribs are
on the menu and rich smells from communal barbecues or
braies fills the hot, dusty evening air. In South Africa,
now as in the past, politics are never far from everyday
life, and Paul Mendelson vividly recreates the many
tensions and characters for his eager readers. THE
SERPENTINE ROAD is a gritty thriller and procedural in
one,
well worth reading and a fine second instalment in this
series.
Even after the release of Nelson Mandela and the promise
of free elections, extremist groups terrorized South
Africa, bombing churches, opening fire in bars and
restaurants. Nearly twenty-five years ago, as a young
Captain, Vaughn de Vries finds himself in pursuit of the
suspects of a fatal bombing in his precinct, under the
command of one of the most feared white police officers of
the time: Major Kobus Nel. Out of radio communication and
without clear evidence, the SAPS barge into a township and
set off a chain of events which will resonate for a
quarter of a century.
In Cape Town in 2015, the heiress of an Apartheid-era
industrialist is found murdered, her body posed to suggest
a racial hate crime. But, as Colonel Vaughn De Vries
investigates, possible motives for her death abound: a
highly controversial art exhibition, her sexual
preferences, her relationship - as yet unknown by the
press - with the son of one of the heroes of The Struggle.
And, moving South down through the country, North to
South, five men are murdered, each with a connection to a
point in history De Vries would sooner forget. When the
link is made, De Vries must re-live the traumatic event to
uncover the perpetrator. Old wounds, hidden in history,
are exposed, and a mysterious killer approaches, whom no
one seems able to stop.
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