CHARLOTTE MARKHAM AND THE HOUSE OF DARKLING, Michael
Boccacino's debut novel, is a Victorian Gothic mystery that
will appeal to fans of Daphne du Maurier and the like.
Charlotte, a young widow, has come to work as governess to
the two children of Mr. Darrow, who recently lost his wife.
Charlotte knows of loss herself having said goodbye to her
husband and both her parents. A man in black appeared as
each of her loved ones died, and she dreams of the dead and
the man in black every night. Charlotte isn't sure if the
man in black is death, but she knows he relates somehow to
death.
The tragic murder of the children''s nanny starts the plot
rolling as it appears distinctly unnatural. Shortly after
that on a walk through the woods with her charges,
Charlotte sees the house of Darkling and meets Lily Darrow,
her employer's dead wife in person. The children are glad
to see their mother, but Lily warns they must never speak
of her to their father.
Both fascinated and disgusted, Charlotte is nonetheless
curious and seeks to find answers to her own questions
about death in this environment. Her curiosity gets the
better of her, and she returns with the children time and
again even with the house's malevolence. Boccacino
describes it in glorious detail complete with its candle
people, books that can transport you to places, landscape
paintings that are really doors and statues of emotions.
Boccacino has a deft hand with describing the House of
Darkling's master as well along with his guests at a dinner
party and the different courses that are served. My one
quibble with this book is that I never felt drawn to any of
the characters. They remained two-dimensional for me, and
while I appreciated what they experienced, it never
developed to the level where I totally empathized.
That said, Boccacino is a terrific talent and understands
what a story needs to be a successful Victorian gothic.
Other authors have tried unsuccessfully to write them, but
this one is a gem. His vivid descriptions and intricate
plotting balanced the lack of character development so it
didn't take away from the book as much as it might have.
When the nanny to the young Darrow boys is found murdered
on the outskirts of Blackfield, Charlotte Markham, the
recently hired governess, steps in to take over their care.
During an outing in the forest, they find themselves
crossing over into The Ending, the place for the Things That
Cannot Die, where Lily Darrow, the late mistress of Everton,
has been waiting. She invites them into the ominous House of
Darkling, a wondrous, dangerous place filled with
enchantment, mystery and strange creatures that appear to
be, but are not quite, human.
However, everything comes with a price, and as Charlotte
begins to understand the unspeakable bargain Mrs. Darrow has
made for a second chance at motherhood, she uncovers a
connection to the sinister occurrences in Blackfield and
enters into a deadly game with the master of Darkling, one
whose outcome will determine not just the fate of the
Darrows, but of the world itself.
Charlotte Markham and the House of Darkling is a Victorian
gothic tale about family ties, the realm beyond the living,
and the price you pay to save those you love.
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